旋转木马剧情介绍剧情介绍
Une mère perd d'abord son fils, puis son mari dans les tranchées franç(🔯)aises de la Premiè(🍎)re Guerre mondiale. Elle se dévoue alors à la cause française en venant en aide aux blessés de guerre.
导演(yǎ(🥞)n )：(🧐)卢觉非
For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence.
埃尔琳夫(⛎)人(rén )丢下襁褓中(🗳)的(🛀)孩子，与情人私奔(🥡)。多(📁)年后(hòu )回到故土(📮)。在众人眼(yǎn )中，她是(💆)一个(gè )道德(dé )败(🎊)(bà(🐪)i )坏的女人。她(tā )向(🎗)女(nǚ )儿(ér )的丈夫(🔐)温(🚭)德米(mǐ )尔爵(jué )士(🚒)勒(⛎)索“封口费(fèi )”，承诺(🏾)不(🍤)与女儿相(xiàng )认，以(🎢)免女儿名誉受(shò(🏸)u )损(😔)。招致人们怀疑温(⬇)(wēn )德米(mǐ )尔爵士与(🏷)埃尔琳(lín )夫人(ré(🤕)n )有(💾)染。温德米尔(ěr )夫(🍙)人(💰)(rén )一气之下决定(🤥)与(yǔ )爱慕自己的(🚦)达(✍)林顿爵(jué )士私奔(📎)。埃尔琳夫人(rén )不愿(🛁)看到女儿步自己(jǐ(🚔) )的后尘，冒着牺牲(🔫)自(🔂)(zì )己幸福的代价(🕧)挽救(jiù )了(le )女儿。由(🦓)始(👇)至(zhì )终，埃(āi )尔琳(🙋)夫(💯)人也没(méi )有和(hé(🔸) )女(💅)儿相认。
丹麦(mài )人(👊)斯(sī )特伦•赖伊(🌳)在(🎬)柏(bǎi )林导(dǎo )演了(🍔)几部影片（如《一切(🛵)罪恶都在地(dì )上(✉)》）(🈹)之后，给德国(guó )电(💙)影(💤)(yǐng )制作了他的第(🌿)一(yī )部重(chóng )要作(🕕)品(🤰)《布拉格(gé )的大学(🤖)生》。这部摄(shè )制费达(🎭)两万马克的影(yǐng )片(❓)是根据小说家汉(🚗)斯(🚡)(sī )•埃弗斯所写(🔘)的剧本(běn )、由摄(📽)影(🙎)师基杜•齐(qí )佩(😴)尔(🔷)在波希米(mǐ )亚拍(💸)(pā(🕠)i )摄(shè )的。它的主要(🚘)(yào )演员(yuán )是(shì )保(🔛)罗(🍨)•威格纳(nà )和丽(🥈)(lì )第亚•沙尔莫(🔩)诺(🏵)(nuò )瓦。保罗•威格(🕖)纳(🆒)当(dāng )时是(shì )马克(🆖)斯(👾)•莱因哈(hā )特手(💡)(shǒu )下最有名的一(🗿)位(🚅)(wèi )演员(yuán )。
A stern indictment of the shabby ways in which society treats it recovering ex-criminal class, Die Verrufenene follows the saga of an engineer recently sprung from prison as he attempts to rebuild his life. Having served out his three-year sentence, Robert Kramer embarks on getting back to work and living a clean, honest life. He finds that getting back into society is more difficult than he bargained for, however, when he is shunned by his father and the wealthy family of his ex-fiancee, Gerda. Scraping by in the city slum, working for an indifferent rag maker who prefers to pay in booze over cash, the dejected Robert decides to end it all. He's saved, however, by a kind-hearted prostitute named Emma, who shelters the man in the modest apartment she shares with her ne'er-do-well brother, Gustav. Eventually, Robert starts to patch his life back together through the help of Emma (who becomes enamoured with Robert) and a generous old photographer who employs him as an assistant. His world gets upended once again, however, when Gustav is implicated in the murder of one of Emma's clients.
希腊神(❕)话，海(hǎi )伦与(yǔ )特洛(🤫)伊的故事