立志电影剧情介绍
The plot follows the novel more closely than does any other Tarzan movie. John and Alice Clayton take ship for Africa. Mutineers maroon them. After his parents die the newborn Tarzan is taken by a great Ape, Kala. Later the boy finds his father's knife and uses it to become King of Apes. Binns, the sailor who saved the Claytons and who has been held by Arab slavers for ten years, finds the young Tarzan and then heads for England to notify his kin. A scientist arrives to check out Binns' story. Tarzan, now a man, kills the native who killed Kala; when their chief is killed the black villagers appease Tarzan with gifts and prayers. The scientist's daughter Jane is carried off by a native, rescued by Tarzan (who has burnt the native village), aggressively loved by him ("Tarzan is a man, and men do not force the love of women"), and at last accepts him with open arms.
Мо(✖)лодая граф(🙅)иня Вера Ду(🍎)бровская м(😵)ечтает при(🕢)н(😣)ести п(🧕)оль(☔)з(🐰)у чело(🌏)веч(🚿)е(🎿)ству. О(🔤)на п(🥏)о(🔆)сещае(💚)т бед(🥔)ных, «б(👘)ывши(✈)х люде(🎥)й» и п(🤕)омога(🌇)ет им(❤) в меру(👲) сил. Однажд(🚔)ы Вера оказ(🐼)ывается в к(😌)аморке пья(🕌)ницы Макси(❔)м(🔈)а Петрова(🕰). Н(👼)а помо(🈶)щь г(🍁)р(🛫)афини(🕔) он о(🥘)т(😹)вечае(🏗)т те(👙)м(🍭), что об(🍥)есче(⏰)щивае(🚇)т ее, о(Ⓜ)стави(👙)в нез(🔊)ажива(📚)ющую(👺) рану в(📃) ее душе. При(🕔)дя в себя, Ве(🚟)ра убивает(📇) негодяя.
MARIZZA is the first of Murnau's peasant films. Marizza is tired of her smuggler employer's orders for her to play up to the gendarmes so that he and his men can ship contraband. She leaves and begins work at the farm of an impoverished aristocrat, Mme. Avricolos and her twin sons, Christo (dynamic) and Antonino (dreamy). Marizza is discovered in Christo's room by his mother and she banishes Marizza who runs away with Antonino. Mme. Avricolos sets the smugglers on their trail and they are found, poor and starving (shades of TABU). Marizza plays up to the gendarmes, especially Haslinger, in order to get money, but Antonino becomes jealous and attacks Haslinger. Marizza kills the latter to save Antonino, who accuses himself of the murder. There is a last minute rescue of both Marizza and her baby from a burning cabin.
富翁(🏊)杨(yáng )寿昌晚年丧(sàng )子(🚺)。为(📦)(wéi )占家产，侄子道(dà(🎙)o )培(👯)与陆守敬(jì(🐗)ng )狼狈为(❄)(wé(😵)i )奸，诬告儿媳(👟)余(yú )蔚(👻)如(🐽)(rú )不贞，致使(🙂)蔚如扫地(🐵)出(chū )门。数月(🤭)后(hòu )，蔚如(🔫)(rú )生下一子(🌚)，取名(míng )余(🔆)璞(pú )。余璞(pú(🤳) )十岁，就读(🕶)寿昌(chāng )所建(🍔)学校。寿昌亦(yì )居住于(♍)此。祖孙(sūn )互不相识，然(🔬)余璞彬彬有礼(lǐ )，胆识(🦊)过人(rén )，颇得(dé )寿昌喜(🆓)爱。余璞(pú )亦常到其居(📈)(jū )处玩耍。一日，道培守(🎵)敬(🅿)到(dào )寿昌处(chù )要钱(🥕)，遭(🐾)斥责后(hòu )，意(💶)欲行凶(🉐)(xiō(🏦)ng )，恰好(hǎo )余璞(📍)来到。守(✈)敬(🔏)(jìng )被捕(bǔ )。道(🏢)培(péi )重伤(🚇)，余璞亦受(shò(😯)u )伤。道培临(🌃)(lín )终悔悟(wù(🍍) )，说出实情(🤺)。一(yī )家人(ré(🐡)n )终得团(tuá(🙆)n )聚。
凸坊新畫(✳)帖(tiē ) 名案の失敗(bài )』(👆)（でこぼうしんがち(🖐)ょう めいあんのしっ(📙)ぱい）は、1917年（大(dà(🅿) )正6年）2月初旬公開の(🉑)下(xià )川凹天による日(😚)本(🌹)国産最初(chū )期のア(⛸)ニ(😳)メ映画であ(💯)る。本作(🐄)を(💱)日(rì )本最古(📳)のアニ(⏳)メ(🚇)映(yìng )画とす(🕎)る説もあ(💀)る。
The story is about two couples, one whose the marriage - and the baby - are hidden to the husband's father. The father is angry that his son is still "a bachelor" and decides to organizes his marriage. The other couple, still unmarried, is reluctant to marry, being afraid of an old legend that circulates in the city, of a ghost who appears periodically at some marriages, kisses the bride and she dies the following days.
For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence.
撒旦狂(kuá(🚭)ng )想曲 Rapsodia Satanica（1915）(🐥)是由Nino Oxilia的(de )最后(🥡)执导的(de )一(🚻)部电(diàn )影，此(👃)片无疑是(🌖)(shì )早期(qī )意(🖱)大利(lì )电影最优秀的(🗞)成(chéng )果之一。
The beautiful Slavic countess Vera Preobrajenska (played by Thaïs Galitzy) is a seductress of married men, who drags them to the brink of ruin. When Thaïs seduces the husband of her best friend, she dies from falling off her horse.