七个恐怖的推理题剧情介绍
从小(xiǎ(🍂)o )被印第(💚)(dì )安(🚆)丛林(lín )里的(🖱)狼(láng )群抚养(🅿)(yǎng )长(🚫)大的(de )莫格利(🏈)(lì )（布鲁斯(🌵)·雷德曼 Bruce Reitherman配(🛶)音），一(yī )直(🔡)快乐(lè )的生(👿)活(huó )在丛林(🚊)(lín )里。在(zài )森(🏟)林中(📚)(zhōng )，他结(jié )识(👴)了忠(zhōng )厚老(🖨)实(shí(🛩) )的黑豹(🔲)巴布(🔮)拉（塞(🎐)巴斯蒂安·(🖊)卡伯特(tè ) Sebastian Cabot配(👩)音）和乐天(🐊)开朗的黑熊巴(bā )洛（菲(fēi )尔·哈(👞)(hā )里斯 Phil Harris配(pè(🏜)i )音）以(yǐ )及(📚)其他(tā )动物(🐝)朋(péng )友。然(rá(🍴)n )而邪恶(📐)的老(🚭)虎希瑞·坎(💘)（乔治(zhì )·(🖼)桑德(🐁)(dé )斯 George Sanders配音(yī(🤙)n )）重返(fǎn )森(💒)林，打破了(le )幸(🌛)福祥(xiáng )和的(♐)生(shēng )活。为(wé(🥛)i )了确保莫格(🌷)利的安全，动(👠)物朋(📸)友们决(jué )定(🔪)把莫(mò )格利(👩)送(sò(🤹)ng )回到人(🤵)(rén )类(⬛)村落(luò(💦) )才能躲(duǒ )避(🚼)开希(xī )瑞的(🌄)追(zhuī )杀。但莫(🆖)格利却想继续留在丛林里生(shēng )活(🈚)，与他的动物(🔺)朋友们在一(🥥)(yī )起。
故(gù )事(🤲)发生(shēng )在1938年(😻)5月(yuè )6日(📃)，这(zhè(👼) )个日子(zǐ )无(🔬)论是(shì )对罗(🐿)马(mǎ(💁) )人民或是对(🏺)平凡的家庭(🔬)主妇安东尼(🏺)泰(tài )（索菲(🌗)(fēi )娅·罗(luó(✍) )兰 Sophia Loren 饰）来说(🚋)，都是不(bú )平(🤘)凡的(😹)(de )一天。当日，独(🚱)裁者希特勒(🎙)和墨(🙁)索里尼(🐦)来到(💐)(dào )罗马(🥤)参(cān )加高峰(📜)(fēng )会议，无限(🍡)吹(chuī )捧他们(🏷)(men )奉行的(de )法西斯(sī )主义，在慷慨激昂(👫)的讲话的蛊(🙅)惑人心(xīn )的(👤)词语之中，整(Ⓜ)个城市陷入(🚵)了一片(📒)(piàn )疯(📺)狂的(de )躁动。
Violette Bushell is the daughter of an English father and a French mother, living in London in the early years of World War 2. She meets a handsome young French soldier in the park and takes him back for the family Bastille day celebrations. They fall in love, marry and have a baby girl when Violette Szabo receives the dreaded telegram informing her of his death in North Africa. Shortly afterwards, Violette is approached to join the SOE (Special Operations Executive). Should she stay and look after her baby or "do her duty" ?
从(🛷)小被(bèi )印第(📇)安(ā(🌔)n )丛林里(lǐ )的(🍢)狼群(qún )抚养(🌥)长大的莫格(😛)利（布鲁斯(📵)·雷德曼(mà(👠)n ) Bruce Reitherman配音），一直(🐰)(zhí )快乐的(de )生(😈)活在(🐢)(zài )丛林里(lǐ(🚣) )。在森(sēn )林中(🎿)，他结(🍜)识了忠(🐘)厚老实的黑(👻)豹巴布拉（(🗑)塞(sāi )巴斯蒂(👆)(dì )安·卡(kǎ(🍨) )伯特 Sebastian Cabot配(pèi )音）和(hé )乐天开(kāi )朗的(💑)黑(hēi )熊巴洛(🐟)(luò )（菲尔·(🔔)哈里斯 Phil Harris配音(🔀)）以及(🏐)其他(🍋)动物(wù(Ⓜ) )朋友(💯)。然而邪恶的(🎊)老虎希瑞·(🍖)坎（(📓)乔治·桑德(✂)斯(sī ) George Sanders配音）(😜)重返森(sēn )林(😈)，打(dǎ )破了幸(🌕)(xìng )福祥和的(🕠)生活。为了确(🤓)保莫格利的(🥎)安(ā(📭)n )全，动(dòng )物朋(😣)友(yǒu )们决定(🤘)(dìng )把(💱)莫格(gé(📢) )利送回(huí )到(👍)人类(lèi )村落(😎)才(cái )能躲避(🖐)开希瑞的追杀。但莫格利却想(xiǎng )继续留(liú )在丛(🥡)林(lín )里生活(🚈)(huó )，与他(tā )的(😲)动物(wù )朋友(📅)们(men )在一(📋)起(qǐ(🗺) )。
This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery.
