长津湖之战剧情介绍
1810年，拿破仑(♉)挥军(🔀)进攻西班(bā(👠)n )牙，城镇陆被(🚻)占领，西班牙(🆖)束手无策，连(👂)连战败，于撤(🥏)退时，将一门(🔥)巨炮偷偷丢下山(❄)(shān )谷，而此巨(🚿)炮正是英、(😚)法两国急欲(🏫)获得的东西(⛑)。 英国派(🦋)海军上校安(🍘)东尼(🍰)到西班牙接(⛏)洽转让巨炮(🐩)事宜，然而部(😊)(bù )队早已撤(🌀)走，遇(🔚)到反抗法军的游击(🆘)队，反(🔨)抗军领袖米(🥂)凯尔与安东(👄)尼议，由安东(📓)尼修复(fù )巨(🌍)炮并教导反抗军(🥪)使用直到攻(🏽)下艾维拉城(🍄)再转让英国(😄)，安东尼同意(🤖)：果然艾维(❗)拉一役(yì )，巨炮发(✋)挥强大火力(🖋)轰垮城墙，反(🔯)抗军攻下艾(🐆)维拉，安东尼(🔥)完成任务，将(⏮)巨炮运回英(🕺)国！
Douglas Sirk takes the gloves off in this searing view of family life of 50's America. Unlike his famous melodramas, "There's Always Tomorrow" is completely devoid of any beguiling glitz and glamour to sweeten the pill. For its time it’(🌗)s a bold and unusual work focusing on the husband as the deeply unhappy victim of what outwardly appears to be an ideal family.
本片是出自(🍢)弗朗茨的(de )真(🥘)实故事，第二(😴)次世界大战(🎮)期间(⤴)弗朗茨被关押在英(🍃)国的(🤞)战俘营里，通(🕐)过不屑努力(⛺)终于(yú )逃离(🍆)战俘营回到(👲)了德国，成为二战(📢)期间唯一从(🏪)英国战俘营(🎡)逃脱并成功(📨)回到德国的(🏎)人。
Mr. Brenner makes a down payment on a house. The house's owners, Cissie and Johanna Enright say that they don't want to sell. He threatens them with a lawsuit, but is poisoned. He collapses and the sisters discuss what they should do. Joanna wants to finish him off more poison while Cissie prefers a gun. Brenner revives and pitches on sister against the other. He gets the gun from Cissie and shoots Johanna. Cissie gives Brenner more poison whilst he phones the police, telling them that Johanna poisoned him and that he shot her. Finally, the poison kills him and the house is all hers.
在20世纪30年(🐖)代，一战飞行高手(🥓)Roger Schumann沦落到在惊(🌌)人的特技飞(👭)行巡回表演(🌵)里演出，因此(🥛)，他的家庭生(☕)活相当困难(🔫)，可他(🕣)只是(shì )沉醉(🤝)于他唯一的(⚽)最爱---飞机。当(📴)记者Burke Devlin在表演(🎢)现场(📡)出现，来给一战英雄Roger写个(📅)"发生在Shumann的故(🤟)事(shì )"时， 他很(🚨)讨厌英雄目(😁)前的困境，可(🛵)是却被他漂亮的(🎏)妻子LaVerne深深地(⚡)吸引着。
改編(🐕)自美國片(pià(🗺)n )《太陽浴血記(🏳)》(1946).
影片描述一(🕜)群探险队员到喜(⛹)马拉雅山去(🐚)探险，却意外(🍶)地遇上了一(🌭)头雪怪，并且(♐)逐一被雪怪及自己(jǐ )的(🈚)恐怖(👼)所杀害。
A regional independent film? A western swing musical? An early Robert Altman script? A roman à clef about real-life popcorn baron Charles Manley? A masterpiece? Corn’(🐋)s-A-Poppin’ is all these things and more. Produced on the cheap in a Kansas City by a band of young talent schooled in the production techniques of The Calvin Company, the Midwest’s most innovative industrial film studio, Corn’s-A-Poppin’ is just about the most free-wheeling and sing-able hour of cinema we’(🐆)ve ever seen. Down-home crooner Jerry Wallace plays Johnny Wilson, the star of the Pinwhistle Popcorn Hour, a half-pint (and half-hour) variety show with acts ranging from pro-hog caller Lillian Gravelguard to Hobie Shepp and the Cowtown Wranglers. Might the cornpone bookings be an act of sabotage by rogue PR man Waldo Crummit in a bid to gut the Pinwhistle Empire? It’s up to Little Cora Rice to save the day. Songs include: “On Our Way to Mars,” “Running After Love,” and “Mama, Wanna Balloon.”
Dr. Matthew Campbell has been experimenting on methods to regress the mind to primitive instincts so that we can find methods to improve our brains and not get taken in by cheap horror movie hogwash. He's developed a drug made from vampire bat blood and has begun treating himself with it. But instead of improving his mind, he's become ill and addicted. He dies, but not before trying to warn fellow doctor Paul Beecher. Fortunately for us, he dies before he can say more than that pills are to blame. While still at Campbell's house, Paul finds a bottle of pills and pockets them. He's also got another bottle of pills in his other pocket that he takes for frequent migraine attacks. He goes home, puts his jacket on a rack, and then he's struck with a migraine. He asks his daughter to give him the pills in his jacket pocket, and of course she gives him the pills of evil. He is instantly addicted and he must take one pill every day. Each time he takes a pill he turns into a hairy and very insane killer, and he doesn't remember what he's done, except as a vague dream. Can the police and the other scientists who work nearby figure out who the killer is and stop him before he kills the beauteous new nurse that he has just hired?
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