太平轮 豆瓣剧情介绍
在荒凉而充满(🕠)(mǎn )野性(👠)的美国西部，荒(huāng )原的(🏬)腹地坐(🦄)落(luò )着(🉐)一个(gè )孤寂的小镇。牛(🌷)仔 洛克(🏿)美伦(lún )悠哉游(yóu )哉地(🧙)生活于(🐹)此(cǐ )，他(😀)的一大乐(lè )趣就是(shì(🦇) )戏弄可(🎩)怜的杰(jié )瑞(ruì )，先任其(🏍)逃跑，然(🔻)(rán )后从(🥀)容地抛出(😾)(chū(🅿) )绳索套(tà(⤴)o )住杰瑞(🕶)。如是(shì )再三，乐此不(bú )疲。这(zhè(📮) )一天，引(🥈)擎的(de )轰鸣(😕)声(🚧)引起了(le ) 洛(😼)克美(mě(🍆)i )伦的注(🈵)意。一(yī )辆(liàng )考究的老(🚩)爷(yé )车(😣)带来(lái )了美丽性感的(🏮)(de )游客—(🔁)—图丝(🚵)。见到(dào )这个尤物， 洛(luò(🚤) )克美伦(🕑)(lún )不禁怦然心动(dòng )，体(👶)内荷尔(🕚)蒙(méng )呈(🦉)几何(hé )数级增长。他(tā(🔎) )转瞬之(🕐)间传来(lái )了最威(wēi )武(🎒)的行头(👝)，牛(niú )了(🎤)(le )牛气地走(🏽)到(🆑)图丝面(mià(🐬)n )前，展现(🏏)他所(suǒ )谓的雄(xióng )风。在此之后(⭕)(hòu )， 洛克(🐊)美伦招(zhā(😉)o )来吉他(tā )唱(💞)起了快(🚉)乐的(de )德(🛠)州情歌。
A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, and when her protector is accidentally killed, they go on the lam together, getting jobs as farm labourers. But some fellow workers get wise to them.
富(fù )翁杨寿(shò(🥘)u )昌晚年(👳)丧子。为(wéi )占家产，侄(zhí(🦋) )子道培(🗾)(péi )与陆(💘)守敬狼狈(bèi )为奸，诬告(🖼)儿媳余(🦄)蔚(wèi )如不贞，致使(shǐ )蔚(🐁)如扫(sǎ(⬆)o )地出门(🏏)。数月(yuè )后，蔚如生下(xià(🔣) )一子，取(⏰)名余璞。余(yú )璞十岁，就读(dú )寿(🚐)昌所(suǒ(🍝) )建学校。寿(👯)昌(🌈)(chāng )亦(yì )居(🥊)住于此(🏩)。祖孙互(hù )不相识，然余(yú )璞彬(👌)彬(bīn )有(🛫)礼，胆识过(guò )人，颇得寿(👫)昌(chāng )喜(🈸)爱。余璞(♈)亦常到其(qí )居处玩耍(💀)。一(yī )日(🍆)，道(dào )培守敬到寿昌(chā(🥃)ng )处(chù )要(🚵)钱，遭斥(💦)(chì )责后，意欲行凶，恰(qià(🔶) )好余璞(🦗)来到。守敬被(bèi )捕。道培(😀)重伤(shā(⛺)ng )，余璞(pú(😒) )亦受伤。道(🥌)培(péi )临终悔(🏸)悟，说(shuō(🕝) )出实情(qíng )。一家人终得(dé )团聚(📔)。
Captain Wynnegate leaves England, accepting the blame for embezzling charity funds though knowing that his cousin Sir Henry is guilty. Out West he and the Indian girl Nat-U-Rich save each other from the evil cattle rustler Cash Hawkins and marry. Lady Diana shows up to announce Sir Henry's death. After Nat-U-Rich's suicide Wynnegate takes his half-breed son and Lady Diana back to England as the new Earl of Kerhill. Written by Ed Stephan
Après avoir fait fortune en Extrême-Orient, l'armateur Forest a ouvert une banque à(🏢) Marseille. Il est le tuteur de l'orpheline Madeleine Wills, dont il convoite le coeur. Lors d'une promenade en auto, celle-ci renverse malencontreusement un Chinois nommé Tchang Keou. Madeleine le fait soigner et lui trouve une place de domestique au service de Paul Valmont, dont elle est amoureuse. Tchang Keou est en réalité à(🚍) la recherche de l'homme qui, armé(🛢) d'une épingle rouge, a assassiné son père parce qu'il avait é(🧢)té témoin du meurtre du pè(🌇)re de Madeleine par Forest. Ses soupçons se portent d'abord sur Valmont puis il comprend la vérité. Forest se sert du Chinois pour enlever Madeleine. Prévenu, Paul Valmont vient à son secours. Tchang Keou tient enfin sa vengeance. Il tue Forest avec l'épingle rouge puis se donne la mort.
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
Gotthold Ephraim Lessing published his "dramatic poem" in 1779 as a direct response to censure by official orthodox religious circles, to which he was subject after publishing a work by Samuel Reimarus that was critical of religion. He set his story in Jerusalem at the time of the Crusades, where Christians, Jews and Muslims were in constant and close confrontation. It threatens to end tragically in religious conflict, but the main character succeeds, with insight and shrewdness, in reconciling the religious communities. Lessing's drama is acknowledged in German literary history as a "humanist manifesto" that defends "religious tolerance and the freedom of ideas". Scriptwriter Hans Kyser adapted the drama to great cinematic effect, incorporating as a powerful prologue, the opening episode that Lessing resolved only at the end of his drama. Manfred Noa used the brutality of the Crusades and their exotic setting to stage visually impressive crowd scenes. Experienced actors from box-office hits were magnificent in the leading roles, among them Werner Krauss (Das Cabinet des Dr. Caligari / The Cabinet of Dr. Caligari by Robert Wiene) as Nathan, and Carl de Vogt (Die Spinnen / The Spiders by Fritz Lang) as a young Templar knight. As in the original drama, this emotionally charged production ends in an impassioned plea for reason and for tolerance towards people of other faiths.