台湾模特 正片

EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films. 1956年(🎮)时值冷战(zhà(🥫)n )时期，莫(🌽)斯科(kē )大剧(➿)(jù )院芭(🚊)蕾舞团(tuán )跨(🔀)越铁幕(🔭)到英(yīng )国伦(💕)敦访问(🚰)(wèn )演出，苏联(🍎)传奇芭(bā )蕾舞家乌(🔊)兰(😆)(lán )诺娃演出吉(jí(💁) )赛(🆔)尔。本片是出身(shē(🌔)n )维(😌)也纳的著(zhe )名导演(🛣)Paul Czinner 在(💮)1956年摄(shè )制的(de )舞台纪(🙄)录片(piàn )。 修善(🕚)寺で芸(🚟)(yún )者屋(wū )の(🥜)一人(ré(⏮)n )娘として育(📏)てられ(💄)た房子の家(⏸)(jiā )は、母も祖母も(👕)芸(yún )者上りで、母(🔻)は彼女をお(🗳)いて情(🤺)夫と駈落(luò(🧢) )ちした(🍵)。ある日その(🛷)母を未(🏚)練(liàn )がまし(🧗)く追(zhuī )う父の繁雄(🦏)を激しく責める祖(🚌)母(🏦)おつたの口(kǒu )か(📣)ら(⛸)房子は意外のこ(🎅)と(💸)を聞いた。「房子(zǐ(⛰) )だって誰の子か判(🍋)りやしない(😱)。」－感(🔎)受(shòu )性の強(🦓)い年頃(🥁)(qǐng )の彼(bǐ )女(✅)は以(yǐ(👶) )来、自分が(🅾)日蔭の子という劣(⬛)(liè )等感をもつよう(🐥)になった。祖(🅰)(zǔ )母と(🕜)折合のつか(🚬)ぬ繁雄(🕥)は房子(zǐ )を(🔢)連れて(✈)上(shàng )京、彼(🤛)女の伯(bó )母お絹の(🈲)経営する“小浜”へ頼(🙈)っ(🚿)て行った。房子は(♒)帳(😵)場を預ったが日(⛴)(rì(🐟) )夜目にする社会の(🕔)裏面に激しい嫌悪(🌘)を感(gǎn )じた(🌄)。が彼女(🎀)(nǚ )は店(diàn )へ(😤)来る客(🎰)で四十七、(🔢)八にも(🎣)なる評論(lù(🌴)n )家山(shān )岸に惹かれ(🍛)た。山岸も芸(yún )者の(❌)子であった(🍇)。房子は(🚙)、また戦後(🦋)派的(de )な(💚)紙問(wèn )屋の(🐄)社員篠(🚏)(xiǎo )崎に好感(⏱)を持っていたが、(👝)彼(bǐ )と逢引して店(🌀)へ(📩)帰ると、お絹か(🎰)ら(🛂)、情夫と行方を(🏰)昏(🏸)ましたアプレ芸者(🏀)政代が男に逃(táo )げ(💮)られ湯河(hé(🔕) )原で自(🚕)殺未(wèi )遂の(🧚)身を保(🤼)護(hù )されて(🕐)いるから迎えに行(🐊)くよう頼(lài )まれた(🛋)。湯河原には房子(zǐ(🦍) )の幼友達、(🆓)高野が(🆕)いたので、(🦇)彼女は(📉)彼にも会い(🛃)たいと(😣)湯河(hé )原に(👬)出かけた。高野は駅(🗒)に出迎えていた。が(🈂)、(🍸)「結(jié )婚したい(🐥)、(🖇)どこかへ行って(🐆)話(🤨)を……」という高(🕥)野に房(fáng )子は総て(🌰)の男に共(gò(🏚)ng )通する(🆕)ものを感じ(🦉)て、そ(🎊)のまま別れ(🥑)た。房子は政代(dài )を(🏽)連れて帰京(jīng )した(📌)。が、その夜、馴染(😪)の芸(yún )者と(🏸)泊って(💠)いた同業の(🐰)“えり菊(💅)”の主人(rén )が(📮)房子の(💨)部(bù )屋へ忍(💖)(rěn )び込んできた。翌(📲)朝、彼女は自殺を(♎)計(💀)った。しかしそれ(😾)は(🌟)未遂に終った。数(🎖)(shù(🍒) )日後、房子は山岸(🎬)(àn )に会った。心のよ(👡)り処(chǔ )を山(🍽)岸(àn )に(🐨)求め房子(zǐ(💮) )は総て(🥕)を彼(bǐ )に許(🐿)した。だが山(shān )岸も(❌)彼女の肉体を求め(👉)るだけの男だった(🖊)。山岸から遠(🕥)(yuǎn )去か(📦)った房(fáng )子(⬆)は、今(🧦)度は篠崎(qí(🕡) )に誘わ(❔)れ山(shān )中湖(🔺)へ行き、彼と関係(⏳)を結んだ。それは結(🏖)婚(🛸)を前提としてい(🍏)た(🔮)が、房(fáng )子は捨(🥥)て(🍯)られた形となった(🐫)。が彼女の体には山(📍)岸のか篠崎(🈴)のか何(🍇)(hé )れとも判(💨)らぬ子(🏆)が宿ってい(💇)た。遂に房子は、こ(🈚)のいやらしい社会(💖)から逃(táo )出す決心(😡)をした。こっ(🥖)そり病(⭐)(bìng )院に行き(🏼)堕(duò )胎(🐙)した房子は(🔟)、涙(lè(🍺)i )とともに人(🥎)(rén )生の再出発(fā )を(🍁)誓うのであった。... 五(🐒)位(🧕)空难(nán )幸存者在(🍏)深(🐛)林(lín )中遭(zāo )遇猎(🌟)人(🙍)霍金(jīn )斯，后者想将(☝)(jiāng )五人卖给邪(xié )恶(👷)的部落首领(🐎)作为(wé(👠)i )祭祀只用，泰(🚌)山阻止(🛂)了(le )他们的(de )罪(🈷)恶手段。 在20世纪30年代(🌒)(dài )，一战飞行高(gāo )手(🚎)Roger Schumann沦(lún )落到在惊人(ré(📼)n )的特技飞行(🕯)巡(xún )回(🍉)表演里演(yǎ(😶)n )出，因此(📑)，他的家(jiā )庭(🚀)生活相(😥)当(dāng )困难，可(🤥)他只是沉(chén )醉于他(🔁)唯一(yī )的最爱---飞机(🍟)(jī(🗼) )。当记者Burke Devlin在表演现(⚫)(xià(🦌)n )场出现，来(lái )给一(🚐)战(🙄)英雄Roger写(xiě )个"发(fā )生(🍈)在Shumann的故事(shì )"时， 他很(🕕)讨厌(yàn )英雄(🌷)目前的(🍕)(de )困境，可是却(🚢)被他(tā(😭) )漂亮的妻子(✈)(zǐ )LaVerne深深地吸引(yǐn )着(🧘)。 Mr. Brenner makes a down payment on a house. The house's owners, Cissie and Johanna Enright say that they don't want to sell. He threatens them with a lawsuit, but is poisoned. He collapses and the sisters discuss what they should do. Joanna wants to finish him off more poison while Cissie prefers a gun. Brenner revives and pitches on sister against the other. He gets the gun from Cissie and shoots Johanna. Cissie gives Brenner more poison whilst he phones the police, telling them that Johanna poisoned him and that he shot her. Finally, the poison kills him and the house is all hers. Andrew V. McLaglen的(de )导演处女作(zuò )