超人气学园剧情介绍
The late, great impresario Florenz Ziegfeld Jr. looks down from Heaven and ordains a new revue in his grand old style.
High school music student Sherry Williams is excited that her actress sister Jo has taken time off from her New York stage career to visit Sherry's school to see her perform in a musical play. Jo is about to step off the train when she hears that a famed Broadway show producer, Arthur Hale, is also stepping off the same train, leading Jo to depart from the other side of the train and make her own way to Sherry's play.
克(🛌)丽(lì )奥佩(pèi )拉，一个躲在狮身(❓)人面(⏭)像(xiàng )阴(🏑)影(yǐng )下的受惊的少(shǎo )女，遇到(🅾)了从(🏃)罗(luó )马(🎙)来的(💯)凯撒，宣告(gào )了埃及的新(😲)纪元(💺)的(de )到(🗒)来，也预(💶)(yù )示了埃及女王(wáng )的诞(🌝)(dàn )生(📻)。这时(🔎)的(de )克丽(🛸)奥佩拉还(hái )是个(gè )天真可爱(🦎)少女(🧙)，美(měi )貌(⏲)诱人却有(yǒu )着易怒多变的(de )性(🍡)格(gé(🙋) )，梦想着有强(📙)壮臂膀的英(yīng )俊男(nán )人(📫)保护(🐬)，登上(😽)女王(wá(🕐)ng )的宝座；萧(xiāo )伯纳从另一个(🔖)(gè )非(😯)常(cháng )不(🦂)同的角度出发，使笔下(xià )的凯(🕤)(kǎi )撒(⌛)不再是(🌾)传说(🚖)(shuō )中的(de )强势凶暴的(de )好战(🤪)者，而(🍬)是(shì(🥎) )贤明(mí(🏬)ng )、仁慈、诙谐、慷(kāng )慨(🦊)的君(💓)(jun1 )主，厌(🕙)倦了血(🛶)腥和(hé )背叛(pàn )，渴望欢快(kuài )的(🐰)人生(🏌)。
太平(pí(🙏)ng )洋战(zhàn )争爆发前，青年沈(shěn )亚(🛌)伦在(🎞)一次(cì )舞会(🌯)上认识了(le )一个(gè )带着面(⛔)具的(👰)神秘(😂)少妇，沈(🗳)(shěn )亚伦(lún )深深地被少妇所吸(🔇)(xī )引(🔭)，不久他(💸)(tā )就收到了神秘(mì )少妇(fù )邀(📷)请他(🍰)赴约的(🍇)信，沈(🌭)亚伦(lún )与依(yī )旧带着面(🕗)具的(㊙)(de )少妇(fù )共度(🚨)了一个(gè )甜蜜的夜晚，从(🎿)此(cǐ(🕘) )少妇(💇)就消失(🚭)无影了(le )。 三个(gè )月后，沈亚(🏪)伦(lú(🥪)n )从少(shǎ(🌽)o )妇的来信中(zhōng )知道了她原来(🎚)(lái )在(😝)十(shí )几(🥢)岁时(😭)被迫嫁给了(le )一个老年富(🉑)(fù )翁(🐤)，不久(🔇)前丈(zhà(🏮)ng )夫去(qù )世了，她只想得到一个(🎽)自(zì(🍞) )己的(de )孩(🥉)子，便有了于沈(shěn )亚伦的那次(🤕)(cì )约(👸)会。 (💩)几(jǐ )个月(yuè )后，少妇告知沈亚(🙄)伦自(🤘)己(jǐ )生下(xià(🐫) )了一个男孩。
"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’(💝)s acknowledgement of Indian rights ("We’re on their land. They ain’(⏫)t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’(🏧)s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."
Stark, claustrophobic thriller about an anti-Semitic soldier who kills a Jewish war veteran, evading detection by dint of his loyal friends' protection. But a detective is determined that the crime will not go unsolved and sets about laying a trap for the murderer. Based on the novel 'The Brick Foxhole' by Richard Brooks.
Crack-Up is directed by Irving Reis and collectively written by John Paxton, Ben Bengal and Ray Spencer from Fredric Brown's story Madman's Holiday. It stars Pat O'Brien, Claire Trevor, Herbert Marshall, Ray Collins, Wallace Ford and Dean Harens. Music is by Leigh Harline and cinematography by Robert De Grasse.