慈祥的玩具(➕)匠盖比特制(🥋)造了一个可(kě )爱(🚐)的小木偶，取(🥈)名匹诺曹。他(🍉)获得(dé )蓝仙(💙)女(nǚ )赐予生(🛃)(shēng )命，但(dàn )却(🏭)未能(néng )成为(🕊)真(zhēn )正的人(rén )。在(🐛)盖比特的好(💼)友蟋蟀占美(💪)尼的(✈)帮助(zhù(🏆) )下，匹(pǐ )诺曹(🧖)开(kāi )始一段(🔌)(duàn )漫长的(de )旅(🤴)程。最后，他在考(kǎo )验中培养出忠诚和勇气，成为(💕)真正的(de )男孩(🤧)子(zǐ )。
费里(lǐ(🔉) )尼1969年作(zuò )品(⏸)，意(yì )大(👯)利、(🌦)法国合(hé )拍(💧)，片(piàn )长138分钟(👵)。《爱情神话》原名《萨(🔏)蒂里(lǐ )孔》，根(🛂)据公元一世(🎹)纪罗马人阿(📀)尔(ěr )比特罗(🚆)(luó )的同名(mí(⚓)ng )小说改(gǎi )编(🙎)，影(yǐng )片向人(rén )们(🐪)描绘(huì )了罗(🍟)马帝国荒淫(🥍)无度(😡)的享乐(🥀)生活。在(zài )公(💽)元一(yī )世纪(💞)的(de )罗马，Encolpio和他(🌸)同(tóng )学的Ascilto，正在争(zhēng )论着男(nán )孩Gitone的所有权。他们(🦍)分了自己的(🥟)财物并(bìng )打(🍒)算各(gè )奔东(💟)西(xī )。男(🔕)孩(há(🔊)i )可以选(xuǎn )择(🖥)跟从(cóng )谁，他(👟)(tā )选择了(le )Ascilto。已经决(🤺)定要自杀的(🕊)Encolpio，因为一起突(🛃)如(rú )其来的(🏺)地震而幸免(🎡)于难。接下来(😏)随(suí )着在Encolpio身(🥗)(shēn )上发生(shēng )的一(🤡)系(xì )列冒险(🕰)(xiǎn )经历，导演(💠)费(fè(🚻)i )里尼用(🛥)近乎漫画的(🚴)笔法将自己(🏧)幻想中(zhōng )的(🍊)古罗(luó )马生活(huó )展现在(zài )观众面(miàn )前，他(tā )并(🛹)没有(yǒu )对影(🔶)片(piàn )中的道(🔲)义进行批判(🕎)或者赞(😔)许。难(📲)怪他(tā )在影(🍯)片(piàn )拍摄之(🕊)(zhī )前就发(fā )表声(🖊)明(míng )，《萨(sà )蒂(😂)里孔(kǒng )》将不(🕚)(bú )是一部古(🔰)代历史题材(🚆)影片，而是一(🍐)部(bù )科学幻(😠)想片。整个剧情支(🔉)离破碎，涉及(💳)很(hěn )多古罗(💱)(luó )马(🤫)的风(fē(💒)ng )土人情(qíng )，尤(😥)其(qí )是当时(🔜)(shí )在道德、(😖)性行为、饮食及表演方面的(de )习俗，堪称古(gǔ )罗(👡)马的(de )“饮食(shí(🚈) )男女”。
史提(tí(🚯) )芬周（周星(👦)驰 饰）(⏱)在饮(🛐)食界是享誉(🏄)盛名的食(shí(🔶) )神，但(dàn )一直骄(jiā(😀)o )傲自大(dà )，惟(🖥)利(lì )是图。被(⏬)身边(biān )得力(🕦)助(zhù )手陷害(🌰)，一夜间一无(📸)所有。他在庙(📰)街(jiē )认识了早已(✊)对他倾心的(🔣)大姐大火鸡(🚨)(jī )（(💕)莫文(wé(✋)n )蔚 饰）及一(👓)众(zhòng )老大，靠(🙌)着史(shǐ )提芬(🎖)周(zhōu )的商业头脑，他们决定推出“爆浆癞(lài )尿牛(📭)丸(wán )”，史(shǐ )提(😻)芬周(zhōu )重出(👀)江(jiāng )湖的道(🐕)(dào )路也(🔻)越(yuè(💶) )来越顺(shùn )利(🦌)。为了重新夺(👞)得食神的位置，他(🅰)回(huí )到大陆(👷)(lù )寻找“中国(🖨)厨(chú )艺学院(🌌)(yuàn )”受训(xùn )。火(🗃)鸡(jī )一路跟(⛵)(gēn )着他想对(🐧)他表白，史提芬被(🎫)对手追杀(shā(⛰) )，火鸡(jī )不顾(🤫)生命(🌴)为他档(😛)了一枪，生(shē(🚋)ng )死未卜(bo )。学成(🚖)(chéng )归来的(de )史(➿)提芬(fēn )如期到(dào )达食神(shén )的比赛场地，没想到(🌆)评判却被对(🕚)手收(shōu )买了(😚)……