结婚开始恋爱剧情介绍
This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions.
七(👔)十(♎)(shí )年代出品(pǐn )的大型战(🎡)(zhà(👝)n )争片之一，焦点(diǎn )是美国(♉)与(yǔ(🙉) )日(💮)本海军对垒的(de )中途岛战(🍁)(zhà(⏺)n )役。在(🍆)当年的一(yī )批同类电(dià(🚨)n )影(🚟)(yǐng )之中，本片不算是突出(⏱)(chū(🏴) )之(zhī(🧖) )作，导演(yǎn )杰克．斯米特(🐆)(tè(😭) )的(de )处理手法(fǎ )相对比较平(🍙)庸，但(🐻)超(🥥)级明(míng )星阵容却可以(🤓)令(🤨)(lìng )今(📐)天的观(guān )众重睹上(shàng )一代(🈳)巨(🕝)星风采，而海战的(de )场面也(🤬)实在(🕸)拍(🕧)得(dé )逼真，使(shǐ )本片仍维(📯)持(🥔)了相(xiàng )当的趣味(wèi )性。主(⏱)演(yǎ(📦)n )的(🍧)巨星包括：查(chá )尔顿．(🔃)赫(👲)(hè )斯(🚏)登、亨利．方(fāng )达、格(🔹)伦(🍑)(lún )．福特、罗伯特(tè )．(🐭)米(💧)彻姆(📖)(mǔ )、克里夫．罗布森、(👈)詹(👲)姆(mǔ )斯(sī )．科伯恩(ēn )、三(🚇)船敏(🚔)郎(😌)。当(dāng )时还是新(xīn )人的(💡)汤(🤵)姆．(😃)塞莱(lái )克也露脸(liǎn )演了一(🌷)个(🥃)小角色(sè )。
Great Italian pulp movie, a classic for the genre! "Roma l'altra faccia della violenza(trad.:The other side of violence)" is a police movie where violence, theft and rape are caught in a mixture of raving unconsciousness and pure havoc. With a great appearance by Franco Citti, this film stands up for one of the best Italian pulp movie ever made. Quite similar to "Roma Violenta" and "Milano Violenta" with Maurizio Merli yet not the same cup of tea. It deserves more rudeness, rawness and pathos for the audience...
掌管着(zhe )桑家事(🧚)业(yè(🏹) )的(😜)桑文薏（林凤(fèng )娇 饰）(🚈)，与(🖼)妹妹桑文珊（恬妞 饰）(🔱)相依(🔅)为(👈)生，家中(zhōng )还有彭管(guǎn )家(🤛)阿(🍹)德（(⚡)葛香亭 饰）与佣(yòng )人健(🥠)次(⏭)（王德志 饰）和他(tā )怀(🍇)孕(🚌)的老(😚)(lǎo )婆阿梅（沈时华(huá ) 饰(🖱)）(💾)。某(mǒu )天(tiān )，文薏与文珊在骑(😞)马的(🐿)(de )途(🆖)(tú )中，遇见(jiàn )新来的大(🌦)胡(😾)子(zǐ(🙂) )邻(lín )居莫迪卡(kǎ )（秦汉 饰(📋)）(😏)。虽(suī )然莫迪卡(kǎ )耿直粗(💽)鲁的(🎀)态(😼)度(dù )，让高傲(ào )的桑文薏(😤)(yì(🕴) )感到不悦，却也(yě )吸引了(🏺)她(tā(📰) )的(📭)注意。二十岁(suì )的文珊一(🚒)(yī(🌇) )直生(🎉)活在文薏的(de )保护底下(xià(❎) )，公(🍍)司总(zǒng )经理伟立人（邹(🦍)(zō(⚓)u )森 饰(💙)）建(jiàn )议让文珊进公司(🤛)(sī(🐞) )工作，但(dàn )是文薏拒绝了。
