用我的手指头搅乱吧剧情介绍
苏联芭蕾舞团到(🍷)美(mě(💐)i )演(yǎn )出，却(🧤)(què )遇(🌊)到反(🥍)(fǎn )苏(🛡)势力(🌒)大闹(💘)舞台，苏联(lián )特工意(yì )外(wài )身亡，主演不知所踪。主演是女(💵)作家(jiā )好(hǎo )友(🚧)的(de )亲(🍾)戚，想(🥢)要在(😪)美国(🐢)避难(🥥)却又成(chéng )为(wéi )了杀(shā )害(hài )特工的嫌疑人。KGB以及CIA都展开调(diào )查，女(nǚ )作(zuò(〰) )家要(🌓)如(rú(👏) )何保(🅱)护主(🚒)演，找(📑)到真凶(xiō(🍨)ng )？
Incorrigible boor Jack Taylor is fired from the Garda (Irish national police) for brutality against a government minister. His experience, some contacts and cheap rates get him started as private eye in all but name, assisted by his even less law-abiding buddy, painter Sutton. Anne Henderson hires him, suggesting her missing teenage daughter was the latest in a series of suspicious 'suicides', which he traces to sleazy manager Ford's factory and illegal sex recordings. That turns out only the tip of the iceberg, even before Jack is beaten badly and old publican Sean is fatally run over.
由(🖋)Rod Holcomb导(dǎo )演(yǎn )执导(dǎo )，讲述联邦调查局特工维尼代号(hào )4587，受上(🔓)(shàng )司(🚠)指派，打入(🌔)黑帮(🏓)内部(📊)。他英(🎽)(yīng )勇(⛴)(yǒng )机(🤧)智(zhì )，很快就(jiù )得到黑帮头目桑尼的赏(shǎng )识，联(lián )邦(bāng )调(⏮)察员(yuán )弗兰克(💹)与维(🔁)尼紧(✉)密配(🈶)合，将(🖊)他(tā(👂) )们(men )一网(wǎng )打尽的故事。
20世纪80年代，中亚(yà )国(guó )家阿(ā )富(fù )汗陷入连绵的(😫)战火(🐠)之中(🔑)。国家(☔)(jiā )饱(🎿)受摧(🎹)(cuī )残(cán )，人(🔉)民(mí(😄)n )流离失所。无情的轰炸(zhà )摧毁了(le )老(lǎo )人达(dá )斯塔戈（阿(🤨)卜·(🔣)拉贾尼 Abdul Ghani 饰(🔖)）所(🎅)在(zà(🌯)i )的村(🥡)庄(zhuā(㊗)ng )和家(🔇)园，他的亲人几乎全部遇(yù )难(nán )，只(zhī )有(yǒu )5岁的孙(sūn )子亚(🍑)辛（贾温·马(💍)德·(🤠)何马(🔈)翁(wē(🐦)ng ) Jawan Mard Homayoun 饰(shì(🦁) )）幸(🐱)免(miǎn )于难，却也被爆炸声震聋了双(shuāng )耳(ěr )。老(lǎo )人强忍着悲痛，带着孙子(🙄)前往(🗑)(wǎng )远(💉)(yuǎn )方(👧)的(de )矿(🏟)(kuàng )区(🏎)寻找儿子(🥅)，要告(🍧)诉他家中所(suǒ )遭遇的(de )厄(è )运。死(sǐ )者长已矣，生者却仍要(🏐)(yào )在(🥃)漫漫(màn )长(🏨)(zhǎng )路(📃)上(shà(🏈)ng )奔波(🛁)劳顿(🤕)……(🤯)
