精产一二三产区别剧情介绍
意大(🔹)利裔画家莫迪(🌙)里亚(yà )尼（安迪·(💍)加西亚 Andy Garcia 饰）在(📊)短暂的(🈳)一(yī )生中都(🚝)在与(yǔ )艺术大(🅿)师巴勃(😊)罗·毕(📎)加索抗(⛩)(kàng )争。生(🗽)前唯(wéi )一一(🎮)幅击败(bài )毕加(🤢)索的作(💊)(zuò )品，其中描(miáo )绘了他(🥫)深爱的女人(🎠)。落拓不(🙍)(bú )羁的(🛑)莫迪里(📤)(lǐ )亚尼混迹在(zài )巴黎(🚶)蒙马特(tè )高(♋)地画家(🏰)圈子里，他过着(🏍)充斥着酒精、大麻(⚪)与女人(rén )的放(⛽)荡生活(🆚)(huó )。在一次写(xiě(🎄) )生 课上，他遇上了生(😳)命中的(de )挚爱珍(🎿)妮（艾(🌒)尔莎·泽(zé(🍎) )贝斯坦 Elsa Zylberstein 饰），他(🏃)邀请她(🏢)(tā )做自(🔛)己的模(🚼)特，为珍(🌜)妮创作(zuò )了(🦆)大量肖像(xiàng )作(🐌)品。但是(😌)(shì )在一幅准备(bèi )参加(🎻)画展与(yǔ )毕(🚳)加索竞(🙆)争的作(🍊)品中，他(🕓)留(liú )下了珍妮的(de )眼睛(♓)没有画(huà )。他(🍟)对珍妮(🐑)(nī )解释说：当(🏧)我了解你的心灵深(⛲)处时，我(wǒ )将画(🤘)你的眼(🍾)(yǎn )睛。他从珍(zhē(⛎)n )妮身上获得(dé )源源(🙄)不断的灵感，让(😗)他持续(🔇)(xù )旺盛的创(🤷)作(zuò )激情。但是(👱)(shì )，他的(🍍)艺术(shù(😯) )不能像(🔠)毕加(jiā(🕞) )索那样被大(⏬)众所认同，不良(😫)(liáng )的生(⏲)活习惯(guàn )让他染上难(♎)(nán )以痊愈的(🉐)结(jié )核(👧)病。就在(🆑)(zài )他领(💁)取与珍妮的婚姻登记(💝)证(zhèng )时，遭遇(🙏)了(le )强盗(🎨)，惨死(sǐ )在街头(📟)。
高(gāo )二女生刘唯唯(💨)（孙伊涵 饰）(🙀)在学校(😉)结识(shí )了美术(🍎)老师(shī )邹野（宋宁(🥓)(níng ) 饰），邹野(yě(💘) )独特的(⏹)气质和举止(🥒)让她第一(yī )次(🕦)有了怦(🚢)然(rán )心(🦑)动的感(🤭)觉(jiào )，纵(🛎)使这份(fèn )藏(🥅)不住的懵(měng )懂(✉)情愫无(🤤)法抑制，青春期少(shǎo )女(🌮)特有的大(dà(🍨) )胆和自(🤱)以为(wé(🚫)i )是让刘(〰)唯唯(wéi )沉浸在自己(jǐ(😩) )想象中的感(🍎)情互动(👥)里无法自(zì )拔(🆎)……在那(nà )一年夏(🚅)天，她就像一个(👚)(gè )闪亮(🕐)的发光体，无所(💈)顾忌地去做自己喜(👙)(xǐ )欢的事，去(qù(📽) )爱自己(⬇)喜欢(huān )的人(🐰)。
This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery.
