大象的眼泪百度影音剧情介绍
A major of Red Army is late for the train that takes Soviet's forces from Berlin. He telephones to Moscow and finds out that his wife has left him and that someone has moved in his apartment. He decides to stay in Berlin and does so by staying in no man's lend between two Berlins. His only property is small tea-urn, parade uniform and white bicycle. His first contacts are with black market and underground. And while he makes first moves in the game of survival, we're getting to know his past.
This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery.
섭, 현우(🥪) 그리고 소연(💂), 이들(🌫) 셋은 지난 시절(📭) 사랑과 우정(🅾)을 나누며 운(🍩)명적인 사랑의 삼각(⏳)형을 이룬 채(💊) 이상을 추구했(🌉)던 친(🦀)구였다. 그런(💭) 어(👬)느날 한라(🏂)산(😴)에서 행글라(⛲)이더(🍀) 비행중 요섭이(🎺) 실종되는 사(⛰)건이 일어나 세사람(👠)의 관계가 파(⛩)괴되머 남은(😙) 현우와 소연은(🛥) 요섭(🌛)과 소연의 아(🗑)이인 다린이(📏)를(🏦) 키우며 가정을 이(🚘)룬(🖱)다.4년이 지난(🔆) 어느날, 제주(🥇)도에(📕)서 요섭이 살아(🕐)있을지도 모(🌻)른다는 소식(🖲)이 오자 현우와 소연(😽)은 제주도로(🍩) 떠나고, 두사람(👔)은 요섭에 대한 추(🆗)억(🥟)에 잠긴다(🐵). 요(🔷)섭과 현우의(⏬) 우정(💮), 요섭의 소연에(💟) 대한 진실한(🐑) 사랑, 그리고 이기심, 자신들의 꿈(🧀)을 위해 이상(✔)의 섬 무인도에(🌡)서의(🏉) 생활과 좌절(🔬), 비행중 요섭(🔢)의(🛵) 실종등의 우울한(😔) 기억을 간직한(💵) 소연과 현우(🃏)... 현우와 소연은 제주(🕐)도에 도착하(👇)여 과거 그들(📡)의 꿈이었던 흔적들(🔱)을 되새기나(🏛) 요섭은 어대에(🌺)도 없다.요섭의 무(🛸)덤(🕋)에서 요섭(🌃)이(🚺) 즐겨 부르던(🐰) 노래(📸)의 환청을 들으(🗳)면서 현우와(🤗) 소연은 이상의 섬으로 여기던 무(🀄)인도로 향한(🦅)다.
泰勒（查理(😴)(lǐ )•(🌿)辛(xīn ) Charlie Sheen 饰）是(📻)越战(zhàn )期间(🔵)的(🌥)一名(míng )美国大学(🌇)生(shēng )，他前往越(👃)南前线去服(🥓)(fú )兵役(yì )，被分到了(🐬)(le )一个步兵部(🔵)(bù )队。部队里(🥖)(lǐ )有两个人一(yī )直(🌵)对他影响(xiǎ(🔠)ng )颇大——伊莱(🆖)亚(yà )斯（威廉•(🌽)达(👆)福 Willem Dafoe 饰）和(✒)(hé(🧗) )巴恩斯（汤(🐳)(tāng )姆(🕗)•贝伦杰(jié ) Tom Berenger 饰(👟)）。他们(men )两人(👧)(rén )对战争的看法截然不同(tóng )，前(🔏)者不忍(rěn )残(🕣)杀无辜，而后者(🍭)却杀(⛰)(shā )人如(rú )麻(😉)，泰勒心里非(🈲)常(📏)(cháng )迷惑(huò )，到底谁(🃏)对(duì )战争的看(💎)法(fǎ )才是正(🐘)确。
主人公是一个叫(📬)戴维·曼恩(🥨)(ēn )（丹尼斯(😊)·韦弗 Dennis Weaver 饰）的(de )中年(🧔)男人，这天他(🙋)在空(kōng )无一人(🛒)的州(zhōu )际公路上(🍪)独(🀄)自驾(jià )车(🎭)。随(⛏)后一(yī )辆大(🐤)卡车(🥐)出(chū )现了，挡在(📚)(zài )戴维前面(🙃)，他毫不客气(qì )地超(chāo )过对方。而(🐼)后两车在公(📭)(gōng )路上互相超(🛸)(chāo )了(🕯)对方的车(chē(⏩) )，一开始戴(dà(🕰)i )维(🍿)还(hái )气冲冲地想(🗜)超过对(duì )方走(🏥)(zǒu )在前面，后(⬆)(hòu )来他却发现(xiàn )大(➕)卡车司机(jī(🈂) )像发疯一样(🍰)想置他于死(sǐ )地。