日本少女剧情介绍
While hosting a game of cards one night, Narumov tells his friends a story about his grandmother, a Countess. As a young woman, she had once incurred an enormous gambling debt, which she was able to erase by learning a secret that guaranteed that she could win by playing her cards in a certain order. One of Narumov's friends, German, has never gambled, but he is intrigued by the story about the Countess and her secret. He soon becomes obsessed with learning this secret from her, and he starts by courting her young ward Lizaveta, hoping to use her to gain access to the Countess.
Gotthold Ephraim Lessing published his "dramatic poem" in 1779 as a direct response to censure by official orthodox religious circles, to which he was subject after publishing a work by Samuel Reimarus that was critical of religion. He set his story in Jerusalem at the time of the Crusades, where Christians, Jews and Muslims were in constant and close confrontation. It threatens to end tragically in religious conflict, but the main character succeeds, with insight and shrewdness, in reconciling the religious communities. Lessing's drama is acknowledged in German literary history as a "humanist manifesto" that defends "religious tolerance and the freedom of ideas". Scriptwriter Hans Kyser adapted the drama to great cinematic effect, incorporating as a powerful prologue, the opening episode that Lessing resolved only at the end of his drama. Manfred Noa used the brutality of the Crusades and their exotic setting to stage visually impressive crowd scenes. Experienced actors from box-office hits were magnificent in the leading roles, among them Werner Krauss (Das Cabinet des Dr. Caligari / The Cabinet of Dr. Caligari by Robert Wiene) as Nathan, and Carl de Vogt (Die Spinnen / The Spiders by Fritz Lang) as a young Templar knight. As in the original drama, this emotionally charged production ends in an impassioned plea for reason and for tolerance towards people of other faiths.
剧(📜)(jù )情
一对骗子夫妇企(🎑)图(tú )从年轻女子爱(à(👾)i )丽(🈶)丝(sī )·福克纳那里(💚)偷(🐂)走信(xìn )件(jiàn )，并用来敲(💴)诈(🐐)它们(men )的作者，一位不(🎗)负(🔌)责(zé )任的王储。歇洛克(🎷)(kè )·福尔摩斯也想(xiǎ(🌘)ng )拿(💃)到(dào )这(zhè )些信件，在寻(📑)找的(de )过(guò )程中，他遇见(⛸)爱(♿)丽(lì )丝并爱上了她。莫(🥈)里(lǐ )亚蒂教授与骗(pià(♟)n )子(🍴)夫(fū )妇(fù )联手，企图杀(🐸)害福(fú )尔(ěr )摩斯……(📽)
资(🚠)料见：
MARIZZA is the first of Murnau's peasant films. Marizza is tired of her smuggler employer's orders for her to play up to the gendarmes so that he and his men can ship contraband. She leaves and begins work at the farm of an impoverished aristocrat, Mme. Avricolos and her twin sons, Christo (dynamic) and Antonino (dreamy). Marizza is discovered in Christo's room by his mother and she banishes Marizza who runs away with Antonino. Mme. Avricolos sets the smugglers on their trail and they are found, poor and starving (shades of TABU). Marizza plays up to the gendarmes, especially Haslinger, in order to get money, but Antonino becomes jealous and attacks Haslinger. Marizza kills the latter to save Antonino, who accuses himself of the murder. There is a last minute rescue of both Marizza and her baby from a burning cabin.
Молодо(🗺)й человек Р(🛣)о(🛡)же заподо(👳)з(🔝)рен в шулер(🏎)стве при иг(🥏)р(🦄)е в карты. За(⚪) него засту(💤)п(🖌)ается Раск(🔯)аль Венкон(⏯), к(⛸)оторый ока(🏋)зывается и(✅)з(😎)вестным па(😐)рижским ав(🏌)а(🤙)нтюристо(📕)м(👦). Он протяги(😄)в(🛵)ает руку п(😲)о(❤)мощи и дает(🍧) совет, как с(🦂)т(♐)ать «Корол(🏛)ем Парижа»(💥)…(👢)
滑稽大王选(xuǎn )汽车(chē(🌵) )不(bú )靠眼睛，要汽车一(🎇)(yī(🍑) )字(zì )排开，靠闭了眼睛(📃)(jīng )用手去摸；滑稽大(🕖)王(🤠)(wáng )坐的轿子不能(néng )坐(🦌)，轿(jiào )子没有底，只能两(💱)(liǎ(👟)ng )只(zhī )脚踩在地上，脚(💝)和(🐰)(hé )轿子一起停停走走(🤘)；(🥏)滑稽大王坐汽车，滑(🎺)(huá(🏾) )稽大王练体操(cāo )，滑(huá(🐝) )稽(jī )大王踩水车、放(⛎)牛(🌨)(niú )，滑稽大王参加宴会(✴)(huì )无一不给人带来麻(🌽)烦(♉)(fán )和笑声。最后，在(zài )他(🎨)(tā )即将离开上海的时(👹)(shí(🧝) )候(hòu )，更是闹出了真假(📋)(jiǎ )滑(huá )稽大王的笑话(⛸)。