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二战期(qī(🎷) )间(🐸)，一(🎧)位(➿)美(🤖)国(🏭)军(🗿)(jun1 )官(🔮)克(⭕)(kè(🕖) )尔(🔁)索(🐪)被(🍽)德(👸)军(jun1 )抓到(dào )，克尔索知道详细的诺曼底(dǐ )登陆(lù )计划，如果(guǒ(♌) )特(💴)工(🤪)(gō(🏚)ng )队(🐉)不能拯救克尔(ěr )索，他们就必须(xū )在纳粹发现珍贵(guì )的秘密前杀掉他(tā )。特(tè )工队员哈里(lǐ )和纳(nà )粹德国斗智斗勇(yǒng )的激烈战(🍉)争(🎸)开(🤥)始(🛑)(shǐ(🍇) )了(🧖)…… 刘流(liú )（冯(féng )巩 饰）和宁(níng )娃（任梦 饰）曾是一(yī(💚) )对(❔)恩(🚢)爱(🛠)相(👯)亲(🤧)的(😄)小(🛏)(xiǎ(🥊)o )夫(🤪)妻(🐠)，可(🖨)惜(👚)曾(🚴)经(jīng )的美(měi )好早已不在(zài )，一(yī )纸离婚证书(shū )解除(chú )了他(😰)们(📊)的(🏇)婚(🌎)姻(🦊)关(🤨)系。两人同(tóng )在飞(fēi )天舞厅工作(zuò )，但(dàn )是住房的问题始(shǐ )终没有解决。夫(fū )妻俩的房子是两(liǎng )间一套的单元，在找(zhǎo )不到更好(⛏)的(✈)(de )解(🚐)决(🚚)(jué(🍴) )办(💓)法之前，他们(men )订了一份离婚合(hé )同。双方在(zài )各自(zì )不干涉(🔏)对(😞)方(🦋)(fā(💁)ng )生(🔲)活(🛶)(huó(👿) )的(🐥)前(📳)提(💮)下(🔕)，朝(🐗)着(♏)(zhe )全(🙃)新的人生迈进(jìn )。歌手月蓉（阎(yán )青 饰(shì )）一直喜欢(huān )担(💂)任(🥐)(rè(🏸)n )乐(😈)队(👴)鼓(⛰)手的(de )刘流(liú )，此番刘流婚变，让她似乎(hū )找到(dào )新的希望。担任(rèn )服务员的宁娃获(huò )得经理（常蓝天(tiān ) 饰）的提拔，可(kě )是这个(🙄)男(🎂)人(💱)似(👄)乎(🗳)(hū(🌂) )另有(yǒu )企图。 鳴海(hǎi )丈の人気時代小説を、アニメ版『あ(🔷)し(🕒)た(📠)の(🍳)ジ(🏄)ョ(🐢)ー(🐩)』(🍊)の(🕺)ス(🙍)タ(💙)ッ(💶)フ(🐟)と(💈)して有名な出崎統(tǒng )・杉野昭夫コンビが華麗なタッチで(🚇)映(🅿)像(⛓)化(🌱)し(🐌)たOVA。浪(làng )人・榊修羅(luó )之介(jiè )は、「死鎌紋」という不吉(jí )な家(jiā )紋を背負う男。その剣の腕は、襲いくる白虎を一刀の下(🏫)に(🆕)斬(😊)り(🖱)伏(🧚)せ(🗨)るほどだ。そんな彼の実力(lì )を見(jiàn )込んで、怪しげな忍者(🦃)集(😁)団(🍜)・(🚧)世(☔)(shì(🔽) )鬼(🐾)一(🐍)族(🌥)に(🤨)屋(😡)(wū(🚹) )敷(🚢)を襲撃され美(měi )しき真夕姫を奪われた南倉藩は、その奪(💾)還(🏺)を(⛎)依(📣)頼(🍿)する。伝説と謳われた銀龍剣を真(zhēn )の目(mù )的とする世鬼一族は、それを渡(dù )すことを姫(zhěn )との交換条件に提示(shì )したが、(♏)目(🤟)的(🤒)の(🥌)た(🖐)めなら幼子までも手にかける悪逆(nì )非道な彼らに対(duì )し(😔)修(🍮)羅(⤴)之(🎃)介(🥗)は(🛹)…(🍰)…(📁)。光(🥪)と(📨)陰(🎇)の(🎬)コ(🎶)ントラストが印(yìn )象的な出崎(qí )・杉(shān )野作品ならではの(🧒)映(🛎)像(📕)美(🌛)は(👽)、あまり同コンビが手掛けない時代(dài )劇ジャンルの本(běn )作でも健在だ。 Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties. Written by Alejandra The island of Ambon in Indonesia, 1945. During the War, the number of Australian POWs on the island had dropped from 1100 to less than 300 due to abuses by their Japanese captors. Capt. Cooper is the chief prosecutor. In a mass grave, the bodies of 300 executed servicemen have been unearthed. Cooper assumes that the massacre was ordered by Baron Takahashi, Japanese commander on Ambon. But the one potential witness has gone mad and is due to be shipped back to Australia. No captured airmen were found alive on the island at all, not even the four-man crew of a reconnaissance plane shot down late in the War. Takahashi is returned to the island in the custody of an American officer, Maj. Beckett. But there is little evidence with which to prosecute the Baron. Cooper thinks he could make a case for the missing airmen if only their bodies could be located. And why does Maj. Beckett appear interested in not seeing Takahashi convicted? Cooper gets a break when Lt. Tanaka, a communications officer and a Christian, surrenders himself... 一群(qún )地下秘密工(gōng )作者(zhě )潜入王府大(dà )宅门(mén )实(🖐)施(🛠)秘(😜)密(🕢)计(🤖)划，不料一名官员深(shēn )入他们的组织瓦(wǎ )解了阴谋