他(👡)只好停下(xià(🦍) )来，在路边(biān )餐(🚆)厅整顿一(yī )下准(🕊)备(✳)继续(xù )上(⛺)路(🙌)，发现(xiàn )那辆(👠)形如(🛌)鬼魅的(de )大卡车(🎁)停在(zài )外面(🏡)，戴维(wéi )甚至不知道(dào )司机是谁(🍻)。随后大卡车(👖)(chē )一直(zhí )追逐(🥌)着戴(🏄)维，他想尽办(😄)(bà(🥐)n )法也甩不(🛋)掉(🌄)(diào )这辆大卡车(chē(🦄) )，他只好与(yǔ )这(📡)辆(liàng )如影随(✊)形的卡车展(zhǎn )开决(☝)(jué )斗……
帮(💝)派(pài )分子Chas（(✂)詹姆(mǔ )斯·福克斯(🎢)(sī ) James Fox 饰）是Harry Flowers的(❤)一名手下，在(zà(🔷)i )一次帮派争斗中(🉑)(zhō(💔)ng )，Chas杀死了一(👧)(yī(🤽) )个叫Joey的人，只(🐾)能逃(📤)亡。为了躲避Harry的(🙇)(de )追杀，他化名(🅿)为(wéi )Johnny Dean，假装是一名变戏法的(de )，租了(🐄)一所(suǒ )房子(🔷)的地下(xià )室。房(🗻)子的(🕑)(de )主人(rén )是 Turner（(🍞)米(👄)克·贾格(🏮)尔(😌) Mick Jagger 饰），他和两个(gè(🥜) )女人住在里(lǐ(🚑) )面。Chas住在地(dì(🏊) )下室的期间经历了(🐻)一段(duàn )奇幻(🤵)(huàn )的旅程。他(🎱)(tā )联系一个朋(péng )友(🥒)，让朋友(yǒu )替(🍦)他搞了个美国(🉑)护照，准备逃走。他(💪)让(🐸)(ràng )朋友来(📀)他(🗻)住(zhù )的地方(🚞)与他(🌌)(tā )见面，不料(lià(🗳)o )他的朋友却(😨)(què )带着Harry的人一起来(lái )了......
艾丽莎(📒)是一个物理(😱)治(zhì )疗师，她一(🏛)(yī )直(🎙)试图寻找(zhǎ(🐻)o )自(📇)己的母亲(⬜)(qī(🗂)n )，却(què )没有成功。然(🙌)而她们在(zài )彼(🛌)此不知情(qí(💾)ng )的情况下见(jiàn )面了(⌚)。她的(de )母亲作(🍬)为一个病人(🛫)来艾(ài )丽莎(shā )的诊(🥗)所就医(yī )，然(🐋)而彼此(cǐ )都不(🅰)知道对(duì )方的身(🅰)份(🅿)。
这部片是由(👋)(yóu )IFC电影公司(🏑)呈献(🕢)，内容是以几(jǐ(📈) )个互相交错(🥍)(cuò )的故事，来(lái )揭露枪枝在(zài )美(🏢)国的氾滥是(💖)如(rú )何剧烈的(🥐)影响(🤕)与改变每(mě(🧝)i )天(🈸)的生活。 一(🧘)个(📧)枪店老(lǎo )闆、一(💃)个成(chéng )绩优(yō(🔴)u )秀的学生、(😐)一个单亲妈(mā )妈、(🎍)还有一(yī )个(🛴)学校校长(zhǎ(💟)ng )就是故事中(zhōng )被深(👖)深影响的角(🌞)色。
一(yī )次偶(ǒ(😘)u )然中，患有(yǒu )先天(🏊)性(🧥)心脏(zāng )病的(🧣)男孩亚(yà )当(🧟)（克(⏹)里斯汀·史莱(🕔)特(tè ) Christian Slater 饰）遇(📿)见了名叫(jiào )卡罗琳（玛(mǎ )丽莎(🏎)·托梅(méi ) Marisa Tomei 饰(🥦)）的美丽(lì )女(🔆)孩，后(🤲)者(zhě )的开朗(🛬)和(🏰)善良渐(jià(👎)n )渐(🗞)吸引了一直生活(⛅)在疾(jí )病阴影(🐂)里的(de )亚当，两(👗)人(rén )之间产生了(le )真(㊗)挚(zhì )又美好(🐤)的感情。
1958年12月(🕓)，古巴，职业(yè )睹徒杰(📀)克前(qián )往古(🔉)巴的首(shǒu )都哈(🎳)瓦娜，参加一场大(🕶)(dà(⬛) )型扑(pū )克牌(🈸)赛，期(qī )望藉(🌯)此大(🍠)挥(huī )一笔。他在(😆)(zài )当地邂逅(💝)了一名美丽的(de )已婚女子罗贝塔(🧚)(tǎ )，她的丈夫(🔬)(fū )是当地的共(🎹)(gòng )产(🤝)党革命领(lǐ(🥞)ng )袖(💷)，两人情(qí(🤥)ng )不(🦗)自禁的坠入了(le )情(🚜)网。此时，罗贝塔(Ⓜ)的(de )丈夫遭军(🔙)队(duì )杀害，她也(yě )被(🦗)政府逮捕(bǔ(⏲) )烤问(wèn )，杰克(🏥)试着将她救出，但是(😙)他却无(wú )法(🎹)阻止罗贝(bèi )塔(🕣)对革命的(de )狂热支(🏆)持(🍏)……