在宇都宫市的城郊(jiāo )结合处(chù )，农村青年和田满夫（永(♏)島敏(mǐn )行(háng ) 饰(🥖)）和(🕡)(hé )家(🤡)人生(🚒)(shēng )活(🚉)于此(😺)。随着城市化的(de )推进，居(jū )住在农(nóng )村的人们对都市的繁华充满憧(chōng )憬(🔛)(jǐng )，早(📒)(zǎo )已(🏌)抛却(🍗)旧有(🈴)的质(🏉)朴。满夫的(♿)父(fù(💚) )亲(qīn )（ケーシー高峰 饰）离家出走，与一(yī )酒女长(zhǎng )期(🦌)(qī )厮(🤛)混；兄长(💵)哲夫(🎙)（森(🌍)本レ(🥉)オ 饰(♋)(shì )）(🛷)远赴(fù )东(dōng )京，过起了白领的时尚生活。满夫则(zé )固守乡(🎞)(xiāng )土，耕种着祖(🧣)祖辈(💒)辈赖(🔚)以生(🚝)存(cú(🏃)n )的(de )土(🚊)地(dì )。平日里(lǐ )靠种植大棚西红柿营生(shēng )，日子(zǐ )平(píng )淡倒也(yě )殷实。所(📦)谓儿(🉑)女是(🏴)父母(🎿)的挂(😯)念(nià(🚥)n )，老母(mǔ )亲(🎌)开始为老儿子张罗婚事，在(zài )加(jiā )油站(zhàn )工(gōng )作的花村绫子(😘)（石(➕)田え(🚀)り 饰(🌬)）便(🥋)这样(🧗)(yàng )走(➖)(zǒu )入(👠)满夫(🏜)(fū )的视线。不久，父亲为(wéi )帮老友(yǒu )竞(jìng )选回归家庭，满夫(🎷)和绫子、好友(❄)、酒(🔘)(jiǔ )女(🈯)间也(✉)(yě )纠(💆)葛不(🔴)断，平淡的生活骤起波(bō )澜(lán )……
Экс-сотрудники ра(🧔)ди(🛂)ос(🤯)та(🌠)нц(🏃)ии(🚸) «Как(⛎) бы радио», ныне занимающиеся с(🗺)во(🤔)им(🈯)и с(🦏)ол(🕘)ьн(🕑)ым(🔞)и п(🐮)ро(🈂)ектами, неожиданно снова от(👫)правля(🐤)ют(🤝)ся(🕜) в к(🌦)ач(🍰)ес(🏮)тве пиарщиков на региональную выб(🥞)ор(⌛)ну(🛍)ю к(😚)ам(🗞)па(😈)нию, в(🐪) которой на третий срок баллот(🍍)ир(🌊)уе(😗)тс(🍠)я г(😣)уб(❎)ер(🐠)на(🎅)то(🏩)р Игорь Цаплин. Неожиданно Ц(📑)аплин р(👳)еш(➰)ае(🗺)т в(😰)ый(🈚)ти(💰) из политической игры, а герои оказы(😭)ва(🔳)ют(👤)ся(🍈) на(🍸) ли(🍮)нии п(⏱)ересечения интересов «курат(🍷)ор(📰)ов(🈁)» р(😚)ег(🤮)ио(🐻)на(💒) из(💁) Кр(🍙)емля, местных силовиков и кр(🌛)упных б(⏺)из(👵)не(🎾)см(🎳)ен(🍭)ов(🏿).
This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery.
佛利奇·牟司是一个工作(zuò )作(zuò )风懒(lǎn )散(sàn )、被动的员工，在一个类(😁)似生(🚐)(shēng )物(🦔)科学(🌸)(xué )研(🏑)(yán )究(🙉)所的(de )单位(✝)工作。一位同事去世以后(hòu )，他被(bèi )提升起来专为这个集团的(🔋)创始(🍞)(shǐ )人(🎢)(rén )兼(🎼)负责(🧜)(zé )人(🙀)——阿日(🌬)牟司(🥙)·史韦特写演(yǎn )讲稿。他(tā )把这个(gè )作为从感情上疏远(🕖)他妻(qī )子的借(🔃)(jiè )口(🧛)(kǒu )：(🚬)他发(⬅)(fā )现(🏪)他妻(🌮)子正在和一个名叫杰夫(fū )·利科(kē )奇科的牙医有婚外情，当牟司(sī )忙(🏳)(máng )于(💤)写(xiě(🏈) )演(yǎ(🎤)n )讲稿(🔕)的同(♌)时而科奇科正沉迷于(yú )一个名(míng )叫(jiào )艾尔莫(mò )原新病人的恋情之中(🐫)，艾尔(🎻)莫(mò(🍖) )是(shì(📦) )一位(💩)(wèi )精(🐯)神病，每天(🔂)满街(🏑)游荡四处勾(gōu )引(yǐn )寂寞的(de )已婚妇……