上海电影节 正片

梦幻飞(🥧)船惊奇号 (T)Raumschiff Surprise - Periode 1（德语中(😂)字） 二(💗)(èr )战(zhàn )时(😜)(shí )期，英(🐃)国首相邱吉(🗓)尔带领(🕟)英国人民(📘)坚(jiān )定(🎱)(dìng )顽(wán )强地(🌦)同法西(🖍)斯德国进行着旷(㊙)日持久的(de )战(💎)(zhàn )斗。这(🍧)位叱垞风云的铁(🍤)血首相，以固(🧦)(gù )执(zhí(🕎) )顽(wán )强、永不退(🅱)缩的作风而(👅)闻名。他(🥇)那与(yǔ )其(qí )简(jiǎ(🎡)n )陋外表极不相称的(💀)完美、煽动力极(🦅)(jí )强(qiáng )的(de )口才更是(🖋)在历史上留下了(⛺)浓重的一笔(bǐ )。因(yī(👾)n )而历史(🍅)上对于邱(❌)吉尔这(🍒)一风云人物(🍽)(wù )历(lì(👧) )史(shǐ )形象(🐛)的真实(🐏)性极富争议(👬)，猜测各(🤦)异。 三(sān )对(🛐)(duì )分别(🎭)来自香港、(🍖)上海和(🛌)韩国的恋人同(tó(😋)ng )时(shí )来到云(💭)南旅游(⛹)，期望通过散心解(🥛)决掉(diào )他(tā(🏯) )们(men )各自(🛡)感情中的问题。来(🧦)自香港已结婚(hūn )七(🥉)(qī )年(nián )的Mike（吴镇(🌽)宇）和阿翠（袁咏(🧦)仪）本(běn )有(yǒu )很(🕷)(hěn )深的情感基础，却(🐅)因金融(🎡)风暴导致(🖤)的(de )生(shē(🐰)ng )活(huó )压力失(🎯)却当年(🕔)的爱情；(🎪)来自上(😄)海结(jié )婚(hū(📭)n )不(bú )久(😌)的柳百生(🚞)（陆毅(🛥)）和徐静（(🐲)韩晓）(⛺)正(zhèng )为(wéi )婚后两(👆)人对事业与(🤧)家庭如(🔏)何兼顾持不(bú )同(🖖)(tóng )意见而痛(🏙)苦；而(🎒)来自韩国正在拍(🏓)拖的(de )年(nián )轻(qīng )人宋(📙)子明（吴智昊）(📗)和Bo Bo（尹誉俐）则(zé(🚧) )是(shì )一(yī )个渴望(💵)天长地久，一个只愿(🤜)“曾经(jī(🔀)ng )拥(yōng )有(yǒ(㊙)u )”。 "A film about everything and about nothing" - Damien Odoul (director) The DVD includes live footage (18 songs) from the final show of Tori's Scarlet's Walk tour, which took place on September 4, 2003 at the Sound Advice Theatre in West Palm Beach, FL. 年轻的(🐛)探长Nicolas Luhel来到小(Ⓜ)镇调查(🍠)当地一(yī(♑) )个(gè )年(😁)(nián )轻人的离(💔)奇死亡(⭕)。年轻人的(🚕)妈妈一(📳)(yī )口(kǒu )咬(yǎ(🐁)o )定凶手(➰)是她的前夫Tanguy。Luhel在调(🤪)查过程中，发(📽)(fā )现(xià(♍)n )小镇的人对他非(🥇)常敌视，都不(💧)愿提供(🖍)(gòng )线(xiàn )索(suǒ )。渐渐(🙄)Luhel发现自己迷恋上了(🍐)那个叫Tanguy的(de )中(zhōng )年(🍘)(nián )男子。尽管他一再(🌋)提醒自己有妻子(🦗)和(hé )刚(gāng )出(chū )生的(🏺)孩子，但(⚓)他无可自(🥍)拔，每个(🍓)人(rén )心(xīn )中(🔹)(zhōng )都有(🌛)一匹野兽(🍉)，Luhel嗅到了(⬛)危险逼近的(✉)气(qì )息(♓)(xī )…… 16年(🚆)的狱中(⬇)生活后，乔回(🦋)到在车(🥫)祸(huò )中(zhōng )致(zhì )残(🙀)的妻子身边(🎮)，而那场(🕡)车祸对于他们(men )年(🕓)(nián )青(qīng )的儿(🚘)子来说(🧜)却是致命的。渴望(👣)去赔罪(zuì )和(hé )重(chó(🈹)ng )新开始，乔的妻子(🌬)克里斯托艰难地(dì(🤗) )接(jiē )受(shòu )了乔回(✊)到她生活中的事实(💸)…… “Live-In Maid,” Jorge Gaggero’s remarkably assured first film, examines the complicated relationship between Beba (Norma Aleandro) and Dora (Norma Argentina), an upper-class Buenos Aires woman and her longtime housekeeper. The two women share a roomy apartment, which Dora keeps in immaculate order while Beba primps and sighs like an opera diva with an audience of one, or the queen of a small, secret nation. “Live-In Maid” is modest in scope, but it feels complete, fully inhabited, in a way that more overtly ambitious movies rarely do. Its story and themes are outwardly straightforward, but as the film develops, it acquires a glow of mystery, as Mr. Gaggero invites you to contemplate, within the context of two perfectly ordinary lives, the paradoxes of friendship and the challenge of maintaining dignity in a world that conspires to undermine it. — A. O. Scott, The New York Times