翁虹电影全集 第44集

赌(dǔ )城拉斯维加(🔎)(jiā(📀) )斯(🤵)，除(🚌)夕(❕)夜(💏)。轮(🧥)盘赌盘在(zài )疯狂地旋转(zhuǎn )，纸牌的劈啪声愈发刺耳(ěr )。老虎机鸣响(xiǎng )，香槟酒气(qì )熏天。突然(rán )间，灯火骤(zhòu )熄(🐿)，一(🚳)片(🧤)黑(🌝)暗(🏮)(à(🏆)n )。这(🚺)是(⏹)一(🥈)个(gè )多么完美的(de )时(shí )刻，无论你(nǐ )是去偷吻香(xiāng )艳的女郎还是(shì )顺手(🍢)牵(🗂)羊(📌)地(⛺)(dì(🐐) )私(⛪)密(🚙)几(🔰)张(🚏)钞(chāo )票(piào )。当然，对于丹尼·奥(ào )逊（弗兰克·辛纳特拉(lā ) Frank Sinatra饰(shì )）和他(🖍)的(🗡)十(🎨)(shí(🦋) )一(📿)个(🔝)犯罪团(tuán )伙来说，这更(gèng )是一个偷天(tiān )换日的绝佳(jiā )盗(dào )窃机会。以丹尼为首的(de )十一罗汉，均(jun1 )是二战退伍(wǔ(🤦) )后(🔸)最(🧗)优(⚾)秀(🚒)的(⛴)(de )空(🏖)降(🛤)部(💠)队成(chéng )员，个个身怀(huái )绝技。丹尼(ní )伙同山姆·哈(hā )蒙（迪恩·马丁 Dean Martin饰(👁)）(🆒)、(😔)约(🆘)什(🐐)·(⚪)霍(✂)华(🔘)（(🔽)小萨米·戴(dài )维斯 Sammy Davis Jr.饰）、吉(jí )米·福斯(sī )特（彼特·劳(láo )福德 Peter Lawford饰）(🐇)和(🍴)康(😢)纳(🍎)斯(🔶)（(🐷)乔(qiáo )伊(yī )·毕晓普 Joey Bishop饰(shì )）等人，开(kāi )始了一场有史(shǐ )以来最大的(de )赌场抢劫案(àn )。然而这场看似天衣无缝(fé(🐚)ng )的(🌌)“完(🚡)美(🤧)”盗(🖖)(dà(😉)o )窃(🐯)案(🖲)，却(🐌)纰(pī )漏百出、波(bō )澜起伏。 在(zài )上世纪初的德(dé )国，一个精(jīng )通心理学(💰)的(🤚)(de )犯(🐿)(fà(🔢)n )罪(👟)天(⤴)才(🐙)马(❓)布(🚥)(bù )斯博士，利(lì )用各种伎俩，包括催眠，易容，赌博(bó )等(děng )，把他的(de )受害人完(🤶)全(🥨)操(🎤)(cā(🔪)o )纵(👨)于(🏨)股(🍩)掌之中。他自称(chēng )能(néng )够医治战后(hòu )人们的精神(shén )创伤；他欺骗(piàn )了舞蹈演员(yuán )卡罗扎，又(yòu )从(cóng )百万(🕓)富(😟)翁(🐊)的(😁)儿(🥦)子(🌟)胡(🚱)尔(👽)手(🍼)(shǒu )中靠赌博赢得(dé )了五万马克(kè )。警方有人(rén )开始调查…… 动画名家(🚰)北(📵)(bě(🏫)i )山(📪)清(🎇)太(📸)郎(👗)的(🏍)(de )早(🔕)期作品，与(yǔ )1918年2月15日放映(yìng )。 在奥利维(wéi )拉那部美得让(ràng )人心颤的杰(jié(🛴) )作(⏩)《聚(🖇)会(➰)》中(🎚)(zhō(🐫)ng )，那(✅)些内(nèi )心欲望和禁忌(jì )交织的男男女女聚集在(zài )一(yī )个岛上，其(qí )间一男一女(nǚ )伫立在海边的(de )礁岩上(🍜)，下(🎹)(xià(🏊) )面(🙂)是(😑)激(⛷)荡(🦑)的(🈸)(de )海(〽)(hǎi )浪，内心是激荡的欲望(wàng )，女人看着一(yī )汪在岩石(shí )上(shàng )凿出的泳池(🐀)(chí(🙃) )说(🏧)：(🐘)“看(🎎)看(😥)(kà(🍎)n )这(🥘)个(🐝)游泳池。是在岩石上(shàng )挖成的。这(zhè )是(shì )我丈夫的母(mǔ )亲送给她儿(ér )子(🛥)的(🚞)礼(🖋)物(🌋)。在(🎵)(zà(⛔)i )我(👏)看来，它(tā )象征着女人(rén )的(de )子宫。”而男人只是回(huí )答：“我对种种象征都(dōu )无(wú )动于衷。您(nín )喜欢赌博吗(ma )？(🐊)”女(➡)人(💎)的(〽)回(🏹)(huí(🍲) )答(💚)是(⛷)：(🔒)“不(bú )喜欢，我喜(xǐ )欢(huān )散步。”这个男人对这(zhè )个女人的询问(wèn )与回答，这(🗓)(zhè(🆎) )个(🙍)女(⛅)人(🔡)对(🐸)这(📫)(zhè(🐼) )个(📀)男人陈述(shù )与回答，都包(bāo )裹着欲望的(de )攻击和对欲(yù )望(wàng )的遮掩和逃(😊)(tá(⚾)o )避(🐛)。