火线追凶血色刀锋 正片

Carla (Carla Aulaulu), Mascha (Mascha Elm-Rabben), and Magdalena Munn (Magdalena Montezuma).[40] They perform as second-rate cabaret singers during the Nazi era, forced to disband when Carla takes a job with a Viennese theatre and Mascha has a nervous breakdown. Pilot haphazardly (and without much clarity) follows their individual activities; instead of depicting Carla's "show," for instance, we see her singing its main song while apparently working in a Viennese pastry shop. Magdalena attempts to find work for Mascha by posing as her aunt and appealing to a Nazi official; later Mascha rescues Magdalena from drowning herself. The two eventually find jobs as secretaries, after brief stints as "creative artists." Magdalena's voice-over then informs us that all three women meet again after the war at a Bruckner concert. They begin discussions about regrouping to go to the United States, this time as reformers rather than performers, to preach integration (apparently we are now in the late 1960s, the time of the film's production). Carla, nostalgic for their earlier Nazi stage career, is hard to persuade, but eventually they leave for the United States. Their rapid downfall as teachers there results from the publication of a Nazi-era photo of them; added to this is the controversy of Mascha's undepicted liaison with an American bomber pilot. We are told there is a trial (also undepicted), and the three go back to Germany where they perform for American troops. Carla has a miscarriage from the bomber pilot and suffers badly. The final image shows Magdalena supporting Carla as she walks around weakly in front of the same building we saw in the film's opening shot. 弗罗拉(👝)和麦克斯的父(🤞)母(🛳)双亡，寄宿在一(👃)富豪亲戚家，有(🔬)女(😇)管家和女家教(🧝)吉瑟小姐和情(🥑)夫(💍)彼德照顾。但(dà(🚵)n )不久两(liǎng )个孩(⚾)子(zǐ )就和彼(bǐ )德(📱)成了(le )好朋友(yǒ(🏜)u )，他们(men )对彼德(dé )的(🏝)话说(shuō )一不二(🤩)(èr )。并且(qiě )对彼德(🕸)(dé )的看待(dài )世(🎞)界的(de )奇异眼(yǎn )光(🥡)大加(jiā )欣赏。他(🤯)们偷(tōu )看到彼(👷)(bǐ(🔌) )德sm吉瑟(sè )小姐(🐥)，两个小(xiǎo )孩也(🤥)开(Ⓜ)(kāi )始模仿(fǎng )起(👛)来。后来彼得失(🧦)手(🤰)杀了吉瑟，天真(🏿)的两个小孩从(🏕)约(🍣)翰先前的哲理(💊)中分析，将彼得(😭)杀(😉)死，和吉瑟双双(🍅)葬在一起。 When two teenagers engage in sex and violence, they are targeted as an example to illustrate the moral decay of youth. Eva Christian is seen is various stages of nudity as she plays the game of love with Luis Fernando, Ianelli Fregolente, and Geraldo Del Ray. The teens are seen as part of a sexual revolution sweeping the city in this exploitation feature with a surprise ending. 天下(📓)無(💕)敵の不良グル(🥢)ープ“カポネ団(✉)”は遂に日本脱(tuō(🐔) )出を図(tú )った(🤚)が、たどり着い(🌛)たは男(nán )性天(🗨)国(guó )、女ばかり(🌭)のとある漁村(🌬)。島の娘(niáng )を集(🎛)め(💙)て売春(chūn )クラ(♟)ブでボロ儲け(📔)す(📙)るカポネ団の(🦕)前に現(xiàn )れた(🎭)の(🌋)は…！？ Because of a violation of traffic regulations an architect is put in prison. There he witnesses the grim reality of life behind bars: corrupt staff, corrupt inmates, an inhuman judicial system and the power of the Mafia. A secret agent is murdered by his jealous wife who mistakenly interprets his absences from home as acts of infidelity. This triggers a deadly chain of events. Will she be next?