关于蛇的电影 第3集

剧(jù(🙍) )情梗概：描写查(chá(🈴) )理成(chéng )功地抢劫了(🆕)新墨(mò )西哥的银行(👐)(háng )，但(dàn )在抢(qiǎ(🔙)ng )劫过程中遇(yù )到了(🌼)许多意想不(bú )到的(⏬)事，且这(🧀)笔(bǐ )钱是(shì(🦑) )黑手党(🗝)准备(bèi )抢劫(👀)的，这样(😥)他(tā(🏡) )就成(ché(🍌)ng )了警方(🔗)和黑(💗)手党(dǎ(🛸)ng )的共同敌人(🔨)(rén )。最(zuì(🌬) )后他凭聪明(✏)才智(zhì(📸) )将黑手党炸(🍾)死，并摆(🚙)脱警方(fāng )携(👩)带赃款(💋)(kuǎn )溜(🙄)掉了。 ★(😸)1973 電影旬報年度十(shí(🍜) )大第(dì )七位 大学生(🍶)戴维(wéi )·布莱克(本(❄)(běn )尼提克)被蛇学家(🌹)(jiā )斯托(tuō )纳医生(马丁)聘为(wéi )助手(✏)。斯托(tuō )纳的(de )前助(zhù(🌝) )理在没有告(gào )知任(📿)何人的(🥌)情况(kuàng )下诡(😠)异的离(🎙)开小(xiǎo )镇。一(⛵)开始,斯(🎴)托(tuō(💈) )纳要为(🛰)戴维进行(há(🍝)ng )注射(shè(🎋) )，据称是为防(🚔)止(zhǐ )戴(🔟)维被蛇咬(yǎ(👣)o )伤。戴维(🕳)与斯托纳的(🌙)(de )女儿克(👙)里斯(😂)蒂娜(nà(🕦) )(孟席斯)开始(shǐ )一段(🤑)恋情(qíng )。戴维对注(zhù(📡) )射的副作用感到(dà(🙎)o )不安(ān )。克里斯蒂娜(🕠)参(cān )观了一个嘉(jiā )年华畸形秀。其(🏉)(qí )中“蛇人”与斯托纳(💸)(nà )的前助理离(lí )奇(🧔)的相似(📗)(sì )。戴维发现(♊)(xiàn )他被(🌁)改造成一条(🐹)(tiáo )眼镜(🥙)蛇，当(😚)他试(shì(🎪) )图逃(táo )跑时(😦)被猫鼬(🖨)(yòu )杀害。 故事(⚪)围绕(rà(✡)o )着一(yī )幢破(💑)旧的旧(🏑)式大(dà )院展(💺)开，着(zhe )力(🧢)描(miá(⛏)o )画了租(🍿)住在此的(de )七十二家(🎚)房客的(de )众生相。众(zhò(🏙)ng )房客在包(bāo )租婆八(🌸)姑（胡锦 饰）的欺(🖥)压(yā )下，终日不得安生。八姑风骚刁(😄)(diāo )泼，待人刻薄。而她(💭)(tā )的养女阿香（井(❇)(jǐng )莉 饰(⏰)）却乐(lè )于(🌅)助人。终(🤜)于，八姑(gū )的(📩)苛刻规(🔪)定“房(✅)(fáng )客每(⛹)天只能用两(❄)(liǎng )桶水(🤮)(shuǐ )”成为了导(🛢)(dǎo )火索(🏭)，做洗熨的(de )上(🐈)海(hǎi )婆(✊)（沈殿霞 饰(🦒)）带头(➰)抗议(🌋)，得到(dà(🙂)o )房客们的合力支(zhī(💣) )持。加上发仔（岳华(🤦) 饰）、阿福(fú )（何(🆎)(hé )守信 饰）等(děng )人(👦)的附和，一段(duàn )段斗(dòu )智斗勇的小(🈁)故事(shì )连番上演。 太(🤵)平街一幢旧楼(lóu )内(🐴)住(zhù )着(💬)一群小市民(🧖)，二房东(📢)八姑(gū )小器(🔸)且泼(pō(🔧) )辣，对(📣)租客(kè(🤪) )挑剔，租客能(📢)忍(rěn )则(😊)忍，大家凑合(♐)(hé )著过(🕑)(guò )活。此旧楼(🤣)(lóu )大业(🛣)主家财千万(📆)(wàn )，元(yuá(👹)n )配早(🍴)丧，对风(💖)骚(sāo )女佣生非份(fè(🎉)n )之想(xiǎng )，一众子媳怕(🍚)女(nǚ )佣霸占财产，竟(💾)(jìng )各自另聘一(yī )个(😝)女(nǚ )佣服(fú )侍老爹，把(bǎ )老爹弄得(🦆)团团转(zhuǎn )。太(tài )平山(🦀)下还有不少(shǎo )妙事(🏆)：有人(🕸)(rén )为争一口(🐛)气不计(🐴)(jì )成本(běn )经(🔵)营粥档(〰)，有人(📟)(rén )到减(🤗)肥所只(zhī )为(🖖)追求女(💣)(nǚ )性，有富家(🙁)(jiā )小姐(🎯)趾高气扬，反(🏫)被求职(🎿)者奚落(luò )一(🐶)番(fān )…(⚽)…林(😝)林种(zhǒ(👴)ng )种，千奇百怪(🤚)。