七夜电影 正片

导(🚪)演(🌎): 張(⛹)森(⚪)(sē(🎿)n ) 片(🃏)(pià(🛃)n )名(🏸)：(🐪)一(🔨)网(🔮)打尽 The Thunder Kick 資深大導演岳(yuè )楓(fēng )退(tuì )休前最後一部電影。九(jiǔ )姑(gū )娘(舒佩佩 飾(🤓))之(🐐)兄(🤦)巴(💜)杰(🌑)(康(🧛)華(🖱)(huá(💹) ) 飾(shì ))勾(gōu )結(jié )惡虎村惡霸胡蛟(王俠 飾(shì ))，圖劫鏢銀，被「鐵沙掌」駱(luò )宏(hóng )勛(岳(🚵)華 飾)打傷。胡蛟恐(kǒng )事(shì )發後被巴家追究，下毒將巴(bā )杰(jié )毒(dú )斃，嫁禍駱宏勛，巴家(jiā )上下(🎼)誓(💲)欲(🌾)殺(🐟)死(🕣)駱(👃)報(🌴)仇(🤩)…(👁)…(🕜) 女(🗳)(nǚ(👪) )子(🍧)(zǐ(🚇) )高(😚)(gā(😦)o )校(💵)(xiào )生のＳＥＸと暴力を描(miáo )きながら“番格”にスポットをあてたセミ・(🏻)ド(👐)キ(🍓)ュ(📟)メ(♒)ン(✋)タ(🚕)リ(🙆)ー。脚本は「不良少(shǎo )女(nǚ )　野(yě )良猫の性春」の宮下教(jiāo )雄、監督は「セッ(🏽)クス・ライダー　傷だらけの欲情」の蔵原惟二、撮影は「(秘)極楽(lè )紅(hóng )弁(biàn )天」の(🏒)森(🍸)勝(🎷)が(🕹)そ(🥉)れ(🤸)ぞ(🦍)れ(🏦)担(🚀)当(🛥)。 文(🛺)豪(🏨)・(💢)夏(🤮)目(📅)漱(🥧)石の同(tóng )名(míng )小(xiǎo )説(shuì )を新藤兼人監督が映(yìng )画(huà )化。ふたりの学生とひ(🤦)と(❄)り(📬)の(🥑)娘(🚥)(niá(💃)ng )を(📼)めぐる愛の葛藤を描(miáo )く。若さと美しさを併せ持(chí )つ下(xià )宿(xiǔ )先の娘・アイ子(😠)に思いを寄せる主人公。ある日、隣(lín )の部屋に暮らす親友から、アイ子を愛してしま(🥞)っ(🐠)た(♍)こ(🥧)と(💨)を(🎛)告(🌂)白(👾)さ(🍑)れ(🚏)…(🌾)。 津(🏆)軽(🤑)三(🏷)味(👫)(wè(🐬)i )線が奏でる、やるせない男(nán )女(nǚ )の心(xīn )象風景。 导演：傅清(qīng )华(huá ) While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. 故事(👨)围(👛)绕(🎻)着(🛅)一(⛎)幢(🈹)破(🛡)旧的旧式(shì )大(dà )院(yuàn )展开，着力描画了租住(zhù )在(zài )此的七十二家房客的众生(shēng )相(💼)(xiàng )。众(zhòng )房客在包租婆八姑（胡(hú )锦 饰）的欺压下，终日不得(dé )安(ān )生(shēng )。八姑风骚刁泼，待(🐮)人(🥏)(ré(👤)n )刻(💪)(kè(🕳) )薄(📪)。而(📌)她(🛡)的(🍽)养(🥜)女(🤺)阿(🍛)香(🌬)（(🎅)井(🥀)莉(💞)(lì ) 饰(shì )）却乐于助人。终于，八(bā )姑(gū )的苛刻规定“房客每天只(zhī )能(néng )用(yòng )两(🎻)(liǎ(🥃)ng )桶(🕖)水(🕤)”成(🌲)为(💧)了(🕊)导火索，做洗熨的上海婆（沈殿霞 饰(shì )）带(dài )头抗议，得到房客们的(de )合(hé )力支持。加(🏢)上发仔（岳华 饰(shì )）、阿福（何守信 饰）等人(rén )的附和，一段段斗智斗勇的(de )小(xiǎo )故(gù )事(🔂)连(📵)番(🛴)上(🧀)演(👤)。