亲密旅行 正片

Like in the novel of Jules Verne four persons try to get to the centre of the world by entering into a world of caves by a volcano. On their way they discover among other things also prehistoric animals like some dinosaurs. This extremely obscure Italian production tells the story of a modern day neo-Nazi youth gang that meets in a place decorated with swasticas and a poster of the "Führer". The members of this gang are all bored teenagers from rich families. One of the gang prefers playing pin pall to getting a girlfriend, because playing pin ball literally gets him off. The leader of the gang indulges in violent sexual fantasies, which ultimately leads to rape and murder. This inspires a teen gang from the streets, whose members are poor kids from the ghetto. The story is quite interesting, especially the aspect of the impact the neo-Nazi gang has on the street gang in the end, although the gangs as such have nothing in common. Unfortunately, the film becomes extremely slow paced after a good first 20 minutes, and it never really returns to a faster pace. The interesting cast, unknown faces even for connoisseurs of obscure Italian films of the Seventies, does a good job throughout, which makes it even more sad that the movie as a whole is merely a disappointment. All in all, "I Ragazzi Della Roma Violenta" is a movie that could have been far better than it eventually turned out to be. However, it's remarkable that the film precedes some of Larry Clark's issues in his films "Kids" and "Bully" for about two decades. 电(📩)影(yǐng )描述一(🕡)群法国生意人在一战(😏)(zhàn )期(qī )间来(🌅)到(dào )象(xiàng )牙海岸做贸(🐦)易，期间遭遇(📽)法(fǎ )国与(🎉)德(dé )国(guó )开(🛅)(kāi )战，他们自发的(🏴)组织(😚)起一支雇佣(🐿)军(jun1 )对(duì )德国人(ré(🍑)n )发动(🏖)攻击，途中经(🏗)历了很多(🎤)(duō )事(shì(🔬) )情，引(🉑)(yǐn )发(fā(🏛) )了(le )很多戏(👰)剧性的故事(🍆)……(🌝) 「五(wǔ )毒天羅(luó(🏂) )」是武林至(🗽)毒之(💽)物，失蹤多年(nián )後(🎙)重現(xiàn )武(wǔ(🥕) )林。武(wǔ )當(🏭)派門下弟子(🎂)飛英雄（岳華(huá )）和(🔎)飛英傑(jié )（(🈷)王鍾）兄弟下山查究(🤷)，英(yīng )雄(xióng )途(🍼)中遇(yù )五(🛺)(wǔ )毒教教主(🥃)之女素素（井莉(🌄)），暗(👣)生(shēng )情(qíng )愫(⏫)。素素為保五毒天(🌛)羅誤(💶)傷英傑。