惊天危机剧情介绍
A stripper is horribly disfigured in a car accident. A brilliant scientist develops a treatment that restores her beauty and falls in love with her. To preserve her appearance the doctor must give her additional treatments using glands taken from murdered women. His unexplained ability to turn into a hideous monster helps with this problem but does nothing to win her love. The doctor's woes multiply as the police and the girl's boyfriend begin to close in on him. Written by D.A. Kellough
赫鲁晓夫看(kàn )了这部片(⏩)，才(🎞)恢复了(le )佐尔格的荣(róng )誉(📗)(yù(🐰) )
宫(🚵)女林小环与世銮太(tài )时子(🕳)相(🕷)恋，珠胎暗结(jié )，被国太发(🗞)(fā(🖇) )现(⬛)，驱逐(zhú )出宫。銮过(guò )邦(bāng )睦邻(🌚)遭(🕹)软禁，番王并(bìng )逼銮娶其(🤟)女(➗)(nǚ(🤳) )，銮无奈(nài )答允。銮被(bèi )番邦大(👆)军(🕙)(jun1 )押送回国登(dēng )基(jī )，途(🔓)中(🥗)，小(😕)环抱新生(shēng )子环儿迎驾(jià )，銮(🍞)不(🛀)敢(gǎn )相认。十二(èr )年后，銮(🤕)(luá(🛠)n )打(😼)猎山中，巧(qiǎo )遇环儿，父子相逢(🧠)不(🚒)(bú )相识。銮见(jiàn )环武艺超(🕓)(chā(⛺)o )群(🀄)，欲收为(wéi )国(guó )用。小(xiǎo )环痛(❌)恨(🚖)銮当日(rì )抛妻弃子，教环(👴)儿(🍣)叛(🕠)(pàn )逆君皇。环(huán )儿在金殿(diàn )上(🆙)讽(🐞)刺群臣(chén )，戏弄番邦公主(🕕)，又(🍮)趁(🎳)(chèn )机要求銮召(zhào )小环上殿(dià(🥝)n )。銮(🛐)终与小(xiǎo )环母子相(xià(🌡)ng )认(😔)，并(🐊)讨小(xiǎo )环(huán )为东宫，自此发愤(🛍)图(🤾)(tú )强，不再为(wéi )外邦所侮(🍹)(wǔ(🌊) )。
德(📒)国早期(qī )默片Die Herrin der Welt （英(yīng )文名Mistress of the World）(🗳)系(⏪)列（1919-1920, 共8部）的重拍版。讲(📜)(jiǎ(♈)ng )一(🚾)位瑞典科(kē )学家发明(míng )一(👗)种(🐈)强大的(de )机(jī )器，中(zhōng )国间(🦏)谍(🌸)企(🦂)图夺(duó )取机器，瑞典政府派(pà(🤧)i )出(🐩)两名特工(gōng )反击。
故(gù )事(💠)发(🕔)生(🛹)在堪(kān )萨(sà )斯州的南部小城(😻)中(🚊)，巴德（沃伦(lún )·比蒂(🧑) Warren Beatty 饰(🐦)(shì(👿) )）是一个满(mǎn )脑子都是(shì )奇(🐢)思(🐾)妙想的(de )高(gāo )中生，一次偶(🛶)然(🚏)中(💯)，他邂逅了名(míng )为蒂尼（娜塔(🐯)利(❤)·伍(wǔ )德 Natalie Wood 饰）的(de )女孩。蒂(🐕)尼(👬)的(🥂)(de )美丽和温柔深深的吸(xī )引(🛠)着(🛸)巴德，令他坠入(rù )了情网(🕌)，巴(🧙)(bā(📳) )德(dé )甚至在(zài )内心里暗暗的(🛄)(de ) 发(🤲)誓，此生一定要将(jiāng )蒂尼(🌥)娶(🍨)回(🤺)家(jiā )。
永井荷(hé )風の没後一(yī(👈) )周(🕔)(zhōu )年を記念して、豊田(♓)(tiá(🛷)n )四郎監督が同名小説(shuì )を映(🏐)画(💠)化した文芸作(zuò )。東京の(🍔)郊(🎃)(jiā(🚻)o )外(wài )、隅田川の東にある遊(🚼)廓(🔄)で中学(xué )教師・順(shùn )平(🌅)は(🔛)、(👦)お雪(xuě )という娼(chāng )婦と出(🐌)会(⬇)い恋(liàn )に落ちる。だが、(🦈)そ(🏄)ん(🆙)なふたりの関係が、順平の(👆)妻(🕤)(qī )・光子の知るところ(🔇)と(👇)な(🥃)り…。
Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.
This is the story of a female corsair, Mary Read, who takes over a ship of pirates and wreaks havoc on the high seas. Later, she squares off against an old nemesis. This is a very colorful, adventurous film, which looks as if it were inspired by the films of Raoul Walsh (in fact, the director, Umberto Lenzi, is known to be a big Raoul Walsh fan). It's too bad that they don't make films like this anymore.
A Hitchcockian narrative and noirish atmosphere characterise this effective, taut thriller, made the same year as the director's magnum opus, JIGOKU (Hell). Set in the present day, DEATH ROW WOMAN is at once a prison film, an innocent-man/woman-on-the-run story, a police procedural, and a family melodrama, that is equal parts Hitchcock, Samuel Fuller and Douglas Sirk.