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隐身女(🌆)侠(xiá )（化身(🎧)女侠） Invisible Female Knight 南(nán )海拳王文添富(fù(💛) )杀恶霸铁腿(🦄)神(shén )驹为民(🤢)除害，驹挚友(😹)铁猴头(tóu )为(🌲)友报(📕)仇，误(wù )杀富妻，又偷(tōu )王(🕒)爷爱驹梅花(🤠)(huā )马嫁祸富(😞)，富入狱，幸得红颜(yán )知己(🚠)徐巧(⛪)珍帮(bāng )助逃(🚞)狱，终打(dǎ )败(📋)(bài )铁，讨回清(📕)(qīng )白(bái )。 导演(🕓)：黄(huáng )域(yù(💶) ) 1953年9月，某省城(chéng )。我公安机关(guā(🤲)n )收到敌情通(🧛)报(bào )，敌人要(👶)在国(guó )庆(qì(🍔)ng )节制造爆炸(🎊)(zhà )事(shì )件。侦察员(yuán )顾(gù )群（(💜)印质明(míng ) 饰(🍍)(shì )）接受任(〰)务后(hòu )，立即(⛄)走访群(qún )众(🍲)，了解(🤬)破案(àn )线索。特务何(hé )占(♉)彪（浦克 饰(📣)(shì )）、白松(💭)亭（李颉 饰）采用(yòng )偷(🙉)寄匿(😗)名信、制造(🗨)交通事故等(🏦)(děng )手段，诬陷(🤛)接(jiē )待处司(🏬)机平小(xiǎo )海(⛩)(hǎi )（赵联 饰），转移公安人(ré(🚢)n )员(yuán )的侦察(🎵)方向，从中混(🐻)水摸鱼(yú )。小(🕯)学生淘气(qì(♉) )（马世达 饰）做(zuò )梦都想不(🍗)到(dào )，在他喜(⛓)欢摆(bǎi )弄(nò(🔜)ng )的闹钟里竟(🛍)(jìng )被(bèi )人安(🥇)放了(🦓)定时(shí )炸弹，爆炸时(shí )间(🗝)为国庆节上(🔃)(shàng )午十点钟(🔲)。何(hé )占彪作(🎙)案后想(xiǎng )座(💶)火车(💫)逃跑，但被顾(🛍)群抓获，与此(👒)同时，平小海(⬜)的女朋友(yǒ(🔅)u )赵小惠（贺(⛔)小(xiǎo )书 饰）正帮着(zhe )小(xiǎo )海从(🏂)被人诬(wū )陷(🖥)(xiàn )的苦恼中(🔑)恢复(fù )过来(📀)。审讯室(shì )内(🤺)，何占彪盯(dīng )着墙上的挂钟(zhō(🥠)ng )，十点钟过去(💒)(qù )了(le )，炸弹没(🦅)有(yǒu )响(xiǎng )...... 在英国殖民(mí(⛹)n )统(tǒ(🏠)ng )治时期的加(jiā )勒(lè )比海(🍟)中有个虚(xū(🚴) )幻的小岛。岛(😀)(dǎo )上有名有(🀄)远大(dà )政治抱负(🍸)的年(nián )轻英(🗜)俊黑人男(ná(🥪)n )子爱上了来(🏩)此(cǐ )地旅游(📭)的美丽白人(🛄)女子，两人的亲昵被旁人(rén )窃(♒)窃私语，随(suí(😹) )着绯闻越穿(🍺)越(yuè )大(dà )，在(📛)那个封(fēng )闭(🧔)(bì )的年代，不同(tóng )种族之间的(🏞)爱(ài )情绝不(😞)被世人(rén )接(😉)受，黑白配(pèi )的恋情最终(🛤)走(zǒ(🏈)u )向(xiàng )崩裂，他们(men )的(de )爱情被(🚶)遗忘(wàng )在(zà(🆖)i )这个偏僻的(🐃)(de )不(bú )为人知(🌉)的小岛(dǎo )上，随风(📸)吟诵(sòng )。 故事(⏫)发生在(zài )1950年(📷)代中期，某(mǒ(⤵)u )城市。肖平（(🥃)刘增庆 饰）(💄)和(hé )林美兰（袁玫 饰）是一(📠)对恋人，两人(💻)同在设(shè )计(🕚)院工作。由(yó(💥)u )于一次图纸(🐑)设(shè )计(jì )上的分歧，两(liǎng )人情(🕕)感出现危(wē(🔡)i )机。已有妻室(🤸)(shì )的主任彭珂（陈颖 饰(👐)）趁(🥡)机(jī )向美兰表示爱(ài )慕(📡)(mù )，美兰惊愕(😽)(è )不(bú )已。在(🔋)好友(yǒu )静(jì(🔷)ng )文（林东升(shēng ) 饰(👏)(shì )）的劝解(🛣)后，肖、林两(🕊)人和(hé )好如(🏦)初，但虚(xū )荣(🐰)心很强的美(🧢)(měi )兰仍不接受肖(xiāo )平对她所(🌹)设计(jì )图纸(😙)提出的修改(⛪)意见，因而又(💳)对肖平心生(👅)怨(yuàn )恨。乘人之危(wēi )的彭珂趁(💹)虚而(ér )入(rù(🛒) )，其妻淑芳(fā(🔉)ng )（王人美 饰）陷(xiàn )入巨(💟)大痛(🚘)苦。不久，美兰怀(huái )孕了，彭(💏)珂出(chū )于名(🥙)誉地位考(kǎ(📻)o )虑(lǜ )逼美兰(🦀)打胎(tāi )，此时的美(🥓)兰(lán )终(zhōng )于(🙉)认清了这(zhè(🔑) )个(gè )伪君子(🚬)的真实(shí )面(⛺)目，痛苦万(wà(💗)n )分。后经领导(dǎo )和同志们的教(💊)(jiāo )育帮助，她(💺)渐(jiàn )渐走出(🚑)情感的(de )泥潭(🕐)...... 将军周仕杰(🌝)与宫女慧儿相(xiàng )恋。杰奉命出(💿)(chū )征期间，皇(🚪)帝(dì )将慧赐(🤡)予义亲(qīn )王(wáng )为妃。杰归(😴)(guī )来(😾)(lái )找慧，义误会(huì )杰调戏(🥥)爱妃，争持之(📩)间，杰(jié )误杀(🐨)慧，痛不(bú )欲(🔇)生，自刎身(shēn )亡(wá(😖)ng )。 影片描述(shù(🐗) )一(yī )群探险(🚮)队员(yuán )到(dà(🐎)o )喜马拉雅山(🥛)(shān )去(qù )探险(🐋)，却意外(wài )地遇上了一头(tóu )雪(😙)怪，并且逐(zhú(🔥) )一被雪怪及(🎤)自(zì )己的恐(🎩)怖所杀(shā )害(🐝)。 1956年时值冷(lěng )战时期，莫斯科大(🎑)剧院芭蕾舞(🚸)(wǔ )团跨越铁(📧)幕到(dào )英国伦敦访问(wè(🏥)n )演出(👔)，苏联传(chuán )奇(qí )芭蕾舞家(⌚)乌(wū )兰(lán )诺(🐸)娃演出吉赛(⤴)(sài )尔。本片是(🤒)出(chū )身维也纳的著(zhe )名导演Paul Czinner 在(🌧)1956年摄(shè )制的(🏚)舞台纪录(lù(🗽) )片(piàn )。 EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films.