人(🌁)在(🐪)自(🏻)(zì(💩) )己欲望面前的(de )审慎和闪躲(duǒ )，直接指点(diǎn )出(chū )这些欲望(wàng )本身的虚饰和(hé )沉沦，这个世界变得如(rú )此(cǐ(📽) )暧(🍲)昧(🕉)和(👜)纠(♐)缠(👆)(chá(🚖)n )，那(💢)些(⬅)低垂(chuí )在耳边被语言(yán )所裹胁的欲(yù )望，被语言(yán )所(suǒ )放逐的欲望，成(📭)为(🥐)从(🛌)红(🥘)(hó(🔮)ng )唇(🚶)中(🕤)吹(❣)出(🌝)话语，内心的(de )陈(chén )述看似整洁(jié )和典雅，但(dàn )是一如碎片和(hé )泡沫交待(🍹)给(🥠)(gě(🕋)i )我(🤳)们(🕊)对(💟)自(🚗)己(jǐ )历(lì )史的测不准的回忆，对(duì )现实的测不准(zhǔn )的把握，对(duì )未来的测不(bú )准的忧郁。这就是奥利维(wé(🐱)i )拉(😔)对(😩)情(😧)感(🏔)世(🤢)界(🔔)的(🚂)展(👕)示，在(zài )静寂中还原(yuán )情感运动的(de )紊乱了的轨迹(jì )，这个轨迹(jì )向一条(🍺)无(👲)法(🔢)(fǎ(🎴) )测(🎼)(cè(🦓) )准(📪)的(🔜)曲(📐)线。——cinekino At the salon of his lover, Paris dancer Eva Sorel, Christian Wahnschaffe, the spoiled son of an industrialist, meets Iwan Becker, a leader in the Russian Nihilist movement. Impressed by Becker’s concern for society’s weak and poor, Christian develops sympathies for the movement’s ideals. When Eva begins a relationship with a powerful Russian prince, she poses a danger to Becker, who has entrusted her with his secret plans for a revolution for safekeeping. And, indeed, they end up in St Petersburg, where Christian and Iwan try in vain to gain possession of them. It is then easy for the Prince to put down the 1905 revolution … Weltbrand is a wide-ranging panorama of society, unfolding along several parallel plot lines against a backdrop of luxury and misery. From its use of historical subject matter, to its gala premiere attended by dignitaries from industry and politics at the Hotel Esplanade, the two-part star-studded film version of the book anticipated later media storms, making Christian Wahnschaffe seem like a Weimar-era forerunner of modern-day event television. 查尔斯•百代《被拴(shuān )住(zhù )的马匹》（The Horse that Bolted），使用“平行剪辑(😹)”的(👺)(de )手(⬜)法(🛃)。这(🚠)是(💣)(shì(🦎) )电影史上第(dì )一(yī )次通过新的词汇来表达(dá )时间的“同时(shí )性”。此影(yǐng )片已经不同(tóng )于埃德温•史坦顿•(🕞)鲍(🗒)特(🔫)(tè(😅) )《一(😥)个(🦆)美(🤷)国(❗)消防队员的(de )生(shēng )活》，镜头(tóu )表达不再是(shì )“后来”发生(shēng )的事情，而(ér )是“与(☕)此(🔳)同(🛍)(tó(🎞)ng )时(🍲)(shí(📲) )”，这(🚢)种(🗞)细(🔲)小的进步却(què )是电影艺术向前迈向重(chóng )要(yào )的一步。 Sylvester, by the hugely underrated Lupu Pick is one of the least known films of the silent era, and unjustly so. Pick, the director of the slightly less obscure Scherben (Shattered), is almost as forgotten as this, his masterpiece... a film that without doubt, in it's time, was one of the most important of the German silent era.