泰剧曙光剧情介绍
A Hitchcockian narrative and noirish atmosphere characterise this effective, taut thriller, made the same year as the director's magnum opus, JIGOKU (Hell). Set in the present day, DEATH ROW WOMAN is at once a prison film, an innocent-man/woman-on-the-run story, a police procedural, and a family melodrama, that is equal parts Hitchcock, Samuel Fuller and Douglas Sirk.
IMDB review: "This now-campy soufflé is an indispensable time capsule of the decadent 60s, and is a lot more erotic than the harder X material that it helped open the door for. José Benazeraf, before he decided to take artistic control of his material, served as producer, and his idiosyncratic touch is ubiquitous -- gorgeous jaded players, elliptic dialog, arty milieux, jazzy (now retro) music, and bizarre striptease acts (including one at the legendary Crazy Horse Saloon), all with sensuously tactile b&w photography. Radley Metger released it in the States, and apparently added or altered some footage -- the Roman orgy party scene does bear a striking resemblance to the prison party in Camille 2000. If you can deal with the now politically incorrect view of alternative sexuality (which was de rigueur in the cinema of the era), this is a superb treat for the eyes and ears, accompanied by a martini or two."
戸(🈚)(hù )崎慎(🦋)(shèn )介（(🌰)葉山良二）が、東(👥)京(jīng )に近(jìn )い(🤧)中都市(✋)のスラム東(📀)雲(🉑)町に下(xià )宿(⛑)したの(🚶)には三つの理(🔆)由があった。一つは(🐅)医(🎗)者(zhě )として(🚦)急患の(👂)病人を救えな(🛎)かった責任感。一つ(🥚)は妹佐(🤫)(zuǒ )紀子(🎓)(zǐ )（吉(👤)(jí )行和子）が(🍵)許婚(hūn )者梶(wěi )原（(🖥)梅野泰(🏩)靖）と(🚅)結婚す(🛹)る前(qián )、梓(zǐ )組の(💙)与太者に暴行(🐶)され破(⛺)(pò )談に(🕒)なり自(🚐)殺未遂になったこ(😺)と。もう一つは(⌛)幼(yòu )な(🐿)じみの加(jiā(🍞) )代(😹)子（南田洋(👾)子）が(🥂)おちぶれてこ(🚿)こで売春婦をして(🚏)、(🥤)昔の愛を取(⤴)戻すた(📛)めだった。慎介(💾)は善良で正直(zhí )な(🥙)老(lǎo )医(😻)師(shī )笠(🔍)間（宇(👹)野重吉）の診(📿)療(liáo )所で懸命に働(💪)いた。梓(🙋)組(zǔ )の(🚝)実(shí )体(📿)は近郊一帯を牛耳(🔑)(ěr )る暴(bào )力団(🐚)(tuán )で佐(⛷)紀子の(🚧)事件も(🐍)警(jǐng )察は尻込(rù )み(🤽)、梶原も仕返(🍈)しを恐(🍸)れ証言を否(🏂)定(🐴)し解決(jué )し(🌡)なかっ(🚂)た。梓組組長梓(👏)米吉(jí )（滝沢修）(🏿)は(Ⓜ)東雲町が市(💝)有地(dì(📈) )であるのに目(🥏)をつけ、ここに市(🚺)営アパ(👮)ートを(📡)建てひ(🦅)ともうけしよ(🚓)うとたくらんだ。（(🔦)goo解(jiě )説(🐱)）
元和(💠)九年の(🍈)元旦(dàn )。江(jiāng )戸城(ché(⏺)ng )に大事件が起(🥙)った。秀(🌆)忠(zhōng )の嫡(dí )子(🥠)、次代将軍の家光(😀)(guāng )が毒(dú )殺さ(⏯)れかか(👕)ったのであ(🥑)る(😮)。家(jiā )光の弟(🐮)忠長を(🐍)偏愛(ài )する北(🎞)(běi )の方(fāng )が本多上(😆)野介らと組み(🏜)、家光(😫)(guāng )を亡きもの(➖)にしようとしてい(💎)るのだ(🦊)。家光(guā(🕴)ng )の乳(rǔ(🌁) )母春日局、大久保彦左衛(wèi )門ら(🔩)はこれ(😑)を憂慮(✖)した。彦(🍙)左(zuǒ )は将(jiāng )軍剣(jià(🎆)n )術指南柳生宗(👖)矩(jǔ )と(🐮)対(duì )策をねっ(🎻)た。彦左の一の子分(🎖)(fèn )魚屋(wū )の一(🦒)心太助が新年の挨(❎)拶(👈)(zā )に来(lái )た(🌞)。正装し(🛰)た太助は、家(🧟)(jiā )光と瓜二つだっ(🚆)た。彦左(zuǒ )にア(🔦)イデア(🥎)が浮んだ。家光(🎁)と彦左(zuǒ )の身分を(👔)入れか(🥡)えると(🕹)いうわ(👞)けである。太(tài )助は気狂いに化け(🎃)た。家光(🗃)も高熱(🤐)(rè )のあ(🏺)まり頭がおかしく(⛹)なったという(👙)ので、(🎍)太助と家光(guā(🤘)ng )は姿(zī )を入れかえ(🦆)ることに成功(🛴)(gōng )した。