泡沫之夏 电视剧 正片

年轻(🕟)(qīng )的法(fǎ )国姑娘(💱)马莉(🏆)（艾(👉)德娜(nà )·珀(pò )薇(🚩)安丝(🍤) Edna Purviance 饰）同名为约翰(🎪)（卡(🍿)(kǎ )尔米(mǐ )勒 Carl Miller 饰）的小(🥚)伙子相爱(ài )了，可(kě )是(🌺)这(🐮)段感情却遭到了(🦋)(le )他们(🤗)(men )的家(jiā )人的反对(🆓)。于是(🏗)，约(yuē )翰和(hé )马(mǎ )莉相(👲)约私(🌡)奔前往巴黎(lí )。然(📺)(rán )而(🛳)就(jiù )在约定的那(🥓)一夜(📨)，约(yuē )翰的(de )父(fù )亲不幸(❎)身亡，约翰没(méi )有能(né(🏟)ng )够(🏴)赴约。马莉以为约(🚚)翰变(🛥)(biàn )了心，在悲伤和(🌑)痛苦(🗝)之中(🤸)独(dú )自一(yī )人前(🗨)往巴(📷)黎。 A young woman named Suwanna is the object of affection for many men. In her search for true love, she has many adventures and mishaps, including overcoming her father's disapproval, before finally finding her soul-mate. Miss Suwanna of Siam, or Nang Sao Suwan, was one of first feature films to be made in Thailand, and was the first Hollywood co-production in Thailand. The Sea Hawk is a 1924 American silent film about an English noble sold into slavery who escapes and turns himself into a pirate king. Directed by Frank Lloyd, the screen adaptation was written by J. G. Hawks based upon the Rafael Sabatini novel of the same name. 在奥利(lì )维拉(⛩)(lā )那(📌)部美得让人心颤的杰(🍼)作《聚会(huì )》中，那些内心(🎾)欲(🐙)望(wàng )和禁(jìn )忌(jì(💯) )交织(🌐)的男男女女聚集(🔲)(jí )在(🚛)一(yī )个岛(dǎo )上，其间一(🐇)男一(⬜)女伫(zhù )立在(zài )海(✅)(hǎi )边(✔)的礁岩上，下面是(📖)(shì )激(📎)荡(dàng )的海(hǎi )浪，内心是(😦)激荡的欲(yù )望，女(nǚ )人(🔆)看(🧡)着一汪在岩石上(✏)(shàng )凿(🔃)出(chū )的泳池说：(⛅)“看看(🔄)这个(👎)游(yóu )泳池。是在岩(🅰)石上(🙅)挖成的。这是(shì )我(🚴)丈夫(👞)的母亲送给她(tā )儿子(⏲)(zǐ )的礼物。在我看来，它(🆑)象(👸)征(zhēng )着女(nǚ )人的(✨)子宫(😣)。”而男人(rén )只是(shì(🎮) )回(huí(📫) )答：“我对种种象征(zhē(🅿)ng )都无(☝)(wú )动于(yú )衷。您喜(📡)欢赌(🌫)博吗？”女(nǚ )人(ré(😀)n )的回(♑)答是：“不喜欢(huān )，我(wǒ(🍻) )喜欢(huān )散步。”这个男人(🆕)对(🥞)(duì )这个女(nǚ )人的(🅾)询问(💱)与回答，这(zhè )个女(🔍)(nǚ )人(🤽)对这(🆔)个男人陈述与回(🤙)答(dá(🌯) )，都包(bāo )裹着欲望(🔻)的攻(🥒)击和对(duì )欲望(wàng )的遮(🌺)掩和逃避。人在(zài )自己(💓)(jǐ(🌛) )欲(yù )望面前的审(🎗)慎和(🔓)闪躲，直(zhí )接指(zhǐ(🧡) )点出(🔫)这些欲望本身的(de )虚饰(✳)(shì )和(🍓)(hé )沉沦，这个世界(🖱)变得(🏇)(dé )如此(cǐ )暧昧(mè(🥜)i )和纠(✌)缠，那些低垂在(zài )耳边(📘)(biān )被(bèi )语言所裹胁的(🍬)欲(✨)望，被语(yǔ )言所(suǒ(🏕) )放逐(🚖)的欲望，成为从(có(🦍)ng )红唇(🌹)中(zhō(🚮)ng )吹出话语，内心的(🌴)陈(ché(🐋)n )述看(kàn )似整洁和(🦌)典雅(🥤)，但是一如(rú )碎片和(hé(🧒) )泡沫交待给我们对自(🏜)(zì(📵) )己历(lì )史的测不(😛)准的(😴)回忆，对现(xiàn )实(shí(👌) )的测(🕺)不准的把握，对未来(lá(🆚)i )的测(🤐)(cè )不准的忧郁。这(🎎)就是(📅)(shì )奥利(lì )维(wéi )拉(🏯)对情(💾)感世界的展示(shì )，在(zà(🎅)i )静寂(jì )中还原情感运动(🎖)的紊(wěn )乱了(le )的(de )轨(🆚)迹，这(👦)个轨迹向一(yī )条(💻)无(wú(🌰) )法测(📨)(cè )准的曲线。