武(wǔ(🎹) )林(lín )大會(📿)中(zhōng )，英(🎨)傑認(🐣)出殘害(🍮)自已的兇(🌝)手(shǒu )，竟是兄(📐)(xiōng )長(🎂)(zhǎng )心愛的女人，英(💋)雄晴天霹靂(💪)(lì )，不(👦)知所(suǒ )措(cuò )……(🌊) Director Mario Caiano is not one of the better known Italian directors; but he's certainly one of the most underrated and has proved himself more than capable of delivering the goods on a number of occasions with films such as Calling All Police Cars, Night of the Doomed, and this film. The Polizi genre is best known for it's fun action flicks with a focus on car chases and shootouts; but with this film, the director has taken the theme and added an extremely grim atmosphere to it, and this bodes well with the plot line which takes in a robbery gone wrong, a resulting war between the criminals and a police investigation. The film opens with a bank robbery in which the crooks make off with a load of money which was intended for some workers' pay packets. This interests Police Commissioner Foschi as the wages are normally paid in cheque. Things haven't gone well for the criminals either, as two of them have decided to rip the other one off, leading him to track down his former partners with the cops on all of their tails. A rich playboy has a large house in the countryside. One weekend he invites a fashion model. On his way to the house, he drives past a gang of crazy young men. They find out where he lives, enter the house and kill him. Eventually the model arrives... 《婚姻》是巴西(🖤)电影史(shǐ(🙏) )上最受(shòu )争(🦇)(zhēng )议的影(yǐng )片之一，改(💮)编自Nelson Rodrigues的同名(👙)小说(shuō )，因其中大(dà )量(⬇)(liàng )非正常的(⤴)情爱关系(🤰)而倍受(shòu )争(😘)(zhēng )议，导(dǎo )演(yǎn )Arnaldo Jabor是(😲)巴西(💖)新浪潮电影(🤚)运动在70年(nián )代的(🌇)主(zhǔ(🚀) )要(yào )人物。 북(🌗)간도에서(🌛) 바진탈(🔹)이란(🔏) 백계 러(🐋)시아인이(🏤) 노.일전쟁때(🚊) 분실(🔓)한 토알파토 족장(🦍)의 인부를 찾(🌟)으면(🤬) 최신식 기관총 등(🏂)의 무기를 주(🏘)겠다고 흥(✍)정한다. 애국(🦐)지사들은 무기를 구하(👔)기 위해 인부(🦊) 은닉처가 그려진 지도(💑)를 찾는다. 그(📫) 지도를 판(🏋)독할 수 있는(🤱) 중국인 오학자에(✈)게 시(🕥)켜서 장소를(🐓) 찾아 그곳을 향한(🍄)다. 일(🍆)본군의 방해(♈)가 있지만(🍵) 정체불(🎙)명의(💢) 백두산(😌)이 애국지(🚸)사를 돕는다(⚓). 마침(💖)내 신식무기를 얻(🐨)게 된 그들은(🔓) 독립(🎙)군 무장강화의 보(🛒)람찬 길을 떠(🏂)난다. 河内(💌)松原に住む(🤐)“河内のオッサン”こと(🏚)徳田松太郎(🛐)こと通称、徳松(sōng )は(😢)三十過ぎて(♎)、まだ一(➗)人者の白タ(🛺)クの運(yùn )転手。喧(👼)(xuān )嘩(🥢)早くて、粗(🧓)骨者だが、河(hé(🐐) )内男(💹)の心(xīn )意気(🔢)を身につ(👦)けた好(😻)漢で(📀)ある。徳(🕖)松(sōng )は、(👛)当然(rán )のご(🤮)とく(🤡)バクチ好きだが(🤫)、残(cán )念な(♋)がら(🏟)バク才はない。ラ(🍏)イバルの地(➖)主の息(xī(💱) )子(zǐ )、忠三(👉)郎のカモになって、(🐺)いつも身(shē(🤫)n )ぐるみ剥がれて丸裸(📏)の朝帰りで(🚱)ある。そん(📴)な徳(dé )松に(🏽)でも好意を寄せ(🉐)る女(🐝)(nǚ )がいる。花(♿)(huā )火工場に勤め(💷)る花(🕎)子は、徳(dé(🎴) )松にバク(🍖)チをや(📑)めさ(🕘)せよう(🥛)と常々忠(👹)告するのだ(👜)が、(🥩)自(zì )らバクチの(🈴)天才と思い(🎲)込む(🧛)徳(dé )松には馬(mǎ(💱) )耳東風であ(🥠)る。