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特洛伊(yī )（李·鲁莫(mò )赫尔 Lee Rumohr 饰）和(hé )梅里克（马(mǎ )特·奥斯丁(dīng ) Matt Austin 饰）从高中(zhōng )时代(dài )起就是(shì )好朋(péng )友了，如今(jīn )，他们是住在(🐯)同一屋(😬)檐下的(🍐)室友。梅(🏦)里克有(🍝)一个名(🏙)(míng )为史(🚄)黛西（(➰)Sarah Kanter 饰）的(🌚)(de )女朋(pé(⤵)ng )友(⬅)，而特(🥜)洛(😡)(luò )伊也(🚍)和他的(🕳)(de )前女(nǚ(🥝) )友仍旧(🏄)(jiù )保持(📂)(chí )着联(❣)系(xì )。 “Live-In Maid,” Jorge Gaggero’(🥕)s remarkably assured first film, examines the complicated relationship between Beba (Norma Aleandro) and Dora (Norma Argentina), an upper-class Buenos Aires woman and her longtime housekeeper. The two women share a roomy apartment, which Dora keeps in immaculate order while Beba primps and sighs like an opera diva with an audience of one, or the queen of a small, secret nation. “Live-In Maid” is modest in scope, but it feels complete, fully inhabited, in a way that more overtly ambitious movies rarely do. Its story and themes are outwardly straightforward, but as the film develops, it acquires a glow of mystery, as Mr. Gaggero invites you to contemplate, within the context of two perfectly ordinary lives, the paradoxes of friendship and the challenge of maintaining dignity in a world that conspires to undermine it. — A. O. Scott, The New York Times TV Program Description / Original PBS Broadcast Date: October 12, 2004 Most Dangerous Woman homepage - "Woman Cook a Walking Typhoid Fever Factory," said the headline in a New York City newspaper in 1907. The woman was Mary Mallon, an Irish immigrant who as "Typhoid Mary" would become a notorious symbol of a public health menace. In "The Most Dangerous Woman in America," NOVA explores the legacy of one of history's most infamous disease carriers. Mary Mallon's ordeal took place at a time when the new science of bacteriology was shaping public health policies in America for the first time, and her case continues to hold lessons amid today's heightened concerns about communicable diseases. The program is based on Typhoid Mary: Captive to the Public's Health, by Judith Walzer Leavitt, which the Boston Book Review praised as "an indelible picture of early 20th-century New York, when modern knowledge and sensibilities collided with ancient terrors." (Read an adaptation.) Leavitt, who is professor of medical history and women's studies at the University of Wisconsin Medical School, is one of several noted experts interviewed by NOVA. Also featured is Anthony Bourdain, the celebrated chef at New York's Les Halles restaurant and author of Kitchen Confidential and Typhoid Mary. NOVA's dramatization stars Marian Tomas Griffin (As the World Turns) as Mallon, Jere Shea (Tony nomination for Guys and Dolls) as George Soper, and Natalie Rose as Dr. Josephine Baker. The story, which unfolds like a detective novel, opens with a mysterious cluster of typhoid fever cases in August 1906 in a very unlikely setting: a summer house in wealthy Oyster Bay, Long Island. Typhoid fever is a bacterial disease spread by poor sanitation. At the turn of the 20th century, it was associated with slums and poverty. About 10 percent of those infected died. Alarmed, the owner of the house hired civil engineer George Soper to track down the source of the infection. Soper ruled out the water supply and local shellfish, and began to focus on the household's former cook, Mary Mallon, who had arrived in the house shortly before the epidemic broke out. She had since left, but Soper traced her employment history and learned that typhoid outbreaks followed her wherever she went. After Soper located Mallon, his repeated attempts to get her to submit to testing were met with the same response: a brandished meat fork and threats. It took health department worker Dr. Josephine Baker and five police officers to apprehend Mallon. After typhoid bacilli were found in her feces, she was sent to a quarantine island in New York's East River. (For Mallon's view on her quarantine, see In Her Own Words.) But the case was far from open and shut, says Leavitt. "We see it today, certainly with multidrug-resistant tuberculosis, with HIV-AIDS, now with SARS; you