"In a town in southern Sweden, Sven Klang decides to enliven his dance combo with a new sax player, Lasse from Stockholm. At first all goes well; but bit by bit Lasse brings into question all the rigid values, musical and social, by which the faintly supercilious Sven has set his life's course. Gunnel, the vocalist, falls for the newcomer's charms and finds herself pregnant when Lasse and Sven eventually part in high dudgeon. The daily round continues. Eventually Lasse pops up again, and disappoints all save Sven by turning tail in the face of Gunnel's love and his sense of guilt at having fathered her child....The appeal of Sven Klang's Combo lies in its utter lack of pretension, in its small town atmosphere and its vivid characterisation. One imagines that the actors were able to improvise their lines and contribute personal touches that fleshed out their roles. Their autobiographies become fiction; but fiction, as so often, also becomes truth. This film recognises that big emotions stem from small incidents and that one is forever a prisoner of one's generation." (Peter Cowie, 1978 International Film Guide)
パ(🌼)リへ(🔘)留(♓)(liú )学(xué )中の画学生滝(🕟)村(🌡)二郎(🤮)はふとしたことから、美(👄)し(🚀)い人妻マリー・ローラ(📭)ンと(🤲)知(😭)り合い、愛するように(🐷)な(🌋)った。マリーの夫ジャン(💐)は、(🌦)密(🔼)(mì )輸で金もうけをして(🅱)い(📄)る悪(📡)徳業者(zhě )で、異常に嫉(🛒)妬(🥎)(dù )深く、常(cháng )に腹心の運(🕺)転手(🤛)マックスにマリーの後(😾)を(🎰)尾けさせていた。二郎に二(🚨)度と(♑)会(🏀)(huì )わない決(jué )心(xīn )をし(🦏)てい(🚐)たマリーだが、二郎がマ(🖲)ッ(🦀)クスに傷つけられたた(🌫)めに(🗺)、(📑)心配して再会、シャン(🏏)テ(🏍)ィの城にピクニックに行く(👢)約(⛸)束をした。日(rì )曜日。二(è(🐧)r )人(🕰)はな(🗾)だらかな風景を走(zǒu )り(💒)抜(🚢)け、シャンティの城(chéng )に(👝)着い(🎲)た。森の中で唇を求め合(🛃)う(🗡)二郎(👘)とマリー。二郎がアパ(❌)ート(🐁)に(🛃)帰ると、日本から幼友(⚡)達の(👴)伊都子が、ツアーの途中(🐫)(zhō(🍺)ng )に立ち寄っていた。二郎(🕴)(láng )は(🏌)久(🤦)しぶりに会(huì )う伊都子(🛶)(zǐ(🎠) )との会話の中にも、マリー(🍒)の(🌑)面影(yǐng )が離れなかった(🗨)。あ(🤤)る日(📛)(rì )、二郎はとうとうジ(🤡)ャ(🏯)ンが居るのも構わずロー(🐀)ラン(🥪)邸を訪(fǎng )れた。マリーは(🐍)戸(🕖)惑い(🏏)ながらも、二郎を冷(💤)く追(📷)い(😦)帰した。だが、嫉妬に燃(📖)(rán )え(♌)たジャンが以前にも増(zē(⛔)ng )し(💄)てマリーを責めたてる(🧞)ため(🦋)、(🤡)マリーはついに二(èr )郎(👋)(lá(🎁)ng )と駆け落(luò )ちをして、自由(🔆)(yó(🅿)u )を得ようとした。