破事儿国语 正片

聪明(📪)漂(⏯)亮的(de )公司(sī )女秘书(🌤)玛(🕦)尔(ě(🌥)r )妮·埃德加（蒂比(😲)·(🔠)海德莉 Tippi Hedren饰）实际(jì(🛢) )上(🧞)是一名品(pǐn )行不(bú(👋) )端的(🗾)女窃贼，嗜(shì )偷如(🌪)命。几(🔓)个月(yuè )后，她偷走了(📖)公(📗)(gōng )司保险柜里的将(🍄)(jiā(😺)ng )近一(💃)(yī )万美元的现(xiàn )金，恰(💺)好公司的大主顾马(㊙)克(⏳)·鲁(lǔ )德兰(lán )（肖(🐴)恩(🎆)·康(kāng )纳利(lì ) Sean Connery饰）(🕊)也在(⬜)场(chǎng )。他(tā )对这位冷艳(🙌)神秘(mì )的女人有着(🐁)浓(😕)厚(hòu )的兴趣。更有缘(👿)(yuá(💡)n )分的(🐍)(de )是，马克就(jiù )是玛(mǎ(🕜) )尔(🎩)妮的新任(rèn )老板。玛(💽)尔(🎫)妮对红色的东西始(🚰)终(zhōng )有着(zhe )一种神经性(🚪)(xìng )的(〽)恐(kǒng )惧，这更让马克(🚎)(kè(🌿) )觉得这个怪异的(de )女(🗿)孩(♏)背后(🚦)一定有(yǒu )着什么故事(🐶)，企(qǐ )图接(jiē )近她。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 据(🚃)Deadline报(🏽)(bào )道，小李将出演美(💦)国(🚈)传奇音乐制(zhì )作人(😄)(rén )Sam Phillips的(🍣)传记片，回到(dào )摇滚乐(🚐)历史(shǐ )的源(yuán )头。派(🎓)拉(💀)蒙影业(yè )将全力制(🦇)作(👱)该片(🙇)(piàn )。 在哥斯达黎加(jiā(🐡) )的(🚢)热(rè )带雨林中的(de )一(💦)个(🐒)(gè )关于勇气、救赎(🤡)和爱的故事。本片根据(🌤)真实(🦋)(shí )事件(jiàn )改编，一个(🥉)(gè(🗂) )10几岁(suì )的小男孩从(👕)小(💃)梦(mè(😊)ng )想寻找地球上传(chuán )说(👵)中的最美丽的(de )蝴蝶(🙉)：(🍤)一种虚幻(huàn )般的(de )大(🌨)翅(🖨)蓝色蝴(hú )蝶。他的母(🌀)亲说(🐜)服了一位著名的(de )昆虫(🥋)(chóng )学家(威廉赫(hè )特(💧))，与(🥞)小男孩一(yī )同踏(tà(🧐) )上(🐿)寻蝶(🌧)之旅，二(èr )人的生活(🆓)从(🅿)此发(fā )生了巨大的(🤝)变(🚙)化(huà )…… Ricky Caldwell, the notorious 'Killer Santa Claus', awakens from a six year coma after being kept alive on life-support by a slightly crazed doctor experimenting with ESP and other special abilities. Ricky targets a young, clairvoyant blind woman, named Laura, whom is traveling with her brother Chris, and his girlfriend Jerri to their grandmothers house for Christmas Eve, and Ricky decides to go after her, leaving a trail of dead bodies in his wake. 八十年代(🐷)尾(wěi )后的(de )，新一代很(hě(🐮)n )早就(🔋)(jiù )洞悉，世界不会因(🤨)为(🦐)人们的(de )一举(jǔ )一动(🥑)变(🌮)得更(🚷)(gèng )美，无聊才是人生真(🤴)(zhēn )义。大概，这就(jiù )是(💌)一(🆙)种都市的无(wú )聊学(💕)。无(👐)聊学的(de )生活(huó )特色(🍬)是一(👗)切(qiē )可有(yǒu )可无、心(🏩)绪怀旧、游走不定(🔜)(dì(🔔)ng )、物(wù )质需要但非(🎶)(fē(🎪)i )必要(♑)(yào )……这一切(qiē )都(🍤)在(👌)(zài )“无聊电影”代(dài )表(🕤)人(🈂)物山下敦弘(hóng )的作(🤦)品中可以找(zhǎo )到。反常(📣)规的(🕐)人(rén )物，反常规的拍(❌)(pā(🌬)i )摄方(fāng )法，使其作品(📿)成(🥐)为当(🥕)今日本(běn )最前(qián )卫、(🌡)最独特(tè )的风(fēng )景(🎟)。《赖(🐋)皮生活(huó )》是其首部(🏑)长(🎬)片(piàn )作品，曾于多个(🎙)(gè )国(🍟)际电影节上映(yìng )（包(⛷)(bāo )括二零零零(líng )年(🥖)鹿(🎼)(lù )特丹国际电影节(📅)）(🍫)，并大(🔛)获(huò )好评(píng )。