亲密情人之无限诱惑剧情介绍
波罗(luó(🤩) )接(jiē )到他(🌎)的老情(qí(🐈)ng )人(rén )的一(🏐)封信，约他来巴格达，等他赶到时(🐠)，对(duì )方已(🛰)经离(lí )开(🆒)(kāi )了(le )。在巴(🔑)格达(dá )，他(🕒)遇到了考(☔)古队的莱(📠)德纳博士和他的新婚(hūn )妻子路(🍐)易斯(sī )。怪(🥩)(guài )事发生(🚙)了(le )。路(lù )易(📛)斯在婚后(🔸)又接到了(💗)恐吓信，这(💌)已经不是(🌉)(shì )第一次(📇)。她(tā )原(yuán )来(🔴)结过婚，后(🦅)(hòu )来(lái )丈(🆖)夫在战(zhà(🤵)n )争中被枪(👺)决，庆幸的(🚶)是他没有(🚮)死(sǐ )，于是(🎉)逃逸(yì )中(🏒)(zhōng )他给妻子发(fā )来(lái )恐吓信，一旦她要再(😗)嫁，他就要(🏥)杀死她。后(🌖)(hòu )来她的(🍰)丈(zhàng )夫(fū(📭) )在(zài )火车(🍎)失事中(zhōng )死(sǐ )去。可是，就在她嫁给莱德纳(😑)三个星期(🍭)之(zhī )后，又(🍏)收到(dào )了(🚎)(le )恐(kǒng )吓信(➖)。笔(bǐ )迹(jì(⏹) )是(shì )模仿(😖)路易斯的(📏)，好象是她(🥕)给自己写的(🍫)。不(bú )久路(🎇)易斯被(bè(🧞)i )害(hài )，只有(⛎)博士(shì )的(🍱)(de )助(zhù )手江(📟)森小(xiǎo )姐(🏋)看到了凶(🌳)手。很快她(🐲)也死于非(fēi )命。
A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity.
高級クラブを舞台に、新(🌤)人からベ(🏴)テランま(🐍)で7人の美(🌭)人ホステ(🤓)スが男に(😽)夢とエクスタシーを与(yǔ )える、オムニ(👂)バス形式(🤵)のエロス(🐍)ドラマ。お(📴)気に入り(🛂)の客(kè )と(🍐)の結婚(hū(🤵)n )を望(wàng )み(🥑)、アフタ(🕖)ーで積極的(🖱)にアプロ(😺)ーチする(🚽)「最終審(🤴)査(chá )はベ(🈁)ッドで」(💫)他(tā )、全(📯)7話を収(shō(🎐)u )録してい(👸)る。
成功的小说作家杰(jié )克尔博士被(bèi )最(📜)(zuì )近创作(🧙)的一(yī )个(👓)(gè )叫做海(👻)德的小说(🔔)虚构人物(🏌)搞得心神不宁。一(yī )天他从一(yī )场(chǎng )超(chā(💯)o )现实的梦(🛒)中(zhōng )醒(xǐ(🛣)ng )过来时，发(😭)现自己的(🆖)阴茎被海(🌥)德取走了(😴)，只留下一(🏍)个(gè )可(kě(🎱) )怕(pà )的洞；(🚦)原(yuán )来(lá(😦)i )这(zhè )只是(🤛)一场探讨(💩)男人惧怕(⛄)丧失力量(🐶)、身份和(🌴)(hé )青春的(🧢)心理(lǐ )历(😱)(lì )程的开端……
玛(mǎ )丽安跟阿(ā )基及两(🌨)位子女组(🤘)成了中产(👌)小康之(zhī(🏒) )家，他们一(👌)(yī )直(zhí )住(🤾)在巴黎的(de )高(gāo )尚住宅区内。突然，一对兄妹(🎭)的出现，令(🤶)他(tā )们平(❎)静的(de )生(shē(🛤)ng )活(huó )开始(💎)变得不(bú(🆖) )安(ān )，甚至(🚓)带来了一(🧙)连串的恐(⏸)怖离奇事件(🤗)。两(liǎng )名天(😛)真无邪(xié(🔄) )的(de )子(zǐ )女(👁)在毫无(wú(🐄) )戒(jiè )心(xī(♉)n )之下，跟这(🎧)对兄妹玩(🚶)着游戏，原(👾)来他们的(de )父母已经开(kāi )始(shǐ )走进难以逃(💂)(táo )离(lí )的(🍶)(de )噩梦世界(🌑)(jiè )。这时，玛(🈯)丽安才发(🛣)现其丈夫(💤)变(biàn )得愈来愈疯(fēng )狂(kuáng )，而一对子(zǐ )女(nǚ(🧐) )亦被邪灵(🛫)所控制，她(🔪)唯有独自(🎷)挑战邪灵(💢)，尽(jìn )力挽(🥋)救自(zì )己(🎁)(jǐ )的(de )家园(✔)。