70年代(dài )に子ど(🎌)もたち(📕)の間で(😵)一大ブ(📑)ームと(🐗)なった“こっ(🌃)くりさん”を題(🧣)材に、(🕌)現(xiàn )代の女子高生の(🚀)不安定な内(♋)(nèi )面を(💦)描くホ(🥥)ラー映(🎵)画。監督は数多(duō )くの(🔔)成人映(yìng )画(🍱)で独自(➗)の世界を作り(👷)上げ、国内外で高(⛓)い評価を受け(🎆)ている(🈴)瀬々敬久。本作(🕜)が初の一般映画と(❇)なる。脚本は瀬(⬅)(lài )々と(😊)たびたびコ(💆)ンビを組んで(🏹)いる井(🦕)土紀州(🐿)との共(🏷)(gòng )同。撮(📧)影は「月と(📩)キャベツ」の(🌑)上(shàng )野(🎳)彰吾が担(dān )当してい(👏)る。主演はフ(⛲)ァッシ(👆)ョン雑(➡)誌(zhì )や(♎)ＣＭモデルとして活(🀄)(huó )躍中の現(🏂)役(yì )女(🐨)子高生で、本(🕸)作が映画デビュー(😉)となる矢松亜(👥)由(yóu )美(👄)。共演に「「物(👱)陰に足拍子」より(🎅) ＭＩＤＯＲ(🍐)Ｉ」の(🔵)嶋田(tián )博子(🤙)。
伦敦(dūn )的夜晚(🛃)最近(jì(🌰)n )很不平(🆗)静，有三(🌛)位女子(🧘)在深(shēn )夜被(🎸)杀害，她们的手(🐥)指(zhǐ )也(🛑)被切去了(le )，这引起了(le )很(💈)大的轰动。在(💃)警察加(🤑)紧追(zhuī(💃) )查的时(📕)候，竟然又有女(nǚ )子被(💥)杀，情(qíng )况相(🤱)同。又(yò(🈁)u )到了福尔摩斯(🎅)出场的时刻了(le )，这时(🥄)有位(wèi )富商之(🎪)女去(qù(💲) )见福尔摩斯(sī(✡) )，她发现她的(👀)父亲是(🐦)嫌疑人，正当福(💀)尔(ěr )摩(🐌)斯赶去她(tā(🎗) )家的时候，却意(🚚)外地发(🔠)(fā )现她(➡)父亲已(📟)经死了(🍵)。种种证(zhèng )据(📂)显示此案(àn )是(🗣)已经死(✉)的(de )摩日阿提所(suǒ )为，将(🎥)别人(rén )催眠(🎊)再利用(🚜)他们杀(🧀)人。这时(💕)(shí )，福尔摩斯(sī )遇到了(⛽)一位(wèi )穿着(📝)绿色衣(🧗)(yī )服的神秘女(🤦)(nǚ )子。他觉得她与此(📹)案有关。在经过(🕡)调查(chá(⛹) )之后，福尔(ěr )摩(🍃)斯深入敌(dí(📓) )穴，然而(🌲)这次福尔摩斯(♋)是否能(😬)够化险为(wé(🌡)i )夷呢？
战国(guó(🛹) )末期，战(🥀)火(huǒ )连绵，攻伐(🔝)(fá )不断(🔹)，百姓疾苦无(✋)人问津。秦国王(🐜)子嬴(yí(🐾)ng )政童年时困(kùn )为赵国(😳)人质(zhì )，好心(🎏)的燕(yà(🍯)n )国女子(🕠)将其与(🛵)自己的儿子高(gāo )渐离(🕙)一同哺(bǔ )育(⚾)成人。襄(🌘)(xiāng )王驾崩，嬴(yí(🗑)ng )政随使臣赶(gǎn )回秦(🏁)国登基，两个好(🎞)友也从(🕸)(cóng )此天各一方(🏫)(fāng )。
毛泽西是(🈁)(shì )个疾(😶)恶如仇(chóu )的女(📊)督察，不(🗿)少罪犯闻风(🌌)丧胆；莫札实(🚄)(shí )从大(📦)陆来香(xiāng )港的(🌯)音乐家(🛃)(jiā )，一心想来(📒)(lái )香港赚一笔(😚)钱回乡(⏭)。最后在毛泽西手下(xià(📶) )警员安排下(🏺)(xià )莫札(🙁)实向毛(🕷)(máo )泽西(➗)求婚成(chéng )功，与毛泽西(📞)发展浪漫的(🏏)爱(ài )情(🚋)
Allan (Hugh Grant) is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen (Soumitra Chatterjee) which includes his wife, Indira (Shabana Azmi) and daughter Gayatri (Supriya Pathak). Gayatri and Allan become romantically involved leading to tragedy.
【注】：这不(🍤)是尼古(gǔ )拉斯·凯(🐞)奇(qí )与安吉丽(🤯)娜(nà )·(🚎)朱莉出演的《急(🈶)速60秒》（Gone in Sixty Seconds），该(🕢)片在(zà(🖲)i )这里：
流浪(là(🏮)ng )汉查理(🌩)（查(chá )理·(🎮)卓别林(lín ) Charlie Chaplin 饰）(🔩)随队伍(👮)来到阿拉斯加(🈳)淘(táo )金(🕓)。他在一(yī )间(📦)小木屋里(lǐ )碰(⛳)见了通(✏)缉(jī )犯拉逊，接着淘金(🔹)人吉姆也闯(🚿)进来，并(😐)(bìng )抢走了拉逊(🚙)(xùn )的枪。拉逊(xùn )出去找食物(wù )时发(🧖)现了吉(🤝)姆正在开发的(🎚)金(jīn )矿，于是他(tā )没(🏆)回木屋。小木屋(🏦)里，饥肠(🕳)辘辘的(de )查理煮了皮鞋充饥(🎖)，饿的神(⏺)(shén )智恍惚的吉(🥨)(jí )姆却(🌪)把查理(lǐ )想(⛄)象成火鸡(jī )追(🔄)杀。突然(🌵)(rán )，一头熊撞进来，两人(💦)一起(qǐ )把熊(🍩)打死，饱餐之后(🧔)分(fèn )道(🖋)扬镳。吉(jí )姆发现了拉(🕺)逊占了自己(👇)的金矿(🌫)坑，拉逊(xùn )将他(✡)打昏，不料却在逃(táo )跑时掉下深(shē(🛩)n )谷。