请摘星星给我剧情介绍剧情介绍
Judas, a wealthy playboy living in Hong Kong, is obsessed with snakes. His apartment is full of them, and he treats them as if they were his children. One night Judas' brother persuades him to accompany him to see a dance act at a nightclub. Judas is astounded to see that the act consists of a beautiful Asian woman who dances nude while holding a python. He is immediately smitten, and winds up hiring her to take care of his snakes while he's away on business. However, things start to take a sinister turn.
费(🍬)(fè(🧞)i )米·本纽西领先主演的一(🎲)部(🎉)喜(xǐ )剧影(yǐng )片，影片关于一(🥉)名(📅)意大利高管参议(yì )院好(hǎ(🏴)o )色(📙)放(🌋)(fàng )纵的(de )喜剧情节……
Drama teacher and writer of soap operas keeps his frustrating marriage because he doesn't have the existencial courage to get divorced. But he meets a temperamental and rich student, with whom he engages in a neurotic relationship.
Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.
这部(🧙)跟(🚛)风恶(è )搞经(jīng )典怪(guài )兽电(👋)(dià(🧥)n )影#金刚# （King Kong）的英国喜剧B级(🤮)片(💓)，可(🌖)能(néng )是史(shǐ )上最烂的电影(☕)之(🏫)一。剧情和金(jīn )刚如(rú )出一(🏃)(yī(👤) )辙，只不过性别发生了颠倒(🎱)，一(🉐)只(zhī )母猩(xīng )猩爱(ài )上一枚(📰)帅(🛳)男(🌇)……值得一提的是(shì )，此(cǐ(📜) )片(💫)(piàn )在(zài )日本引发了一小股(🚤)的(🏩)cult风潮。
The film tells a story of a young chambermaid from Venice who is a fan of Italian "Telefoni bianchi" cinema of the fascist era. She decides to follow her dream and goes to Rome, hoping to become an actress.
一(yī )个患(huàn )有慢(màn )性(🧒)心(😃)脏(🛃)病的孩子，用一种智慧(huì )而(😌)冷(🍊)(lěng )酷的(de )方式(shì )谈论着自己(🗞)的(🕷)病情，直至(zhì )痛苦(kǔ )和疲(pí(🙎) )倦(😿)耗(🐇)(hào )尽她所有的力量。
一个患(🌏)有(🛒)慢(màn )性心(xīn )脏病(bìng )的孩子(➰)，用(🎊)一种智慧而冷酷的(de )方式(shì(🕹) )谈(🛄)论(lùn )着自己的病情，直至痛(🔺)苦(🐡)和(🤥)疲(pí )倦耗(hào )尽她(tā )所有(yǒ(⛅)u )的(🗼)力量。
如诗田园般的纯洁小(🎓)(xiǎ(👗)o )品
本(běn )片(piàn )的(de )剧情以《假面(⛩)骑(🕦)士(🔭)X》电视版初(chū )期集(jí )数，与日(💜)本(🌄)于1974年7月25日上映的电影版(bǎ(🎩)n )“五(🍂)(wǔ )人ライダー対キング・(🔤)ダ(🎺)ー(🔐)ク”为(wéi )蓝本(běn )修改(gǎi )，叙(xù(😎) )述(🈷)X骑士的诞生，到五骑士与“黑(🦉)影(🥦)(yǐng )魔王(wáng )”（日版的“キング(㊗)ダ(🚇)ーク”）的(de )决战(zhàn )。片中黑影(🕡)魔(🚤)王(🎈)最后并以近似(sì )永井(jǐng )豪(🐧)漫(🎽)(màn )画《大魔神》中“黑暗大将军(🚶)”的(❇)(de )造型(xíng )，变(biàn )身为原创巨大(👚)魔(🌹)神(🎅)“齐武帝王(wáng )”登(dēng )场。片中演(🦕)员(🦄)除了替换为台湾演员(yuán )演(🌽)出(➖)(chū )之外(wài )，部(bù )分打斗场景(🍓)并(🎿)以(🤧)日本版的画面(miàn )流用(yòng )。