黑色风暴电影 第01集

《夜(🏏)花园(🎠)》(Gardens of the Night)英国/美国 距离里海峰(🏷)会318天(🚹)，故事(shì )从此开始，几(jǐ )个为(🔙)拯(🏞)救世(shì )界(jiè )的俄罗斯科(kē(🛷) )学(xué(🌌) )家及007式的动(dòng )作(zuò )英(🚷)雄，几(💓)个(🐬)(gè )老(lǎo )奸巨猾的阴谋(móu )家(🥔)(jiā )，为(🔃)了控制(zhì )世(shì )界的武(👩)器(🍜)而(❗)(é(🎞)r )进(jìn )行一场智力(lì )与(🚅)(yǔ )武(🚴)力的(🏦)浴血(xuè )搏(bó )斗，最终邪(🍃)(xié(🗻) )不(bú(🧠) )胜正.历史上总(zǒng )是善(🛀)良的(🏆)人取(qǔ )得最后的胜利(lì )。全(🎼)片(🕳)紧张(😄)刺激,被誉为"俄罗斯版(🥫)007"（这(☕)纯属瞎掰:)） Frank Taylor（Humphrey Bogart）是一个工(🐗)作(🙇)认真的机械工人，一心(xīn )努(🚧)力工(🍴)作想(xiǎng )要(yào )成为车间(🎹)领(lǐ(🎰)ng )班(🦋)(bān )，赚更多的(de )钱(qián )让妻子和(👿)儿(é(😩)r )子(zǐ )过上幸福安(ān )逸(🍔)(yì(⚾) )的(😛)生(😂)活。信心(xīn )满(mǎn )满的Frank和(🚮)众多(💯)(duō )工(➰)(gōng )友都认为他(tā )为(wé(👄)i )成(⛅)为新(🐳)的领(lǐng )班(bān )，Frank也将这个(🌷)(gè )即(🔈)(jí )将受得提升(shēng )的(de )消息告(🙊)知(🎅)了家(🍈)(jiā )人，不料上级(jí )最终(🥢)却将(🥓)领班(bān )职位给了一个更有(👞)知(🛥)识的匈牙利裔美国人。Frank对此(🏫)极端(🧀)不满，内心受到极大打(⛺)击，意(🎢)志(💼)消(xiāo )沉，此时，一(yī )个工人介(📥)绍(shà(🚇)o )他(tā )加入了一个(gè )反(🍀)(fǎ(🧥)n )他裔(🤐)美国人(rén )的(de )地下组织(🏊)：黑(💠)(hēi )暗(🏗)军团...... 父亲自(zì )杀(shā )、(🚗)恶(📥)疾缠(🎻)身(shēn )、贫穷、身边(biā(🕟)n )朋(pé(💿)ng )友的不幸都(dōu )让(ràng )男孩遇(🕹)到(💍)，被(bè(🥙)i )一个神经病(bìng )欺(qī )负(🏙)，遇到(🔽)一个(gè )神经质的女孩(hái )并(🎊)相(✨)伴，女孩(hái )欺骗并离开了他(🆔)，他又(🗝)该往何处去呢？ 莫莉(📃)被指(🧝)控(❔)杀害丈夫加利医生，而她却(🕵)坚持(🗞)自己(jǐ )在案发时暂时(🆒)(shí(🏫) )失忆(🔗)，坚决(jué )否(fǒu )认了指控(🥇)。她(tā(🏊) )的律师和法(fǎ )院(yuàn )达成协(🍏)议(🧗)：莫(🔱)(mò )莉承认有罪，法(fǎ )庭(🤲)从轻(🐦)判处(chù )她(tā )六年监禁。出(chū(⏫) )狱(⏭)那天，《观(guān )察家》报的(de )优(yōu )秀(🔍)记者(👷)弗兰(lán )前(qián )来采访，这使(shǐ(🤪) )莫(🛬)莉感到亲切(qiē )，毕竟弗兰是(😌)(shì )她(🏅)的中学同学。在采访中(📪)，弗(🤬)兰(😏)发(🚍)现案子的疑点很多，莫莉希(🏧)望通(⚓)过弗兰的调查揭露事(🐛)情(💺)真相(📔)。她们(men )很快发现有(yǒu )人(🚌)(rén )企(🐯)图阻挠弗(fú )兰(lán )的调查，她(👣)(tā(😈) )们(men )的(🐦)人身安全(quán )也(yě )受到(🐋)了威(🎊)胁。然而这些并没(méi )有(yǒu )阻(👕)止(🐡)弗兰的(de )调(diào )查，澄清事(shì )实(⛪)(shí )的(🚝)信念支持(chí )着(zhe )弗兰。在调(dià(🐔)o )查(🌑)(chá )中，弗兰对加(jiā )利的合伙(😵)人彼(🏺)(bǐ )得产生了好感(gǎn )，但(💹)是(💙)彼(🙉)得(👋)破绽百出的谎言引起了弗(🥝)兰的(🥀)警觉。经过细致周密的(🥌)调(📚)查，弗(🐽)兰终于将视线转向了(🏕)莫莉(🔚)的(de )挚友珍娜。莫(mò )莉根本无(🛅)法(🏕)(fǎ )想(✂)(xiǎng )象，珍娜和(hé )加(jiā )利(🔻)本来(🌏)是真(zhēn )心(xīn )相爱的情人，是(✳)金(⏫)钱使他们(men )走(zǒu )进了不同的(😼)(de )婚(hū(⬜)n )姻殿堂，并(bìng )渐(jiàn )渐生出了(🥚)仇(🧟)(chóu )恨(hèn )…… 又名Hercules in the Center of the Earth. 一(yī )辆(lià(🦄)ng )载有(🦀)巨量液化(huà )气的车辆(💉)遭(👱)遇(💁)(yù(🥍) )五车连环相撞(zhuàng )的交通事(🤛)故,发(🤴)(fā )生了泄漏,即将发生(🐅)大(🦃)爆炸(😟)，整座城市险入紧急戒(🔌)备状(🚁)态。新上任的副区长林炜和(🎅)大(🎿)学时(🥑)(shí )的同学景慧(huì )以(yǐ(🏔) )非凡(😼)的勇气(qì )投(tóu )入了抢险工(🦁)(gō(🐪)ng )作(zuò )，最后市长(zhǎng )下(xià )令林(🤭)炜必(🏑)须亲(qīn )自驾着已尾部(bù )燃(🤴)(rá(🔽)n )烧的气罐车(chē )开(kāi )离市区(🤞)，景(jǐ(👀)ng )慧(huì )看着已经启(qǐ )动(🚊)(dò(👢)ng )的(🍙)车(✴)，义无(wú )返(fǎn )顾跳了上去，并(🐝)决定(😩)和林炜(wěi )共生死。 Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo. 本片(👄)(pià(🏐)n )取材(🚱)自真人真(zhēn )事，曾获得(📮)美国(🏯)青少年观众票选大奖提名(🐘)。