国服第一系列剧情介绍
Philip Hinchcliffe era
이백호와(🐁) 효정의 두딸(🥎) 중에서 언니 추하는(🆓) 음악에 소질(🎲)이 있고 조용하나 추(🎢)운은 말괄량(🧘)이다. 백호는 추하가(🤷) 불치병에 걸(❗)렸(📉)기 때문에 편애한(🚬)다. 함께 자란(👰) 자(🌁)량은 추하를 좋아(🛍)하고 추운은(⤴) 자(📫)량을 좋아하나 추(🌼)하는 맹아학(🐕)교(😂) 선생인 국휘를 사(🕷)귀고 맹아를(🏭) 가(⛹)르치기로 한(🐓)다. 추(🕰)하는 자신의 병(❎)을 알고 국휘(🍣) 곁을 떠나나 설악산(🍰)에서 둘은 다(✅)시 재회하게 된다. 그(👡)러나 국휘의(📋) 품에서 추하는 숨을(🏎) 거둔다.
This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions.
ニュ(🍙)ーヨーク市警(jǐng )に(⛱)おいて、空(🕡)手(🐪)師(shī )範の座をめ(🥦)ぐる争いに(🚄)巻(🕘)き込(rù )まれた沖(🐗)縄空手家(jiā(🖖) )・(🚬)檜垣一真(zhēn )は、(🅱)悪徳空手家(⬇)・(💰)二階堂弘宣(xuān )の(🍆)襲撃(jī )に遭(🛋)っ(👠)た。一真は応(✌)戦するものの、娘(🏧)・由美の目(🔊)の前で片(piàn )腕を失(⬛)ってしまう(🌵)。それから10年後、由(📻)美は空手(shǒ(🚯)u )家生命を絶(jué )たれ(🧀)てしまった(⤴)父(fù )親の後を継い(🍳)で、檜垣流(🔰)空(💊)手(shǒu )の達人に成(🏪)長していた(🚩)。由(🈷)美(měi )は父親の復(👌)讐を果(guǒ )た(🚰)す(💛)ため、今では空(⚽)手界の大(dà(🧡) )物(🐍)となった二(🦖)階堂(🚝)(táng )のいる東(📼)京(🍩)(jīng )に向かっ(🎭)たのだが…。
A biography of the renowned escape artist Harry Houdini, examining his fascination with the occult and his promise to his wife on her deathbed that he would speak from the beyond.
製作＝(🐲)東映（京都(💝)撮影所(suǒ )）
一九四(🎧)八年春天(tiā(💱)n )，解放軍大(dà )反功時(🚁)(shí )，盤踞在馬(🎯)(mǎ )蹄島上的敵人，妄(🙋)(wàng )圖進行垂(🍾)死(sǐ )掙扎。我地下游(💃)擊(jī )隊隊員(👪)設(🕢)法弄到了(le )敵人在(😐)島上(shàng )的軍(🙋)事(🧘)設施圖，交(jiāo )給了(😻)老交通(tōng )員(😴)小(🏎)鐵的爺爺，叫(jiào )他(💮)送給解放軍(🔪)。小(🍬)(xiǎo )鐵主動提(👠)出(chū(🔕) )和爺爺一起出(🌇)海完(wán )成這(🔓)個任務(wù )。