see where individuals are quarantined, isolated, whose liberty is taken away in the name of protecting the public health. Mary Mallon gives us an example of that at an extreme level, because she was healthy. She wasn't even sick." Mallon was what's known as a healthy carrier—a person who is contagious but has no symptoms. She had probably come down with a mild, undetected case of typhoid fever at some point in her past and had retained active germs ever since. While preparing food, she shed bacteria from her hands, and it never occurred to her that she was spreading disease. When her condition was explained to her, she refused to believe it and fought back by secretly hiring a private laboratory, whose results reportedly showed that she was free from infection. Nonetheless, her tests in quarantine continued to show typhoid bacteria, and she was detained until 1910, when authorities released her on condition that she not work in food handling and that she check in regularly with health officials. Mallon returned to freedom. But that was not the last the public would hear of "Typhoid Mary," who would turn up again in circumstances that shocked even those who sympathized with her plight. Adapted from "Kham Phiphaksa" ("The Judgement"), a 1985 SeaWrite award-winning novel by Chat Kobjitti, "Ai-Fak" is the story about Fak, a young Thai man who leaves the monkhood to care for his ailing father. When he returns home, he finds his father has married a much younger woman. She is very beautiful, but she is also mentally unbalanced. Then the father dies, leaving Fak to care for his insane stepmother. Soon Fak's neighbors in this remote village are talking about him, saying he is sleeping with his stepmother. This rejection by the villagers sends Fak into a spiral of despair. 诺(📀)贝尔和(🚈)(hé )平奖(🐱)提名人(💴)Tookie Williams的(📖)传记(🏵)电影。 Matteo是一位35岁的医(yī )生，他厌倦(juàn )了他和妻子(zǐ )Emma之间的关系(xì )，觉得他们(men )之间已经失(shī )去了(le )所有的(de )浪漫(màn )；他的(de )事业(yè )和金钱已经(jī(📝)ng )再也无(🤮)法吸引(🆗)他了。一(🦎)天，他遇(🔥)见了一(🎞)位年轻(📽)的紧(jǐ(🐥)n )急状态(⏩)志愿(yuà(🦅)n )者(🧛)Elena，而(é(🚐)r )他(🦆)马(mǎ )上(🎡)就被Elena所(🗻)深(shēn )深(🚿)的吸引(🍄)了(le )。与(yǔ(🦋) )此同时(⏪)(shí )，Emma也(yě(➿) )与一位(🏟)(wèi )与她(😯)(tā )和Matteo在(🥧)一起工(🚈)(gō(🧗)ng )作的(🧠)内科医(yī )生开始了一段感情。一天晚上，Matteo和Elena驾驶(shǐ )的救护车撞(zhuàng )上了Leonardo的车，并被撞翻在(zài )一座桥上。这起事故使(shǐ )得Matteo 直(zhí )接面对(duì )了死(sǐ )亡，同(tó(📮)ng )时，他也(🈵)将开始(🚽)(shǐ )重新(💫)认识爱(😍)的意义(🔤)…… 二(🏑)战时期(🎄)，英国首(😱)相(🧒)邱吉(👝)尔(✋)(ěr )带领(🐴)英国人(🤢)(rén )民坚(🖲)定(dìng )顽(🎲)强(qiáng )地(📹)同法西(😋)斯(sī )德(🐝)国进行(🍬)着(zhe )旷日(🕳)(rì )持久(😊)的(de )战斗(🎂)(dò(🦄)u )。这位(🛋)(wèi )叱垞(chá )风云的铁血(xuè )首相，以固(gù )执顽强、永不退缩的作风而闻名。他那(nà )与其简陋外(wài )表极不相称(chēng )的完美、煽(shān )动力极强的(de )口才更是(📟)在(zài )历(💡)史(shǐ )上(🔲)留下(xià(🌴) )了浓(nó(🧜)ng )重的一(🚆)(yī )笔。因(🏈)而历史(🌎)上(shàng )对(🥗)于邱吉(🦂)尔(〽)这一风(🌅)云人物(🔫)历史形(📪)象的真(🎻)实性极(🕥)富争(zhē(🦆)ng )议，猜测(🌙)各(gè )异(🐅)。 歌(gē )舞(🈶)剧(jù )大(📥)明星白(🐧)玉(yù )的(🔧)小(😘)跟班小(xiǎo )月牙(yá )被细菌(jun1 )人绑(bǎng )走了，想不(bú )到她因为能(néng )在细菌人那(nà )里实现当明星的美梦而成为细菌人那一(yī )帮人其中一(yī )份子，白玉(💬)(yù )千辛(🔰)万苦找(♐)(zhǎo )到她(🥗)却发现(👱)(xiàn )这残(🎓)酷的事(😭)(shì )实，虽(💋)然伤(shā(🎺)ng )心，但白(😦)玉(🌂)(yù )决定(🛣)(dìng )用她(⏱)的歌和(🎚)(hé )舞唤(🌳)回小月(🙃)牙纯真(🔴)的心。 When I was 13 I came across a pulp novel titled Doctor Tin. There is a scene in part 2 of that novel that casually starts with the protagonist being uncuffed from a bathtub where he was serving as "toilet slave" for a party for the evening.That book changed my life, or at least crimped it in a few novel directions.Blood is based on a stage play written by Tom Walmsley, author of Doctor Tin. Here in Canada, he is to theater what David Cronenberg is to cinema (though he is obviously not as famous). This movie was directed by Jerry Ciccoritti who is also known for his vampire movie Graveyard Shift, made in 1987 安(😎)托万（(🖖)朱利安(🆘)·波义(🕴)塞(sāi )利(🔎)尔 Julien Boisselier 饰）(🏒)是(😛)(shì )一位小(xiǎo )有名(míng )气的演员，一转眼就人(rén )到中(zhōng )年的他(tā )始终(zhōng )过着形(xíng )单影(yǐng )只的生活，虽然明白缘分可遇不可求，但单纯善良的安托(⏳)万内(nè(🛍)i )心里对(🏡)美好(hǎ(🌪)o )的爱情(🕴)(qíng )还是(🍤)(shì )有着(😴)期待。在(🏄)心理医(🥙)生(shēng )（(🆎)Christian Charmetant 克(🐗)里斯蒂(🎈)(dì )安·(😆)沙尔默(🏄)(mò )唐 饰(🥋)(shì )）的(🔩)鼓励下(🐐)(xià )，安托(📱)万决(jué(🤷) )定主动(👾)出击，去(📖)寻找自(🍝)己命中(⛱)注(💆)定的女人。