——(🌇)cinekino This film's German title would translate as "Journey in the Night", but that "night" is metaphoric: it refers to blindness, rather than anything nocturnal. The film's most notable merits are its photography (by Max Lutze), the direction by F.W. Murnau (a bit lighter than usual from this director) and a remarkable performance by Conrad Veidt ... an actor who never fails to impress me, yet who surpasses his own high standards in this drama. Mary Tudor, sister of England's Henry VIII, causes a stir by falling in love with a guardsman below her class. 安娜(🐅)(nà )（阿莱(lái )西亚(😧)·皮(💽)奥凡 Alessia Piovan 饰）的(de )死让(ràng )整(🍃)个小镇陷入了恐慌之(🔐)中(💺)(zhōng )，负责(zé )此案的(🤮)治安(🕌)官圣奇奥(ào )（托(⏺)(tuō )尼(🎏)·瑟维洛 Toni Servillo 饰）来到(dà(🍧)o )了镇(🌡)(zhèn )上(shàng )，决心要靠(👘)自己(🐱)的努力查(chá )明真(👷)(zhēn )相(👏)。 本片的故事取材(cái )自(🌩)拉(lā )格(gé )洛芙的小(😰)說。 16世(🍸)紀的(de )時候(hòu )，年(niá(🕶)n )輕的(💬)蘇格蘭船長和他(🤞)(tā )的(👽)三(sā(🥒)n )個(gè )夥伴被抓在(🍾)一個(🖌)堡壘(lěi )裡。 他們(men )設(➖)法逃(🤲)脫，並殺死財(cái )主阿爾(📖)(ěr )納，搶走他藏有財寶(🤪)(bǎ(🐔)o )的箱(xiāng )子，這樣他(🏢)們每(🎳)個人都成(chéng )為了(🤫)富(fù(🦒) )翁。 他們華服在身，只等(🏮)(děng )陷(🍑)入寒冰的船隻解(🤗)凍(dò(🥪)ng )就逃(táo )回(huí )英國。 蘇格(㊗)蘭船長遇到了(le )阿爾(ě(🌥)r )納的親屬艾爾莎麗(🔼)。 美麗(🥚)(lì )清(qīng )新的姑娘(🚧)對船(🍥)長一見(jiàn )鍾情(qíng )，愛(à(💝)i )上了(🤓)他。 不久，艾爾(ěr )莎(🥈)麗(lì(🤕) )知(zhī )道船長就是(♎)殺害(🥛)自己(jǐ )親人(rén )的兇手(👮)，陷入絕望，在極(jí )度痛(🏪)苦(🗯)(kǔ )中自殺身亡。 Eva lives in the sinister Tower with her father, a mad inventor, and her grandfather. The aviator Wilfred Durian and his lovely wife live nearby in the town. But Durian's famous flight across the Australian desert was not all it seems... and when his 'dead' partner Arved Holl is rescued by Eva and comes to claim his former fiancé(🧛)e's hand, the whole house of cards is about to come tumbling down. Meanwhile, Eva's own family history is not quite as she had always believed... George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry. He befriends the Prince of Wales and leaves the army, becoming subsequently the best-known rake and decider of fashion in Europe. As his affairs flourish, so does his disdain for his benefactor, the Prince. Eventually Brummel falls into disfavor, and it is only Lady Margery who has any chance of helping him.