索多玛120天在线剧情介绍
Stella Maris is a beautiful, crippled girl, who is cared for by a rich family. They shield her from the harsh realities of the world, so that she has no idea of the cruel things that some people do. Unity Blake is a poor orphan all too familiar with the harsh realities of the real world. These two young women both fall in love with John, love which is complicated by the fact that he is still married to (though separated from) a bad wife.
While hosting a game of cards one night, Narumov tells his friends a story about his grandmother, a Countess. As a young woman, she had once incurred an enormous gambling debt, which she was able to erase by learning a secret that guaranteed that she could win by playing her cards in a certain order. One of Narumov's friends, German, has never gambled, but he is intrigued by the story about the Countess and her secret. He soon becomes obsessed with learning this secret from her, and he starts by courting her young ward Lizaveta, hoping to use her to gain access to the Countess.
At the salon of his lover, Paris dancer Eva Sorel, Christian Wahnschaffe, the spoiled son of an industrialist, meets Iwan Becker, a leader in the Russian Nihilist movement. Impressed by Becker’s concern for society’s weak and poor, Christian develops sympathies for the movement’s ideals. When Eva begins a relationship with a powerful Russian prince, she poses a danger to Becker, who has entrusted her with his secret plans for a revolution for safekeeping. And, indeed, they end up in St Petersburg, where Christian and Iwan try in vain to gain possession of them. It is then easy for the Prince to put down the 1905 revolution … Weltbrand is a wide-ranging panorama of society, unfolding along several parallel plot lines against a backdrop of luxury and misery. From its use of historical subject matter, to its gala premiere attended by dignitaries from industry and politics at the Hotel Esplanade, the two-part star-studded film version of the book anticipated later media storms, making Christian Wahnschaffe seem like a Weimar-era forerunner of modern-day event television.
