后宫甄嬛传剧情简介剧情介绍
In the sorrow of exile, a group of Argentinians in Paris seek solace and connection to their culture by staging a set of tangos. The film alternates between their vibrant rehearsals and their circumscribed lives in low-rent apartments, underemployed, fitfully communicating with families back home, trying to make do with what they hope are only temporary arrangements in a foreign land.
十年动乱(luàn )期(qī )间，上海。原本工(gōng )商(shā(🕋)ng )业(yè )出(🍹)身的(🥞)张(📜)家(🐤)祸(📺)从(có(🥘)ng )天(tiān )降(🥗)(jiàng )，受到巨大(😸)冲击，少奶奶欧阳瑞丽（李岚(lán ) 饰(shì )）不得已挑起生活(huó(🌸) )的(de )重(🏼)(chó(📄)ng )担。为(📐)了应(🛷)付(🍅)日(rì(🧚) )常(cháng )开(😞)(kāi )销，竟以典当度日。经阿姨介绍，她给别(bié )人做起了保姆，为置(zhì(🆖) )办(bàn )小(🔥)(xiǎo )叔(🔽)子(🙎)（王(🕢)伟平(😄) 饰(⛔)(shì )）(🆎)、小姑子（吕丽萍 饰(shì )）下乡的行李，只有折了东墙补西墙。为了(le )生(shē(🐟)ng )计，瑞丽(🖥)来到(❎)里(💧)弄(🚋)(nò(🎰)ng )生(shē(🌹)ng )产(chǎn )组(🌧)当临时工，生(😵)(shēng )产(chǎn )组(zǔ )的家庭妇女虽然都没什么文化，但都心地(dì )善(😹)(shàn )良(🎰)热(👗)情，她(🈹)们给(🍦)瑞(🏣)(ruì )丽(🔹)(lì )孤(gū(⛳) )寂的心带来不少(shǎo )慰(wèi )籍(jí )。回城的文影因感情(qíng )受创精神失(🐳)常，瑞丽(♿)(lì )悉(🈺)心(⏩)相帮(🍦)。粉碎(🥪)“四(🎈)(sì )人(🐺)(rén )帮(bāng )”以后，组织上(shàng )落(luò )实(shí )政策，返还了当年(nián )抄(chāo )家的物品和存(🎧)款，一家(🌺)人又(🍣)过(🛠)上(😈)奢(⬆)侈的(🥎)生(shēng )活(🥤)(huó )，但却再没(👸)有了当(dāng )年(nián )身(shēn )处逆境的生活气(qì )氛(fēn )......
江(jiāng )坂は仲間(👆)二人(🤥)と(🥧)小さ(🔛)な出(🚴)版(🚪)社を(🏛)やって(🔢)いる。ある夜、江坂は目(mù )黒(hēi )川に身を投げた女(nǚ )を助けた(🚢)。女は滝(👋)村秋(💶)(qiū(📻) )子と(💭)いい(🈶)、(🍏)夫の(📔)暴力(lì )に耐えかねて家を出(chū )たと話した。それから二(èr )人の奇妙な(🐫)生活が(🌨)始(shǐ(🍹) )っ(🔺)た(🏙)。二(🔜)カ月(🍉)も過(guò(✍) )ぎると、二(⏺)人はすっかり夫婦きどり、行きつけの飲み屋でも、い(😭)つも(🌠)二(🚎)人の(🔑)姿が(🈶)見(🦅)られ(👰)た。そし(🐸)て秋子は、夫(fū )、豊に離婚を迫った。その話に豊は驚(jīng )いた(🕒)。という(🎞)のは(🖍)、(💶)大学(📡)(xué )病(💸)院(🆓)に勤(🤜)める豊は、看護婦の三代江とただならぬ関係になり、秋(qiū )子に離(🔆)婚を迫(🐇)った(🥡)こ(🥪)と(⏫)が(🏸)ある(🛰)。しかし(✳)、嫉妬深い(📱)秋子は離婚(hūn )にはガンとして応ぜず、家中の家具を金(💈)(jīn )属(🚹)(shǔ(⛑) )バッ(🤸)トで(🔆)壊(⬅)した(👱)ことが(🎸)あった。その秋子が離婚を求めてきたのだが、今度は豊が応(🍒)(yīng )ぜず(🐾)、二(〽)人(🔢)でや(🚴)り直(🏼)そ(📖)うと(💿)言い寄った。その頃、行きつけの店の客(kè )の一人、桑野という男(ná(🎿)n )が自宅(🚓)の風(🔨)呂(🧖)場(🕸)で(📫)殺(shā(♓) )された(🤺)。事件の前に(🎤)、店に秋子という女(nǚ )から桑野に電話があったそうで(🆎)、さ(🧣)ら(🗣)に現(💩)(xiàn )場(🚰)(chǎ(💣)ng )には(⛷)滝村の(🈁)名刺が落ちていた。秋子のことを思い浮かべた江(jiāng )坂(bǎn )は新(😛)聞記者(🍞)の義(🧟)兄(🗣)(xiōng )の(🐐)青(qī(🥌)ng )柳(👪)に話(🎊)を聞き、滝村(cūn )も訪ねた。二人から聞く秋子の姿は、彼(bǐ )女(nǚ )が江(🕜)坂に話(🏕)した(🚟)こ(🚡)と(🆙)と(🌱)は正(🍗)反対で(🧠)あった。暴力(❔)に必死に耐える女どころか、嫉妬深(shēn )い女だった。江坂(🥜)は桑(😼)(sā(🚋)ng )野(yě(🦐) )を殺(🚘)し(🈚)たの(🚗)は秋(qiū(💼) )子(zǐ )ではないかという疑いを抱いた。翌日、休(xiū )日出勤した(🥐)江坂を(😮)、秋(⛲)(qiū(🥜) )子(zǐ(㊗) )が陣(🛬)中(😾)見舞(🚈)に立(lì )ち寄(jì )った。執拗に問いつめる江坂に、秋子は滝村のことは(🏄)ウソを(🈵)つい(🍌)て(✍)い(🌏)た(🏯)こと(🍏)を認(rè(🆓)n )めた。しかし(🛩)、桑野殺(shā )害(hài )についてはまったく身に覚えのないこ(🈵)とで(😵)、(👶)江坂(📷)にこ(⛴)こ(👹)まで(🐥)問(wèn )い(🥂)つめられ、絶望(wàng )するのだった。その時、江坂の机の電話が(🚮)鳴(míng )っ(🚨)た。青(🍬)柳(🙏)から(🕖)で、(🤜)殺(🐮)(shā )人(🍴)(rén )事件の犯人が逮(dǎi )まり、滝村の内妻の三代(dài )江の犯(⏹)行だったと(🍔)いう。秋(📙)子を(🈚)落(🏸)し(🍃)入(👨)れよ(💧)うとす(🛎)る三代江の(🙊)罠(mín )だった。秋子がいなくなったことに気付いた江坂は(🦏)屋上(💌)に(🏜)駆け(🛢)上(shà(📡)ng )る(🏭)と、(💲)手すり(🚤)を飛(fēi )び込(rù )える彼女の姿が見(jiàn )えた。
