只有你 电视剧 第2期

传(🕋)说用耶稣在最(zuì )后(😽)的晚餐(cān )中用到的圣(🏃)杯(🕙)喝水，便(biàn )能长生不(📊)(bú(🎀) )老。在一次掘(jué )金活动(🌯)(dò(🆘)ng )中，记载(zǎi )圣杯的碑(🗞)石(😈)被(bèi )发现，圣(shèng )杯存在(⌛)的可能吸引着(zhe )大批(🐺)的(🛅)疯(〽)(fēng )狂的人展开寻(xún )找(🤥)。印第(dì )安纳琼斯(sī(💏) )博(🤷)士(🚧)（Harrison Ford饰）也(yě )是他们(men )中的一员，甚至连他的(👢)(de )父(🍾)亲(⚾)老(🈲)琼(qióng )斯（Sean Connery饰）也陷(😌)(xiàn )入其中(zhōng )——但他(📊)(tā(🚕) )给(🙃)琼斯留下圣(shèng )杯的(🥪)笔记(jì )后便不知所踪(👸)。 长(🎀)长(zhǎng )的黑暗走(zǒu )廊(🏏)，鲜(🚿)红杂乱的涂鸦，蒙面飘(🎿)过(📆)(guò )的黑衣人，厉(lì )声(😾)的(🕡)惨(cǎn )叫，师生(shēng )离奇死(😸)亡，一(yī )时间，整(zhěng )间(🔨)学(🙍)校(🎊)人心惶惶。暑(shǔ )期，紧张(💝)(zhāng )一年的同学终(zhō(🍟)ng )于(🌔)可(🥌)以放(fàng )松心情露(lù )营，然而什(shí )么(me )的纸条(🎚)(tiá(🎛)o )再(🍄)度(🔖)出现，传说中的杀(shā(♎) )神即将会(huì )到营区进(🐠)行(🚶)行(😈)(háng )动，谁(shuí )是第一被(🈯)(bèi )杀的人？谁是(shì )最(📞)后(🍏)一个(gè )被杀的人？(🎣)凶(🥒)手到底(dǐ )是(shì )谁……(🦁) 冤(🔂) 冤 相 報 何 時 了 ？ S u j i n 性(😒) 情(🍾)(qíng ) 孤 僻 ， 漂(piāo ) 亮 動人卻(🐦)從未(wèi )談過戀(liàn )愛(🏼)；(⏭)她(😣)文(wén )采出眾，是難(nán )得(🛒)一見的(de )編劇人材。Mira在(🎵)畫(🤔)館(🐑)被(bèi )施暴，錯(cuò )手殺掉施暴者(zhě ) ， 這 宗 突(tū(📿) ) 如(📺) 其(🐇) 來 的(de ) 謀 殺 案 正 好(hǎo ) 為(🚓)(wéi ) S u j i n 帶 來改(gǎi ) 編 劇 本 的(🗓) 好(🦄) 提(🚖) 材 。 即 使(shǐ ) 警 方 斷 定(🈯)(dìng ) 是 自 衛 殺人，Sujin深信案(🐦)(à(🖤)n )中有案，認定一切都(⛓)是(🛸)(shì )Mira儲心 積 累(lèi ) 的 復 仇(🥫) 計(🦆) 劃 ． ． ． 原(yuán ) 來(lá(🧛)i ) S u j i n 有(🍣) 著 不(bú ) 為人知的過去(🔽)，其筆下(xià )的殺手Lala，是(✅)純(👰)粹(♏)參照Mira，還是戲(xì )中有戲(🔆)？「不要自己伸(shē(🛴)n )冤(🧙)，寧(🍠)可(kě )讓步，聽憑主怒」，復仇是否(fǒu )能超脫(⚪)一(✡)切(🌵)？太陽底下(xià )，冷冰冰(🔘)(bīng )的現實、劇(jù )本(bě(🛂)n )、(🐜)夢(🛸)境(jìng )和回憶扭曲重(🖖)疊，分不(bú )清真假先(xiā(😱)n )後(⏳)，Sujin、Mira和Lala更是(shì )不分你(🏃)(nǐ(🥕) )我她，格(gé )局David Lynch得來卻相(🐿)當(🐖)(dāng )寫實。