本(💷)片(🏻)(piàn )又(yòu )译作《党同(🔣)伐异》，是(shì )D．W．格(💣)(gé )里菲(🕸)思(🕌)最具创作野心的(🆔)(de )作(🐜)品(pǐn )。由(🎊)于受到《国家的(de )诞(🌠)生(🎟)(shēng )》惊人卖座的影(👞)响，格里(lǐ(🍅) )菲思(sī )遂再接再(🕞)励(🥤)拍摄一部场面(mià(🎐)n )更大(dà(😱) )，内容更有深度的影(🧙)(yǐng )片。他花了一年(🍦)半的时间(🤙)，动(dòng )用了(le )二百万(🚜)美(🕋)元的制作费，拍(pā(💥)i )摄成(ché(💍)ng )片(📻)长220分的巨片（原(🔥)版(💍)(bǎn )长(zhǎ(🍟)ng )480分(fèn )）。可惜本片(🦂)在(🗞)1916年9月于(yú )纽约(yuē(⛸) )公(gōng )映时，并没有(💪)受到预(🚷)期(🎁)(qī )的欢(huān )迎(yíng )。本(🚭)片(🖨)所以卖(🍙)座失败，原因(yīn )很(🐇)多(🎖)，最主要是格里(lǐ(🚏) )菲思(sī )在(🥋)本片所采用的故(🏥)事(🥗)结构(gòu )太复(fù )杂(🔪)，导演手(❤)法已超越当时(shí )观(🅾)众(zhòng )的接受能力(🏳)。加上主(zhǔ(📸) )题过(guò )于严肃，其(🐃)中(⭐)提倡的宽(kuān )容(ró(🈴)ng )和反(fǎ(⛲)n )对(🎅)暴力的论调跟当(👹)时(✌)美(měi )国(🍃)(guó )的高(gāo )昂参战(💤)情(🛹)绪引起冲突(tū )，因(🚫)(yīn )此(cǐ )未能受到(🎱)普遍欢(🆓)迎(🖤)。不过(guò )，人们却不(🔳)能(📝)否认这(🙍)是一(yī )部电(diàn )影(🥙)(yǐ(🤤)ng )艺术上的不朽杰(⛅)作。《忍无(wú(🚮) )可忍》由四段不同(🐙)时(🏫)(shí )代发(fā )生的故(⭐)事组成(🐎)：巴比伦的(de )没落(luò(🏸) )、耶稣基督的受(✂)难、法国(🚵)(guó )的圣(shèng )巴托罗(👑)米(🥡)宗教大屠杀(shā )，以(✋)(yǐ )及二(🦉)十(🎼)世纪初美国的劳(🗻)(lá(🚹)o )资(zī )冲(⏲)突(tū )。格氏描述他(👵)自(🏍)己的构(gòu )想(xiǎng )：(🏜)“四个大循环故事(✨)好象(xià(🌙)ng )四(🐛)(sì )条(tiáo )河(hé )流，最(💀)初(🚛)是分散(🍰)而平(píng )静地(dì )流(🚻)(liú(🛵) )动着，最后却汇合(💨)成一(yī )条(🎓)强(qiáng )大(dà )汹涌的(🌕)急(🎋)流"。本片一开(kāi )始(🗼)，是一个(💵)母亲推摇篮的(de )镜头(📬)(tóu )，插入惠特曼的(💨)诗句：“如(🌮)今(jīn )如同昨日，世(😏)间(💓)的人情变(biàn )化循(😠)(xún )环无(🏀)穷(😧)。摇篮摇动着(zhe )，为(wé(💆)i )人(👓)类带来(💙)同样的激情，同(tó(🆗)ng )样(🕍)的(de )优乐悲欢。"这字(🔃)幕之后(hòu )，展开(kā(😇)i )第一个作(🈳)为全片基调(diào )的(❔)(de )现(🚅)(xiàn )代(dài )篇故事。随着剧情(🏺)的(🍠)(de )进展(zhǎn )，导演经常(👏)切入另外(🎢)三段(duàn )故事(shì )，成(🗑)为(🚠)四段平行发展。最(🍀)(zuì )后，画面仍回到母亲和摇(🍼)(yáo )篮，呈现出“人类(⛹)从不容异(🗺)已(yǐ )到宽(kuān )容的(👍)进(🔆)化"的主题。作为故(📠)(gù )事核(hé(🖱) )心的现代篇“母与(🚌)法(⛵)(fǎ )"，内(nèi )容描述四个失业(🐷)的(⛅)男女(nǚ )工(gōng )人从(🌨)(cóng )小镇来到都市(❕)中找工作(🏡)(zuò )，有人(rén )误入歧(⛓)途(🔟)，有人渴望(wàng )过(guò )正(zhèng )常(💔)(chá(🔄)ng )的家庭生活。正派(🏿)的(de )男主(zhǔ(🌳) )角(jiǎo )被诬陷为杀(👎)人(🤤)凶手，被(bèi )捕后(hò(🌈)u )判(pàn )处死刑。行刑之日，真(zhē(📙)n )凶良(liáng )心发现，在(🀄)最危险的(🖤)(de )一刻(kè )将男主角(⬛)救(🈂)了出来。从这(zhè )个(🌆)故(gù )事中(🚲)，可以看出二十世(🕷)纪(🌯)(jì )初期(qī )美国的一般社(⭐)会(🎛)状况(kuàng )：农(nóng )村(🕝)不安定，都市阴暗(✔)而(ér )复(fù(🚵) )杂、劳工生活困(💨)苦(🎶)、法律问(wèn )题(tí )重重(chó(🍠)ng )等(📘)。格里菲思在本片(🈺)(piàn )中(zhōng )进(🍌)(jìn )一(yī )步表演他(🈸)在(⛩)“平行剪(jiǎn )接"方(fā(🏋)ng )面(miàn )的杰出才能。他利用(♍)四(🔖)(sì )段故(gù )事(shì )中(🚲)的类似情(🖍)景作比较剪(jiǎn )接(🐱)，使(🛄)分散的情节显得(😁)统(tǒng )一有(💸)(yǒu )力，并因类似镜(🤧)头(👑)的多次(cì )重复(fù )而使剧(🐫)情(🍿)产生出热情奔放(🥓)(fàng )的情(qíng )绪高潮(🚚)。譬如有一(🛂)段(duàn )镜头(tóu )是这(🍌)样(⏺)剪接的：一、耶(yē )稣(sū(😟) )基(🙋)督(dū )被士兵押着(🕥)前进；二(❓)、巴(bā )比伦(lún )的(🗽)村(🛸)女向情侣奔告国(🉑)(guó )王(wáng )的(de )危(wēi )急；三、(🏢)现(✴)代的少女(nǚ )拚命(🤮)(mìng )为(wéi )救(🚖)她的爱人而奔走(🤕)；(🐽)四(sì )、在(zài )巴(bā(🐒) )黎大屠杀(🍂)中，新教徒企(qǐ )图(😎)在(🐷)(zài )群众骚乱的街道上援(🏗)(yuá(🐶)n )救未(wèi )婚妻。格氏(🆘)利用移动摄影(yǐ(🥉)ng )、镜(jìng )头(🎧)、划过镜头等技(📁)巧(🗡)连接(jiē )四段(duàn )平行发展(🐿)的(😍)情节，节(jiē )奏紧(jǐ(🚄)n )凑流畅。