ところ(👷)がある日、(😻)その徳松に異常現象(📔)が起きた。ど(➡)うした風の吹(chuī )きま(🏫)わしか、一(🍴)世一代の(👽)ツキがまわ(🔬)って来たのだ。誰(🍟)が立(📻)ち向っても(🔯)歯がたたない。あ(🌒)まり(🥠)の勢いに呆(🈹)(dāi )気にと(🕌)られる(🏓)一同(🐿)を前に(🙇)、得意満(🎁)面の徳松－(❎)－。そ(😩)こへ花子が現わ(⛵)れた。花子は(🅰)徳(dé(👦) )松の鼻(bí )柱(zhù )を(👀)折るべく勝(🌏)負を挑ん(㊗)だ。かくて、(🔐)一(yī )同注視の中で、(♑)二人の差し(🥡)の勝負(fù )が始まった(🔉)。だが、この(✋)夜の徳松(🎈)は向(xiàng )うと(🙊)ころ敵(dí )なしで(💸)、花(🐌)子とて容赦(🚵)なく、勝負(fù )は(⛺)アッ(🍱)サリ徳松が(🐄)勝った。と(👜)ころが(🏂)、負(👖)けた花(💛)子は払う(🤘)ものがなく(➰)、身(💑)体(tǐ )で払うと言(🆕)い寄られて(✖)、徳(💲)松はあわてふた(🐜)めいた。徳松(🏮)は、ほう(👗)ほうの体(tǐ(🏨) )で家に逃(táo )げ帰った(🙀)ものの、治(🍬)まらないのは河(hé )内(🏟)(nèi )の名物(wù(🛑) )婆さん、(🤪)通称六升こ(😞)と林田(tián )かねを(🛸)はじ(🔩)め、オジヤ(➿)ン、仙やんとい(♋)った(📒)何かとおせ(⏳)っかいや(🔺)きの連(🚄)中。例(🎾)(lì )え女(🙆)でも、バ(🚬)クチの抵当(📳)はき(🍨)っちりつけるの(🔜)が河内者(zhě(🤼) )の仁(🔁)義とばかり、寄(🚛)ってたかっ(🚟)て徳(dé )松(⛺)(sōng )に羽織ハ(🤾)カマを着せて、花(huā(🧣) )子との結(jié(🥚) )婚(hūn )式を強行した。そ(🍚)してその後(🏡)は、二(è(👦)r )人のことは(😖)まるで忘れたか(📰)の如(🚼)く、飲めや(📗)踊(yǒng )れのドンチ(🕯)ャン(🤸)騒ぎが何時(📟)(shí )果(guǒ )て(🌧)るとも(🐷)なく(🗄)続いた。かくして(⛄)、徳(dé )松と(🍊)花(huā(👮) )子(zǐ )の神聖な初(✖)夜は、この(🚋)連中(🐲)にねぐらを取ら(🎫)れたため、(🏝)大和川の(🕷)ススキの中(🤲)(zhōng )で迎えることとな(🦅)った。甘い新(💓)婚生(shēng )活もマンザラ(🥏)ではない徳(🧔)松は、真(✏)面目に仕事(⏳)(shì )に精を出(chū )す(🎣)よう(🆘)になった。そ(💷)んなある日、客(🧟)待(dà(🔍)i )ちで居眠り(🚪)をしてい(🌶)た徳松(🗻)(sōng )の(😱)車に、ダンプが(🌲)ぶつかった(🌆)。これ(🌒)が縁で、徳(dé )松(🌾)は東京から(🏫)流れ(💣)て来た唐長と名(👕)乗(chéng )る若者(⌛)と知り合った。この男(🏺)、何か過(guò )去を背(bè(🐝)i )負(fù )ってい(🌚)るらしいが、妙に徳(📁)(dé )松と気が(📉)合(hé )って、二人は兄(💠)弟分の契を結んだ。こ(🏂)こに、河内(🐒)松原がひっくり(📜)返る(🥩)大(dà )騒動が(🈚)持(chí )ち上った。唐(🎿)長を(🚢)追って東(dōng )京(jīng )の暴(🆘)力(lì )団(🕺)(tuán )が(😍)流れ込んで来た(🚕)のだ。実(shí )は(🗃)この(💄)唐(táng )長、ことも(🥖)あろうに組(🏬)長の情婦、かおると(🍎)駆(qū )け落ちして来た(👻)のである。か(🛑)おるはファッション(🍎)・モデルに(🍎)憧れて上京した六升(🐃)の一人娘であった。暴(📉)力団の手(shǒ(🏂)u )から必(bì )死に唐(🧘)長と(🚚)唐長に惚れ(🎽)た梅(méi )子(zǐ )を守(💃)ろう(🥀)とした気丈な六升は(🚛)、力が(📙)つき(📴)て、駆(qū )けつけ(😅)た徳松に、(🏇)二人(🌥)とかおるのこと(🚜)を頼んで、(💮)息を引きとった。唐長(😪)(zhǎng )は梅子ともども東(🔃)京に連れ去(🏸)られ、凄(qī )烈なりン(🐾)チを受けた(🖥)。徳松の河内魂(hún )が、(🕍)ムクムクと頭を持ち(🌁)上げた。「ヤ(🦍)クザが何(hé )んぼ(🌯)のも(🚁)んじゃい、(👤)ワイが河内モン(🐯)のド(🤾)根性(xìng )見(jiàn )せたるド(🈁)！」と、(🥕)小さ(🈯)な体(tǐ )に闘志(zhì(💟) )満(mǎn )々。六升(🎉)の葬(🍙)儀を終えた徳(dé(📮) )松は、東(dō(⛳)ng )京の空をハッタとに(🤴)らみつけた－－。 Mikami, a Japanese soldier serving in China, is captured by the Chinese. Although he is able to escape, his troubles are far from over. He returns to his unit but is treated with contempt for the disgrace of having been captured. Mikami falls in love with Harumi, a prostitute. She tries to convince him to desert from the army, with fatal results