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 本(běn )片根据(📜)《聊(🎈)斋志异》中(zhōng )同名故(gù(🗽) )事改编。 在哥斯达黎(👚)加(🏬)(jiā(🔑) )的热带雨(yǔ )林中的一(💕)个关(guān )于勇气(qì )、(🗾)救(🖍)赎(🎑)和(hé )爱的故事。本(běn )片根据真(zhēn )实事件改(💠)编(🎀)，一(😈)个10几(jǐ )岁的小男(nán )孩(♓)从小梦想寻(xún )找地(😻)球(😩)上(🔣)(shà(🐞)ng )传说中的(de )最美丽的(➗)蝴(hú )蝶(dié )：一种(zhǒng )虚(🥘)幻(💏)般的大翅蓝色蝴蝶(👃)(dié(🧓) )。他的母(mǔ )亲说服了一(🏅)位(🧔)(wèi )著名的(de )昆虫学家(⛔)(jiā(🛬) )(威廉赫特)，与(yǔ )小男孩(🎬)一(yī )同踏上寻蝶之(🌺)旅(🚰)，二(⛩)(èr )人(rén )的生活(huó )从此(📓)发生了巨大的变化(🙃)(huà(📯) )…(😩)… The legendary Loreley has been living for centuries in a grotto beneath the river Rhein in Germany. Every night when the moon is full, she turns into a reptile-like creature craving for human blood. When one girl after another of a nearby boarding school is killed by her, a hunter named Sirgurd is engaged to kill the monster 在宇(yǔ )都宫市的城郊(jiāo )结合处(chù )，农村(💃)青(😭)(qī(🐶)ng )年和田满夫（永島敏(🤕)行(háng ) 饰）和家人生(🍫)活(📋)于(🏆)此(🎼)(cǐ )。随着城(chéng )市化的(🤔)推进，居住在农(nóng )村的(🍿)人(💣)们(men )对都市的繁(fán )华(💠)(huá(📞) )充满憧(chōng )憬，早已抛却(🏻)旧(🍙)有的质(zhì )朴。满夫(fū(🎆) )的(🖨)父亲（ケーシー高(gā(🈂)o )峰 饰）离(lí )家出走(🔸)，与(🐱)一(💵)(yī )酒女长期(qī )厮混；(🗄)兄长哲夫（森(sēn )本(🏿)(bě(🍏)n )レ(📆)オ 饰(shì )）远赴东京，过起了白(bái )领的时尚(🛠)(shà(👎)ng )生(🥊)活。满夫则(zé )固守乡(xiā(🚗)ng )土，耕种(zhǒng )着祖祖辈(💹)辈(💄)赖(😜)(là(📳)i )以生存的(de )土地。平日(🥗)里靠种植(zhí )大棚西红(😉)(hó(🔯)ng )柿营生，日子(zǐ )平淡(😏)倒(🥦)也(yě )殷实。所(suǒ )谓儿女(🤸)是(⤵)父(fù )母(mǔ )的挂念(nià(🐜)n )，老(👁)母亲开始为老儿子(zǐ(🔷) )张罗婚事(shì )，在加油(🤧)站(⏱)工(🥛)(gōng )作的花(huā )村绫子（(👑)石田えり 饰）便这(🥛)样(🧔)走(🅿)(zǒu )入满夫的视线。不久(jiǔ )，父亲为(wéi )帮老友(📀)竞(🥟)选(👮)回归家庭，满夫和绫(líng )子、好友、酒(jiǔ )女(✏)间(🔗)也(🤣)(yě(😁) )纠葛不断(duàn )，平淡的(🌂)生活(huó )骤起波澜(lán )…(📆)…(🔲)