洗冤录电影 正片

Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job. The swan song for director Seth Holt (who died shortly before filming was completed), this stylish Hammer production transcends its low budget thanks to lush photography, a stylish look, and fine performances from the leads. The plot, adapted from Bram Stoker's novel The Jewel of the Seven Stars, involves an expedition led by Professor Fuchs (Andrew Keir) to find the cursed tomb of an evil Egyptian princess. Upon discovery of her sarcophagus, Fuchs finds her perfectly preserved, still-bleeding severed hand -- which also sports a dazzling ruby ring. Several years later, Fuchs gives the pilfered ring to his voluptuous young daughter Margaret (Valerie Leon), whereupon she slowly begins to take on the malevolent traits of its original wearer, seeking revenge for the defilement of her tomb. Though Christopher Wicking's adaptation of Stoker's obscure novel is a bit uneven, it still provides ample suspense and the production has an overall richness that captures the flavor of Hammer's other mummy projects. Remade eight years later (with less effective results) as The Awakening; traces of the same story can also be found in Universal's 1999 mega-budget version The Mummy. ~ Cavett Binion, All Movie Guide DC展(🚈)台(🧖)合集，收录(lù )《幽灵》、《乔(qiáo )纳·海克(kè(🚈) )斯(🚼)》、(🗒)《绿(🌯)箭》和《超人(rén )与沙赞(zàn )之黑亚当(dāng )归(🛁)来(🆎)》四(💑)部作品(pǐn )。 出品时(shí )间：1934年 真实历史(🚒)(shǐ(🔜) )杀(⏩)人(🚹)档案(àn )原故事(shì )题材再现(xiàn ) This jocular spoof of Shakespeare's ANTONY AND CLEOPATRA is filled with numerous puns, plots, and double-meanings. Ancient history was never so much fun. The film stars Amanda Barrie, Sid James, Kenneth Williams, Joan Sims, and other Carry On regulars. 风流倜(🥙)傥(🔳)的(🛫)美(📩)国(guó )人杰克（John Sibbit 约翰•斯比特 饰(shì )）(🚵)邂(⏯)逅(🛃)美丽迷人(rén )的巴黎女(nǚ )郎苏西（Marie-France 麦(🧢)瑞(💤)•(🎽)弗(🏇)朗斯 饰(shì )），两(liǎng )人共渡激(jī )情一夜(🏬)。清(🏖)晨(🍢)醒(xǐng )来，苏西(xī )不辞而别，并卷(juàn )走捷(🔯)克(🥘)的(⏸)钱(🎎)财，只留下写(xiě )有留言的香烟盒(hé )。 少(🍃)女(🏔)莎(🥍)(shā(🗂) )拉与自(zì )己所处的(de )世界格格不入，苦(🤭)苦(🌷)追(❗)寻(xún )生命意义的她踏(tà )上了一段(duà(📖)n )惊(🌟)险(🔁)的(🍞)(de )旅程。 出(chū )品时间：1937年 A film shot as a serial, searching for a real cinematographic form, far from its fairy origins. Beautiful trip to Nice where you can feel Perret’s joy to film. The walk of Bosco-Maurice Lagrénée in the city and on the Promenade des Anglais, the triumph of the return of Captain de Valen-Emile Keppens from the colonies, the poor orphan Marie-Laure, every thing recalls the poetic realism that will be in fashion later in the French cinema, even if there is a reactionnary background in L’enfant de Paris. It makes us think of Duvivier, Carné, Vigo already…(🤖)