家光の太助(👹)は(📇)、魚(yú )河岸(🍍)(àn )に行(📤)(háng )って太助の(👣)人気を知(zhī )った。本(🗯)多上野介につ(🚠)ながる(🗯)ゴロツキども(🤮)が魚河岸(àn )の差配(💐)権を手(🤗)に入れ(🌕)ようと(🤾)して暴れたが家光と十兵衛(wèi )が(🤭)彼(bǐ )ら(㊙)をノシ(👈)た。江戸(🗻)城に入(rù )りこんだ(💻)太助はトンチ(🥙)ンカン(🙀)ぶりを発(fā )揮(🍂)した。家光が(🕟)気狂(kuá(🤫)ng )いになったと(😨)思いこんだ本多(duō(😎) )一(🐰)味(wèi )は、秀(🔘)忠の代(🧢)りに経(jīng )書御(💱)(yù )講釈(shì )事始を家(💔)光がするよう(🥉)願(yuàn )い(💐)出た。しかし、(💵)太助と家光(guāng )の早(👭)がわり(😣)によっ(🆔)て事な(💮)きをえた。長屋に戻った家光はい(🌗)じめら(🌑)れる巳(🏈)(sì )之吉(😷)(jí )を後妻の子供の(🤬)次郎松が必死(📤)(sǐ )にか(🤙)ばっているの(🤒)を見、弟の(🚦)忠長(zhǎ(⌛)ng )に冷たかった(🤚)わが身(shēn )を反(fǎn )省(🐴)し(😖)た。その頃、(📖)太(tài )助(⛓)の家光(guāng )は忠(💾)長によび出され、(⏱)逆(nì )心のない(✔)ことを(🛠)訴えられた。忠(📓)長が本多一派の陰(🗿)謀を表(🗿)沙(shā )汰(🥗)にでき(🐲)ないのは、一味の中(zhōng )に母北の(📗)方がい(🏏)るから(🎤)なのだ(🛀)。太助は身分(fèn )をう(🌅)ちあけ、忠長(🔵)を連れ(🐾)て彦(yàn )左邸(dǐ(📟) )に行き、家(🖋)光と会(🍾)わせた。家(jiā )光(🥙)、忠長は初めてお(🎡)互(⏹)いの気(qì )持(👰)を知っ(🏼)た。その時(shí )、(🚘)鳥(niǎo )居土(tǔ )佐の暗(🚣)殺団が邸内に(🅾)なだれ(🤭)こんだ。魚河岸(🖤)の連中(zhōng )や長(zhǎng )屋(🍒)の住人(😸)が助勢(🛣)に駈け(🔀)つけ、忠長は鳥居土佐を斬った(🗜)。元(yuán )和(🈲)年六月(✍)、将軍(🏕)秀(xiù )忠は家光に将(💔)軍職を譲るた(🦗)め上洛(🤾)した
Park Nam-u (Kim Jin-gyu) works at a Japanese pharmaceutical company and lives happily with his wife, Gyeong-hui (Choe Eun-hui), in a house filled with beautiful white roses. Not long after hearing the wonderful news that his wife is pregnant, Park Nam-u is drafted into the war in the Pacific. Posted in the Gwandong army, he survives the battle, though his face is burned. Back home, Gyeong-hui receives a telegram stating that her husband is dead. When she gives birth to their son, Cheol-su (Nam Yang-il), she goes to live in Seoul. When Nam-u comes back to the country, he doesn't go to his wife, but rather goes to live in his hometown. On his way home, he encounters a child whose mother is dead, and takes her in as his own daughter. As his daughter, Park Pyeong-suk (Eom Aeng-ran), enters university in Seoul on a scholarship, Nam-u joins a pharmaceutical company thanks to his friend (Heo Jang-gang). Pyeong-suk and Cheol-su meet by chance and begin to have feelings for each other. When the president of the pharmaceutical company (Lee Min) holds a party commemorating a pending patent and invites Nam-u, Gyeong-hui, who is now the wife of the president, runs into Nam-u at the party, and she tells him that Cheol-su is his son. When Nam-u participates in the April 19 Revolution, he finds Cheol-su injured and brings him to the hospital and tells his family. Nam-u leaves, saying that everyone would be happier if he were to disappear. With that, he gloomily walks away.
张正光同(👸)时周旋(xuán )于(👱)三(sān )名(📹)女友之间--时髦(🐑)女郎沈婉(wǎn )虹, 娇(jiā(🗝)o )生(📪)惯(guàn )养的周(🌽)纯美及(👈)富家女(nǚ )李可(🤤)(kě )珍, 却把自小订婚(📳)的表(biǎo )妹兼(jiā(🤬)n )未婚(hū(🚓)n )妻丁小圆抛诸(🕺)脑后. 张(zhāng )弟次(cì )明(🕙)对(duì )兄(🌊)长的恋(🍑)爱态度(🙁)深感(gǎn )不以(yǐ )为然, 可惜苦劝无功(👜).