两名主(🙊)角(📙)(jiǎo )就只(zhī )躲在小室(😬)不(🧟)(bú )停地(dì )以看色情(🤒)影带为(wéi )生，片中还有(😹)一(yī(👆) )对男女不断自拍(pā(🎸)i )色(❣)情(qíng )录像，自封(fēng )为(✋)艺(👭)(yì )术家…… An all-female motorcycle gang, called ‘The Maneaters’ hold motorcycle races, as well as terrorize the residents of a small Florida town, and clash off against an all-male rival gang of hot-riders. 意(yì )大利(🛺)裔画家莫迪里亚尼(🛎)（(🅰)安(ān )迪·加西亚 Andy Garcia 饰(⛎)）(🔍)在短(duǎn )暂的一生中(🐥)都在(🔏)(zài )与艺术大师巴勃(bó(🈸) )罗·毕加索抗争(zhē(🌁)ng )。生(😸)前唯一一幅(fú )击败(🖐)(bà(🛎)i )毕加(🚻)索的作(zuò )品，其中描(😌)绘(🍖)了他深爱的女人。落(💓)拓(🔲)(tuò )不羁的莫迪(dí )里(🤛)亚(yà )尼混迹在巴(bā )黎(😔)蒙(mé(🔦)ng )马特高地画家圈(quā(👮)n )子(🍲)里，他过着充(chōng )斥着(🌂)酒(🔨)精、大麻(má )与女(nǚ )人的放(🗯)荡生(shēng )活。在一次写(🥝)生(👃)(shēng ) 课上(shàng )，他遇上了(🥏)生(🛅)命中的挚爱珍(zhēn )妮(🌞)（艾(🚧)尔莎·泽(zé )贝斯(sī )坦(🤽) Elsa Zylberstein 饰），他邀请(qǐng )她做(🧞)自(🈂)己的模特(tè )，为珍妮(😂)创(🧙)作了(🥐)(le )大量肖像作品。但是(🔸)(shì(📶) )在一幅准备(bèi )参加(🍒)(jiā(👢) )画展与毕加索竞争(🥪)的作品中(zhōng )，他(tā )留下(👏)了珍(🍼)妮(nī )的眼(yǎn )睛没有(💌)画(💗)。他对(duì )珍妮解释说(⏳)：(🚥)当(dāng )我了解你的心灵(líng )深(⛵)处时，我将画(huà )你的(🧥)(de )眼(♓)睛。他从(cóng )珍妮(nī )身(💐)上(🎏)获得源(yuán )源不(bú )断(🏢)的灵(🤤)感，让他持续旺盛的(de )创(⏭)作(zuò )激情。但是(shì )，他(🌁)(tā(📟) )的艺术不能像毕(bì(😺) )加(🥧)索那(💥)样被大众(zhòng )所认同(🙇)，不(🚬)良的(de )生活习惯让他(🛂)染(🌱)(rǎn )上难(nán )以痊愈的(🈷)结(jié )核病(bìng )。就在他领(🤙)取与(🥅)珍妮的婚姻登记证(🔵)时(👑)，遭遇(yù )了强(qiáng )盗，惨(😶)死(♈)在(zài )街头(tóu )。 塔克（安德斯(🥗)(sī )·麦特森 Anders Matthesen 配音）(🛄)是(🛌)一名正在上六(liù )年(🧤)级(🏴)的小学生，有一(yī )个(🐨)十分(📃)要好(hǎo )的朋(péng )友杰森(🍼)（安德斯·麦特森(✝) Anders Matthesen 配(➕)(pèi )音）。班上的恶(è(🚭) )霸(🚃)西(xī(😠) )装头和黑煞星莫(mò(🐧) )名(🏞)其妙的将懦弱(ruò )的(🎂)塔(☔)克视为眼中(zhōng )钉，处(🖌)处找他麻(má )烦，无奈之(🔦)下，塔(🔙)克(kè )只能将暴力转(🧛)嫁(♎)到一个喜欢着自己(🈳)的(📶)名为桃(táo )乐丝(sī )的身上。谁(🔶)(shuí )知道(dào )桃乐丝不(🚿)堪(😜)受辱(rǔ )，选择了跳楼(💅)。 故(🤸)事发生是北爱(ài )独(🐩)立战(🔲)争期间。英国(guó )士兵乔(👝)迪（福里(lǐ )斯特·(🎞)惠(👅)特克 Forest Whitaker 饰）在阿尔马(❤)(mǎ(💤) )遭到(👔)(dào )了北爱共和(hé )军(😴)的(🐛)(de )绑架，共和军企(qǐ )图(🙅)用(🐕)他来交换被(bèi )英军(🥠)扣押的俘虏(lǔ )。看守乔(👶)迪的(🚪)是(shì )弗格(gé )斯（斯(🤚)蒂(🤘)芬(fēn )·瑞(ruì ) Stephen Rea 饰），他(😋)的(😼)内心对杀戮和战争感到迷(📣)失和无(wú )奈，对乔迪(⬅)的(🥈)遭(zāo )遇感(gǎn )到恻隐(👨)与(🅿)同情，他们成了好朋(🐎)友(yǒ(😙)u )。共和军最终没(méi )换来(🕴)俘虏，上头(tóu )要求(qiú(📽) )弗(🎞)格斯处决(jué )乔迪(dí(🛫) )，弗(🐳)格斯(🐚)暗中放走了他。乔(qiá(📓)o )迪(🛏)走(zǒu )前交给弗格(gé(❕) )斯(🌴)一(yī )张他女朋友迪(🦕)尔(ěr )的照片，告诉弗(fú(🥎) )格斯(📹)可以去伦敦(dūn )找他(🚊)的(✝)女朋友迪(dí )尔。