马辉(huī )（(🚊)崔林）和于(🏖)岩（迟佳(🥘)）是同为(📵)17岁的北京(🈵)少(shǎo )年，两(💧)人的(de )最(zuì(🍷) )大(dà )梦想(🐑)是成(chéng )为(⛔)(wéi )警(jǐng )察(🔛)，不想结伴报考警校时，双双落榜，两(liǎng )人迎(🐑)来炎热(rè(🍻) )郁(yù )闷的(📚)暑期生(shē(🎛)ng )活(huó )。
樱子(🖐)、木(mù )村(🐝)与纪香三人被忍者追杀，木村(cūn )寡不敌众(📥)被(bèi )杀(shā(🧗) )，樱子幸运(🥁)(yùn )遇(yù )上(🍕)仗义的周(🙉)孝彦成功(🐬)逃脱，纪香(🐭)则下落不(👳)明(míng )。忍者(🍋)首(shǒu )领(lǐng )仓(🚽)(cāng )田至，一(🦋)定(dìng )要(yà(🤠)o )追杀纪香(💨)。小镇势必(🏧)掀起一场(🛁)腥风血雨(😫)… 孝彦与(🥘)樱子(zǐ )遇(💞)(yù )上(shàng )调皮可爱(ài )的(de )四(sì )小福引来连环(🛬)趣事结为(🥝)好。
A darkly humorous search for love, meaning and bathroom solitude. Faithful to the cult novel by John Birmingham upon which it is based, the film follows Danny (Noah Taylor) through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a forceful, sometimes turbulent narrative that leaves the viewer entertained, exhausted and surprisingly reflective.
为什么(🐹)这么好(hǎ(🌻)o )的一部西(🥚)班(bān )牙(yá(🤖) )女性剧会被(bèi )人(rén )遗(yí )忘。。。影片讲述了两(📰)个从小被(🥎)迫分开的(🐥)(de )亲生姐妹(🍄)长(zhǎng )大(dà(🏭) )后不同的(⏱)人(rén )生(shē(👔)ng )轨迹。两位(🦀)西班牙当(🈸)代最出色的(💝)实力派女(🎽)演(yǎn )员：(👥)Carmen Maura出演见(jià(😆)n )多(duō )识广(🗨)的姐姐(jiě(🐥) )伊(yī )莲娜(🤬)，一个喜欢(👐)旅行走遍(😴)了世界各国的自(zì )由摄影师，Verónica Forqué饰演妹(🍱)妹克(kè )拉(🎳)(lā )拉，典型(🐙)的西班牙(🍦)家庭妇女(🗺)，却正受着(🐍)丈(zhàng )夫的背叛和(hé )欺(qī )骗而痛苦不(bú )已(🐚)(yǐ )，当她们(🚲)俩经过多(⚫)年之后再(👡)重逢时，两(😆)种截(jié )然(💢)不同的人(🚛)(rén )生(shēng )将(🎷)交集在一(🎾)(yī )起(qǐ )，每个(🥫)人的生活(⛴)也将受到(🏬)对方的影(🐒)响和改变(🖖)(biàn )。。。
A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.