格(💰)氏甚至在个(gè )别(🏿)(bié(😽) )的故(gù )事片段中(💯)使用短短的倒(dǎo )叙(xù )技(🌪)巧(🤟)(qiǎo )（FLAXHBACK）来交代情(🔪)节，显(xiǎn )见(👍)(jiàn )他(tā )的(de )“电影文(🚿)法(🛃)"的确比同(tóng )时代(🗨)(dài )的(de )导演(💶)高出很多。除此之(🍜)(zhī(👁) )外，格(gé )氏在本片中亦首(📤)创(💲)“大(dà )特写(xiě )"和“大(🎗)远景"的镜头，以加(🚷)(jiā )强观众(🦖)的心理感觉（如(💑)：(👎)特写(xiě )女人紧握的手，表(🎮)现(🔭)她在(zài )听到(dào )丈(🔰)夫判死刑(⚽)的消息时(shí )的焦(🔚)(jiā(🛃)o )急；以大远景拍(⛳)摄资本(běn )家(jiā )独坐(zuò )办(🧐)公(🖲)室中，暗示他庞大(🏨)(dà )的(de )支配(🏻)(pèi )权力）。他又利(❎)用(📅)影(yǐng )片(piàn )染(rǎn )色(🧑)的方法来(🚈)加强各种特(tè )殊(🥪)效(💘)(xiào )果(guǒ )（如夜景用染青(🚝)色(👼)的影(yǐng )片、点(diǎ(🤜)n )灯的房内用染黄(🐘)色的影(yǐ(♑)ng )片、巴比伦城火(🏰)烧(🐓)时用染(rǎn )红色(sè )的影片(🎯)）(🐞)。这种影片染色(sè(😗) )方法(fǎ )虽(🌧)非格氏首创，但却(🔚)没(💫)有(yǒu )人像(xiàng )他这(🌸)样在一部电影片(piàn )中大(🏖)(dà(💁) )胆的全面采用。令(🍔)人惊(jīng )异(🔽)(yì )的是(shì )，这样一(🖼)部(🔔)内容复杂的(de )大(dà(🔑) )制作(zuò )竟(🔃)然由始至终没有(🤢)一(😁)(yī )个(gè )完(wán )整的剧本，而(👅)只(🌓)是靠格(gé )里菲(fē(🌘)i )斯(sī )的临场即兴(🛳)创作而成(⛱)。此外(wài )，本片也没(🕉)有(🍜)任何布景的(de )设计(jì )图，但(😌)格(🏗)氏却能够命(mìng )人(🐇)搭(dā )盖出(😻)宏伟得哧人的巴(🍋)比(🕙)伦(lún )布景(jǐng )。在拍(📨)摄巴比伦攻耶路撒(sā )冷(🦂)的(👶)(de )场面时，更在一天(📳)之(zhī )内同(🚱)(tóng )时动用一万五(💇)千(🤗)名临时(shí )演(yǎn )员(🏘)和(hé )二百(🦊)五十辆战车。他这(🐀)(zhè(🏇) )种(zhǒng )大手(shǒu )笔使得当时(🎭)意大利出品(pǐn )的(de )历(👂)史巨片也瞠乎其(✡)后，由此(cǐ(🍙) )也(yě )可以看出格(🌀)氏(📿)对自己的(de )创作(zuò )能(néng )力(📶)如(🔮)何自信。或许正如(🥙)(rú )格氏(shì(🐲) )自己的格言所说(🎣)：(🌛)“艺术(shù )经常都是(🛐)革命性的、爆炸(zhà )性的(🖇)(de )，以(🐬)及轰轰烈烈的"。看(🌟)《忍无(wú )可(🖋)忍》一片幕前幕后(🧔)的(🐢)表(biǎo )现，可知格里(📑)菲思的确(➕)是(shì )一个(gè )身体(🌺)力(🌂)行的艺术家。
The Sea Hawk is a 1924 American silent film about an English noble sold into slavery who escapes and turns himself into a pirate king. Directed by Frank Lloyd, the screen adaptation was written by J. G. Hawks based upon the Rafael Sabatini novel of the same name.
故(gù )事(shì )发(🥖)生(shēng )在18世纪末法国(🎅)首都巴黎(lí )。年轻(😀)貌美的女(🛒)徒工让娜在(zài )一(🛃)(yī(🐺) )次(cì )偶然的机会认识了(🎩)西(🛥)班(bān )牙公(gōng )使(shǐ(🥛) )堂·迪埃(🔀)戈并与其相好(hǎ(👒)o )。让(🎾)(ràng )娜的男友阿芒(🈹)德一气之下(xià )将迪埃戈(⌛)刺(😣)死，自己被投(tóu )入(🍩)了(le )监狱。此(💣)后，让娜先后成(ché(🤸)ng )为(🐟)杜(dù )巴瑞伯爵和(🍵)国王路易(🔘)十五(wǔ )的情妇，并(📌)向(🏎)国王提出赦(shè )免阿(ā )芒(🐋)德。出狱后的阿芒德(👆)(dé )参(cān )与了(le )革命(📳)，最后革命(📽)群众冲(chōng )垮(kuǎ )了(🦄)政(🦑)权，并把让娜送上革(gé )命(🗻)(mì(💋)ng )法(fǎ )庭受审。阿芒(🧛)德因企图(👐)(tú )解救(jiù )让(ràng )娜(🍭)而(🌆)被处死，随后让娜(💐)(nà )也被(bèi )送上断头台。
根(🤹)据(🐒)《聊斋(zhāi )志异》中同(🕚)名故事改(🏮)编。
1925年联(lián )合影片(👻)公(😆)司出品
美国人艾(🚤)(ài )伦·卡(💎)弗（肯尼斯·哈(💽)兰(🗿) 饰）坠海后被海狼冲到(🍇)岸边，莲花(huā )（黄柳(🥤)霜 饰）救了他，并(🥘)(bìng )悉心(xī(🏏)n )照料卡弗恢复健(🏐)康(🏮)。二(èr )人(rén )坠入爱河。莲花(💨)憧(💪)憬着和(hé )卡(kǎ )弗(💃)(fú )一起去(🔞)美国。