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Pictocrime blurs the boundary between fantasy and comic book fiction by delving into the turbulent and violent afterlife of Hell City. It follows two brothers trapped inside a comic book and caught up in a scheme to blackmail the devil out of his souls
故(🚈)事(⏩)梗概(😛)：
Lou和(hé )Sass本(běn )是一(yī )对好朋友(🏨)，害羞(🔋)内向的(👕)(de )Lou爱上(shàng )了活泼外向的Sass，俩人迅(👃)速坠(🧀)(zhuì )入(🍟)(rù(🕌) )爱河(hé )，搬到旧金山后她们遇(yù )到(💌)一(yī(👥) )群(🎊)(qún )思(😛)想(xiǎng )开放的朋友，而她们的(de )生(🛠)活(huó(🖇) )也进入(🤙)了疯狂的角色扮(bàn )演（SM，你们(🌀)(men )懂得(🍎)~）并且(🥒)对此乐此不(bú )疲~~~
作(zuò )为一个三部(✏)曲中(🎰)间(🏯)的一(🐌)(yī )部，《怨恨(hèn )》讲述的是一群银(🎢)行劫(📒)(jié(😑) )匪妄(💨)(wàng )图逍遥法外的悲剧故事。他(🚞)(tā )们(📆)(men )藏在(zà(🏩)i )镇郊一所废弃的房子里(lǐ )，还(🗿)(hái )不(📍)知道(🤓)隔(🤖)壁一家人都是连环(huán )杀(shā )手。他们(🛫)的一(🚮)个(🥅)人质(🍓)逃出来(lái )寻求(qiú )救助，但倒霉(🚻)透顶(🦋)的是她(🐔)跑进(jìn )了“错误的”房子。
1978年4月11日(🔽)(rì )早(🖥)上(shàng )Claude Franç(➿)ois (克罗(luó )德-佛朗索瓦)意外死于浴(yù(🎼) )室的(🗓)(de )报(🥧)道让(📥)所有人震惊，突(tū )如其(qí )来(lá(🍗)i )的悲(🎤)(bē(😔)i )痛无(🔍)法忘怀。一直有许(xǔ )多人(rén )模(🎲)仿佛(👙)朗索瓦(💴)，乐此不疲，甚(shèn )至到(dào )了疯狂(🚐)的地(👪)步。五年(♊)前(qián )的Bernard(贝(bèi )赫那尔) 是佛朗索瓦的(🔗)绝对(🌤)扮(💠)(bàn )演(🗄)(yǎn )者，保持着法国人对七十年(🌔)(nián )代(📃)的(🛸)(de )超级(🐍)偶像的崇拜热情。他花了(le )13万法(🗝)(fǎ )郎(🍠)拍买了(👧)个电话，只是(shì )因为(wéi )佛(fó )朗索(suǒ(📃) )瓦的(💿)那(💪)首《哭(🍻)泣的电话(huà )》，无法忍受的妻子(🧠)让他(🤮)作(⛵)(zuò )出(🍡)抉(jué )择(zé )，要(yào )她还是佛朗索(🍾)瓦，最(🚞)终(zhōng )贝(🐍)赫(hè )那尔放弃了自己的偶像(🏀)，回(huí(❣) )到(dào )幸(🥞)福(fú )而平静的家庭中。
"Silk Road might be the film that Tarkovskij dreamt of making just before his death."
蒂姆(mǔ )（本(🎰)(běn )·(🌱)斯(😥)蒂勒(🚌) Ben Stiller 饰）是一位平凡无(wú )奇(qí )的(⚡)小(xiǎ(🕷)o )职(👴)员，每(📢)天过着朝九晚(wǎn )五的(de )规律生(🚌)活，日(🏹)子波澜(🛏)不惊。最(zuì )近，蒂姆有些郁闷，这其中(👨)(zhōng )的(🥂)原(🛌)(yuán )因(yīn )，要(yào )归结到蒂姆的好友尼(🕴)克(kè(🌌) )（(🤖)杰(jié(🔖) )克·布莱克 Jack Black 饰）身上。
当侦(zhē(⏰)n )探(tà(👓)n )Ben Simm的妻(qī(🤪) )子被杀时，他必须学会(huì )在他(😺)(tā )自(🏭)己的小(🌸)女孩身上同时做父(fù )亲(qīn )和母(mǔ(🚀) )亲，同(🎖)时(🚲)寻找(⛹)一个有自(zì )己正(zhèng )义感的警(💅)官。
In Uruguay, they don't say cheese in front of the camera - they say whisky. Beneath the artificially photographed smiles, however, is a blueprint for the "South American Gothic," minus the farm and the forks. These Montevidean folks' stony expressions belie a life gripped frozen by accustomed routines. So it goes with an old Jewish bachelor who owns an ageing sock factory. When his estranged younger brother decides to visit for their mother's burial, he asks his employee Marta to pose as his wife. The resulting encounter creates clumsy silences that are uncomfortably comic. Grand Prize, Tokyo Film Festival and FIPRESCI prize from Cannes.