逃避行(⛲)に(👛)出た(🐬)マリーと二(èr )郎は、南(🔛)仏(🔮)ツーロンで愛(ài )の日々を(🍗)送っ(🔙)ていた。そんなある日、(😊)二(🍽)郎は(🚌)過激(jī )派学生の嫌疑(💏)によ(🆚)り(🕐)逮捕(bǔ )され、止(zhǐ )めよ(🖱)うと(🎢)したマリーは、ホテルの(🌱)テ(👅)ラスから足をすべらせ(⬜)海(hǎ(🛍)i )に(⛵)落ちた。マリーは死んだ(⬇)、(🖲)と聞かされ、日本に強制送(🏙)還(🚐)された二郎は、金沢の(🈂)父(📹)(fù )の(🗨)もとで、希望(wàng )のない(🔂)毎(🚉)(měi )日を送っていた。そんな(🚀)二郎(🐳)を元気づけてくれたの(🎢)が(🍄)伊都(🚶)(dōu )子で、二郎は父(fù(🥑) )のす(🏇)す(🚩)めもあって彼女と結婚(🆑)する(🧖)意志を固めた。その時、死(⚾)(sǐ(😕) )んだと思っていたマリ(🐋)ーが(🧥)、(❕)二郎(láng )を訪ねて来た。し(🏆)か(⬜)し、二郎がすでに伊(yī )都子(🐱)と(🧓)婚(hūn )約していることを(🧠)知(🌿)った(😚)マリーは、自らの恋を(🐀)あ(🗺)きらめて、フランスへ帰(🅱)(guī )る(🌋)決心をした。だが、二(è(🎦)r )郎(⛺)はマ(💕)リーを忘れることが(📯)でき(🌓)ず(🤲)、マリーを追って、同(💓)じパ(👇)リ行きの飛行機に乗込(rù(🌉) )ん(🛏)だ。中(zhōng )東(dōng )国に着陸し(🔷)た一(🥀)行(🏠)を待(dài )ちかまえていた(🚱)の(💮)はゲリラの一味だった。ゲリ(🕙)ラ(🎑)が空港関係(xì )者と身代(🚗)金(🌃)の交(🤔)(jiāo )渉をしている隙を盗(😩)ん(🕕)で、二郎とマリーは、ジ(🚷)ープ(📴)に飛び乗り走らせた。そ(🐴)の(👸)後を(🍷)ゲリラが一斉射撃し(🕓)た。二(🌕)人(🤝)のジープが砂(shā )漠の中(✉)を進(🤧)み、オアシスの木蔭に着(✌)い(🕡)た時、マリーの胸は銃(💄)弾で(🚅)赤(🚌)く染まっていた。二郎は(🚰)マ(🤥)リーの死体を抱(bào )いて果て(🎣)し(🧙)なく続く砂漠(mò )の中を(📬)歩(👧)いて(🎗)行(háng )った……。
昭和５１(💅)(19７(💩)6)年 東(dōng )宝 (📱)197６ (昭(✈)51)年キネマ旬報ベストテ(🍏)ン(😇)第29位(🙍))
法国(guó )名导演勒(lè )卢(💆)许与(🎟)首(😤)席女星德纳芙在(zài )70年代(🍎)中期(🎮)(qī )合作的亲情伦理(lǐ )片。女(📄)主(🌂)(zhǔ )角在年轻时抢劫(jié )银(❄)行，被(🍝)(bè(🧝)i )囚20年，她在入狱前生产的(🚧)(de )儿(💬)(ér )子赛门已长大成人，出(chū )狱(🕟)(yù(🗽) )后想跟赛(sài )门重新建立(🌌)母(🔠)(mǔ )子(🐉)(zǐ )关系，但(dàn )产生一些挫(🥩)折(🖌)，直至她发(fā )现儿子竟然爱(✌)上她(🔑)的女友(yǒu )时，事情(qíng )出现(⛷)了(📸)转机(🏽)。而(ér )她自己也(yě )找到了新(🐦)的(👨)爱侣(lǚ )，就是赛(sài )门的老(🈲)师。
Great Italian pulp movie, a classic for the genre! "Roma l'altra faccia della violenza(trad.:The other side of violence)" is a police movie where violence, theft and rape are caught in a mixture of raving unconsciousness and pure havoc. With a great appearance by Franco Citti, this film stands up for one of the best Italian pulp movie ever made. Quite similar to "Roma Violenta" and "Milano Violenta" with Maurizio Merli yet not the same cup of tea. It deserves more rudeness, rawness and pathos for the audience...