On the tropical island of Manioca, during a MardiGras-like festival, the child of the former president is kidnapped by the thugs of a communistic dictator. A large corporation in Miami finances an expedition to recover the child, and thus hopes to put the democratic nominee back in power. To this end, they send four mercenaries into the jungle, all of whom are masters of warfare. However, while the four mercenaries are fighting their way through the green inferno, new developments are occurring back in Miami. It seems that the corporation has changed its stance, and is now trying to work out a deal with the communistic dictator. This is sadly one of Umberto Lenzi's most neglected films--and for no good reason at all. Perhaps the lack of distribution has contributed to the obscurity of this gem; but, for all serious fans, it remains to be rediscovered. This film is not remarkable insofar as it is extraordinary, but that it so keenly represents the ending of an era. Never again will we see the likes of Antonio Sabato, Ivan Rassimov, Werner Pochath, and Franco Fantasia, all teaming up together in one great film such as this. Besides being well-directed, this movie is augmented by a very nice soundtrack by Stelvio Cipriani, as well as a surpise appearance by Andrea Aureli. Of course, it has its drawbacks as well. For instance, Ivan Rassimov's character is killed off much too soon (the same fate he suffered in Ruggero Deodato's "Atlantis Interceptors"). However, this movie contains some genuinely wonderful scenes that recall all the glory of Lenzi's earlier films. Highly recommended!
In this modern adaptation of the Don Quixote theme based on a novel by Graham Greene, Quixote is an old Spanish village priest who travels through Spain with his friend, Sancho, the village's mayor and his car called Rocinante. On their way he has to master the same adventures as his ancestor.
罗尼(Joe Mullaney)和威尔(Will)是住在苏(⛑)格兰高(🕜)地附(🔞)近(👲)爱(à(📀)i )丁堡(🍶)的(🐲)两个(🏄)游手好闲(xián )的(de )小(xiǎo )混混。穷困潦倒(dǎo )一(yī )无(wú )所有的两人总想着某(mǒ(💫)u )一天能(🥨)干点(🚰)大(🚿)事。于(🕞)是他(🗄)们以罗(🅾)宾汉的英(yī(🐞)ng )雄(xióng )情怀自我鼓励，决(jué )定(dìng )“礼貌地”打劫高地(dì )观(guān )光团(🆔)游客们(🖊)的现(🙏)金。两(🎵)个(👗)人带(😮)着狼人(😥)面具(jù )和(hé )小丑面具，拿着可(kě )以(yǐ )喷(pēn )出咖喱粉的玩具(jù )枪(qiāng )就(jiù(😹) )开始(🥛)了(❎)蒙面(🚢)抢劫(🐣)的(🍒)征程(🙌)。哪知两个人的打(dǎ )劫行为竟然成了吸引(yǐn )高(gāo )地(dì )观光团游客们的(🕣)(de )一(yī )大(⛱)(dà )卖(🙏)点(🕯)，同时(🍤)，当地(🤖)警(jǐng )方(📐)及CIA探员(Ned Beatty)也悄悄地盯上了他们…