然后(hò(🗣)u )大业主加租三倍(bè(🍞)i )，八姑等人(rén )无力(lì(🔤) )负担，幸其中一(yī )住(🦉)客东拼西凑购(gòu )入一房子，慷慨(kǎ(🗽)i )让其(qí )他租客入住(🐘)(zhù )，渡过难关 淒美(mě(🧣)i )的愛(à(⏩)i )情故事，看得(🥞)人(rén )眼(🚐)眶濕透。宋蓮(💭)花（李(💈)菁）(👀)與韓(há(🏇)n )世龍（林偉(🦏)圖）乃(🏃)富家小姐(jiě(🔱) )與高官(🗨)子(zǐ )弟，二人(🐼)準(zhǔn )備(🌮)成親前，韓家(💱)(jiā )被罷(🐮)官，世(🤜)龍隨(suí(👡) )父被(bèi )放逐(🔉)回鄉。愛(✳)侶一別十數載(zǎi )，蓮(🛏)(lián )花念郎成疾，病(bì(♿)ng )重離世，世(shì )龍獲(huò(🎖) )悉後心如刀割。一日，蓮花亡魂(hún )出(🤦)現，縱使(shǐ )陰陽(yáng )相(🚸)隔(gé )世龍仍決意(yì(🏁) )迎娶，但(⬜)卻為友(yǒu )人(📃)張(zhāng )鐵(🐑)（金武榮）(🏉)極(jí )力(🍪)反對(🔡)，且(qiě )找(🙊)道士驅鬼。世(♒)(shì )龍排(🌫)(pái )除萬難，終(🧦)能與(yǔ(📥) )蓮花成親共(💣)(gòng )渡一(🚌)宵。可惜醒來(🐑)發(fā )現(😑)蓮花(🧚)升天而(🙉)去(qù )，感人情(🎪)節令人(🍔)心酸(suān )。 The Norris family get jobs working at a seedy old carnival as a cover for searching for their missing son who disappeared after visiting said carnival. Eccentric manager Mr. Blood turns out to be a vampire while the evil owner Malatesta rules over a gaggle of ghastly ghouls who watch silent movies when they aren’t feasting on human flesh. In "The Weapon,the Hour and the Motive" the murder victim is a priest.Father Giorgio is stabbed to death in his congregation church.Two police detectives Franco Boito and Moriconi investigate his murder.The main suspects are Giorgio's two lovers Giulia and Orchidea as he wanted to break up with both.There is also an orphaned boy who saw too much from his attic hideout and he will resolve the mystery.Overlooked Italian giallo stylishly made by Francesco Mazzei.There are some silly comedic moments and some effective shocks.The throat slashing scene is fairly graphic and there is a bit of nudity and sexual perversion.Mazzei is capable of building suspense pretty well too."The Weapon,the Hour and the Motive" deserves more Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since. Emperor Raja Raja Chozan seems to count a little too much on his newly-appointed, deceptive minister. But he knows what he is doing.