美女自缚 第1集

Delicate and surreal. "A hora mágica" is a mix between a noir movie and a fantastic, surreal movie, dealing with the contrasts between reality as it is and reality as we want it to be. Life imitates art, but what life? What art? Is any of it worth it? The acting, the scenario, the timing, all promote an air of falsehood, and for a good reason: this is the land of fantasy, of desire, a place to try (and fail) to escape the roughness of real life and join the paradisiac land of the movies (or, as it is, of radio soap-operas). And this is why it also explicitly resembles a noir movie, the kind of movie that epitomizes the glamour of Hollywood. This game between reality and fantasy is paralleled to the shock originated with the arrival of TV in Brazil, rivaling radio, as TV virtually destroyed the radio soap-operas (the main character is a radio soap-opera actor). All in all, a delicate film, beautiful to the eyes and the soul, well-done technically, and with a good soundtrack. In particular, the final sequence is simply perfect, maybe among the most beautiful in the history of cinema; that sequence alone justifies recommending this film. When a young auto salesman is forced to give up a vacation with his wife in order to drive an American car to its new owner who lives on the French Riviera, he makes the best of things. First, he gets and old friend to ride along with him. Then, the two of them are joined by another pair of men who want to ride south. The four of them have a great time, talking about women and fatherhood, among other things... 1940 华(🈷)新(xīn )影(🎧)片公司出(😨)品，摄(🍰)影周达明(míng )。 影(yǐ(♒)ng )片《花溅泪》描写(🌤)了(le )几个(👏)(gè )性格各(🗻)异的(🍅)舞女：天真活泼(🎛)(pō )的米(mǐ )米，有(🍇)正义感(🐕)的(de )丁香(xiā(🏭)ng )，风(fē(📛)ng )流娇冶的曼丽，楚(🐚)楚可怜的(de )顾小(🍥)(xiǎo )妹……。洋场买(💓)(mǎi )办(💮)常(cháng )海才(cái )不怀(🛐)好意地追求米(🐀)米，米米(mǐ )却钟(zhō(🎌)ng )情于(🆓)大学生金石(shí )音(📖)，而米米的假母(🍇)又逼迫米米去(qù(🕒) )嫁给(💺)(gěi )有钱(qiá(😣)n )有势的(🎓)杨老头做(zuò )姨(♟)太(tài )太。在不得已(🗜)的情况下，米(mǐ(🎟) )米嫁(jià(🌺) )给了常海(😋)才。金(🕒)石音(yīn )失恋(liàn )后(🕜)，就从军去了。不(🚄)久，常(chá(💧)ng )海才(cái )对(🚐)米米(💝)感到厌倦(juàn )，又(yò(😋)u )企图(tú )抛弃她(💳)。他想出了一个"两(⛺)地(dì(🥧) )同时(shí )服毒自杀(⌚)"的诡计(jì )，结(jié(😕) )果被(bèi )金石音的(🎽)同学(👗)小李发觉(jiào )，米(mǐ(🔢) )米方(fāng )才获救(🏪)。影片最(zuì )后，顾小(🔲)妹因(👍)受到洋场(🧛)阔少小(🍂)陈(chén )的欺(qī )骗(🎈)而(ér )发疯，觉悟的(🚢)米(mǐ )米和(hé )丁(🏧)香则担(🚃)负起服务(🖲)国家(🌀)的责(zé )任，走上了(❔)光明的道路。 钟(⬆)镇(zhèn )涛(🌂)和陈友是(🕛)两个(🏫)在海边长大(dà )的(😜)年(nián )青人，钟镇(🚍)涛是(shì )警察(chá )，陈(🔽)(chén )友(🥓)是小偷，两人时常(🏖)展(zhǎn )开「猫捉(🉐)(zhuō )老鼠」般的对(🖇)决(jué(🙇) )。一(yī )次偶(ǒu )然的(🕓)机会两人不慎(👶)在游(yóu )船上(shàng )卷(🌶)入(rù(🏜) )一场凶杀(➡)案，为(wé(🏾)i )了找(zhǎo )出真凶(🚨)，钟镇涛和陈友携(🔤)手(shǒu )，必(bì )须要(👃)(yào )在游(🚜)船上观察(📫)形(xí(⛺)ng )形色(sè )色的游客(🍂)从而判断真正(😠)的凶(xiō(🏵)ng )手，在这个(🎁)过程(🌺)中，他们(men )认识(shí )了(🔵)美丽的少女彭(🏋)雪芬。三个(gè )人之(🎨)(zhī )间(🖲)会发生怎样的(de )故(💗)事(shì )呢？ 連続(📰)強盗殺人が起こ(🈵)るが(💄)、現場(chǎng )は完璧(🦏)な密室。手掛(guà(🕗) )かりをたどると(🦄)春日(🍍)流舞踊(yǒng )の家(jiā(🛥) )元・藤千代の(🈂)家にたどり着く(🦇)。平凡に暮らし(📷)ていた(😿)水野(yě )は(🗝)人(ré(🎆)n )体実験のために(📋)異形(xíng )の人と(❓)なり、(🛫)落ちぶれ(🐚)た藤(👛)(téng )千代(dài )のため(🥉)に悲しき犯罪(⛽)(zuì )を重(chóng )ねるの(🤜)であ(🔂)った…。東宝の特(💫)撮(cuō )技術と本(🔷)多猪四(sì )郎の演(🎚)出(chū(🏸) )による重厚な人(🤶)間ドラマが融(🏭)合(hé )し、「変身(📂)人間(🕒)(jiān )シリーズ」の(🗓)中でも最高傑(🎍)作の呼び声も高(⛔)い１本。 Delicate and surreal. "A hora mágica" is a mix between a noir movie and a fantastic, surreal movie, dealing with the contrasts between reality as it is and reality as we want it to be. Life imitates art, but what life? What art? Is any of it worth it? The acting, the scenario, the timing, all promote an air of falsehood, and for a good reason: this is the land of fantasy, of desire, a place to try (and fail) to escape the roughness of real life and join the paradisiac land of the movies (or, as it is, of radio soap-operas). And this is why it also explicitly resembles a noir movie, the kind of movie that epitomizes the glamour of Hollywood. This game between reality and fantasy is paralleled to the shock originated with the arrival of TV in Brazil, rivaling radio, as TV virtually destroyed the radio soap-operas (the main character is a radio soap-opera actor). All in all, a delicate film, beautiful to the eyes and the soul, well-done technically, and with a good soundtrack. In particular, the final sequence is simply perfect, maybe among the most beautiful in the history of cinema; that sequence alone justifies recommending this film.