韶关电影院 第5集

年届不惑的(de )老盖（(💱)野峰(🤹) 饰(shì(😢) )）一生(shēng )辛劳贫(pín )苦，为(wéi )了赚(🦆)钱养(💳)家辛(🎠)苦(kǔ(🦄) )受累，做着各种下(xià )贱工作(zuò )，几(🍅)十(shí(😞) )年来(🐚)却(què )一事无(wú )成。大(dà )女(🗡)儿小红(🕤)（葛(🔹)荻华(🌝) 饰）嫁(🌻)给海员，并育有(yǒu )一子，但(😂)不久(🎺)(jiǔ )丈(🍡)夫因(yīn )海难而(ér )死，成为寡妇；(👝)次女(⛺)小艳(🎆)（陈(🖊)萍 饰(shì )）与一(yī )富家子(zǐ )弟拍(🔂)拖(tuō(👇) )，结果(👣)(guǒ )被人搞(gǎo )大肚子后甩掉，无奈(💁)只得(🍊)带着(🥡)襁褓中的宝(bǎo )贝回家(jiā )；小女(🚓)(nǚ )儿(👖)小芬(🤧)(fēn )（(🌼)林珍(zhēn )奇 饰）因家境贫苦，早(zǎ(🌾)o )早失(⛑)学。苦(🌘)于生计(jì )，老盖(gài )向放高(🥡)(gāo )利贷(🦒)的(de )龙(🔋)姐，却(😞)无力(lì(😣) )偿还。在龙姐的逼迫下，老(♟)盖开(🌞)设(shè(🆗) )一家娼(chāng )馆，三(sān )个女儿(ér )也被(🗿)迫(pò(😿) )出卖(😭)肉(rò(🌦)u )体替父还账。珍爱的女儿们在自(😥)己(jǐ(👞) )眼皮(✂)底(dǐ )下卖身(shēn )，个中(zhōng )酸楚惟(wé(🍳)i )有老(🌞)盖(gà(🍁)i )一人得知。 电影北少林描述了中(♊)国抗(📰)日战(㊗)(zhàn )争(🚻)时期(qī )武林人(rén )仕与日(rì )本侵(🗣)略(luè(🐜) )者的(🐄)争斗。 Because he dishonored the daughter of a mafia boss, Ernesto must leave Rome and take shelter with his uncle in Paris. There, he thinks of only one thing: to seduce girls. This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. 昭和５１(19７6)年　　(🛐)　東宝(🛫)　　(🍂)　　(🕸)197６ (昭51)年(⌚)キネマ旬(xún )報ベストテ(🍇)ン第(💒)29位) 文(💭)革电影在今天看来虽然带有(yǒ(🐷)u )特定(📪)时(shí(📅) )代浓(💧)郁(yù )和鲜明(míng )的特征(zhēng )，但也(yě(⏯) )正是(🔝)这一(🐁)点，使得在今时今日纷繁(fán )得令(⬆)人(ré(😈)n )眼花(👎)缭(liáo )乱(💯)的影(yǐng )坛中，依然可(kě )以(🎙)记起(🌂)这一(💲)特定时期的产物，而它们也能(néng )给观(👺)众(zhò(😽)ng )带来(♋)浓(nóng )浓的怀(huái )旧思绪(xù )！本片便(📈)正是(🔀)这样(🛡)一部(bù )影片！