死不瞑目电视剧剧情介绍
影片以睡梦(mèng )的(de )方式展开故事情节。伊丽(🧡)(lì )莎(🐫)(shā )白(🌂)守候(😴)在即(🛁)将咽(💏)气的(🚧)丈夫(🌦)身(shē(🚡)n )边(biān )，在疲倦中的梦回到了过(guò )去(qù )：在母亲的做(😼)主下(🎖)，年轻(🌏)(qīng )美(⛅)(měi )丽(👴)(lì )的(☕)伊丽(🚩)莎白(🛀)嫁给(💍)了卡穆拉(lā )斯(sī )卡的庄园主、花花公子安(ān )托(tuō )万(wàn )·塔西。新鲜劲过去后(hò(🌨)u )，安(ā(😚)n )托万(🎵)很快(🦕)就对(🙌)伊丽(🍸)莎白(📃)(bái )产(🖲)(chǎn )生(🥄)(shēng )了厌倦，自己去花天酒地(dì )。痛苦的伊丽莎白生下(🛺)了第(🎓)(dì )一(🚔)(yī )个(🏧)孩子(🔤)，回到(🚕)母亲(👝)家，但(⏰)(dàn )安(🌃)(ān )托万常上门纠缠。为伊丽莎(shā )白(bái )看病的大夫纳(🐤)尔逊(🔲)是个(🗑)美(mě(🥔)i )国(guó(🚄) )人(ré(😀)n )，他们(🔳)相爱(🎫)了，之后，伊(yī )丽(lì )莎白怀上了纳尔逊的孩子(zǐ )。安托万听说后怀恨在心，扬(yáng )言(yán )说要(🏎)将儿(👐)子从(🍗)伊丽(🍁)莎白(🍣)(bái )身(🏄)(shēn )边(👗)(biān )夺(🚵)走，还要告伊丽莎白(bái )犯(fàn )有(yǒu )通奸罪。伊丽莎白的女仆(🍪)(pú )试(😴)(shì )图(🈺)将安(🧠)托万(💞)毒死(🌁)，但没(🍁)有(yǒ(🤠)u )成(chéng )功，于是对安托万怀着刻(kè )骨(gǔ )仇恨的纳尔逊亲自(🛌)杀了(📝)这个(🍟)(gè )禽(♑)(qín )兽(🏮)，而后(🦁)逃到(😱)美国(👋)，伊丽(lì )莎(shā )白(bái )却因蓄谋杀人罪进了监(jiān )狱(yù )，身败名裂。出狱后，在得(dé )不(bú )到纳尔(🤥)逊消(🍃)息的(💟)情况(🏍)下，她(😰)(tā )同(👊)(tóng )现(🐮)在的(🔆)丈夫热罗姆结了(le )婚(hūn )……伊丽莎白从梦中醒来(lái )，现(xià(👟)n )在，热(😝)罗姆(🗑)也即(🎦)将死(📞)去，她(🚒)(tā )将(🎂)只身(➰)一人。想起渺茫的(de )前(qián )途，她辛酸无比。
私立圣(shèng )和(hé )女子(🕥)学院(🍺)凭借(🥉)其海(🏖)外留(📱)学制(🍤)(zhì )度(♿)(dù )吸(🤽)引无数品学兼优的女孩(hái )报(bào )考(kǎo )，但它背后却有着不可(kě )告(gào )人(rén )的罪恶勾当。某(🍂)日，分(⏮)别(bié(🎏) )来(lá(🛺)i )自五(🧣)个地(😕)方的(🗡)转学(💄)生来到(dào )该(gāi )校(xiào )，除了乖乖女小早川一(yī )绘(huì )（織部(🦖)ゆう(👮)子 饰(🔦)）外(📅)，其(qí(🐋) )余(yú(🙉) )4人(ré(🌙)n )都是(👵)问题多多的不良少女(nǚ )，而绰号“口哨”的风花亚(yà )纪(jì )（(🗿)池玲(📅)子 饰(⚪)）更(🐦)是其(📟)中翘(💒)(qiào )楚(😏)(chǔ )。刚(🎸)来的第一天，她们便和(hé )红(hóng )原龙子（衣麻遼子 饰）率(lǜ )领(lǐng )的(de )黑玫瑰会发生龃龉(✝)，双(shuā(👤)ng )方(fā(💆)ng )冲(chō(👈)ng )突不(🍴)断。另(💧)一方(🥪)面，亚(✳)纪(jì )凭(píng )借出色的花剑技巧加入深(shēn )泽(zé )岚(lán )子（一(🦗)の瀕(🖼)レナ(🥛) 饰）(🤴)所(suǒ(🈚) )率(lǜ(💏) )领(lǐ(👰)ng )的体(🏔)育会。深泽依仗和(hé )理(lǐ )事(shì )长篠原角太郎（金子信雄(🐀)(xióng ) 饰(💛)(shì )）(😨)的不(🕸)伦关(✏)系独(🕙)掌学(🙃)院大(💻)(dà )权(quán )，甚至将黑玫瑰会都踩在(zài )脚(jiǎo )下。亚纪的姐姐曾是该学院(yuàn )的优等生，但自从(🛋)留学(⭕)后便(🏇)(biàn )杳(🌱)(yǎo )无(🌝)(wú )音(🐪)讯。她(✏)无意(🎳)中得知校(xiào )方(fāng )的(de )罪恶勾当，而体育会和黑(hēi )玫(méi )瑰会(🔤)之间(➿)的矛(🔷)盾也(🍩)愈演(🎲)愈(yù(🆖) )烈(liè(🤓) )……(🐲)
The last of veteran moviemaker Marcel Carne's theatrical films, La Merveilleuse Visite was a surprisingly restrained film by one of the most colorful filmmakers in France. Jean (Gilles Kiher) stars as an angel who has fallen from heaven and landed in a picturesque French village. Nursed back to health by the local priest and his helper, he returns the favor in a surprising fashion. La Merveilleuse Visite is based on a story by H.G. Wells. ~ Hal Erickson, All Movie Guide
Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it.
Rome, 1850. In prison, two young men, Bernardino and Mammone, condemned for murder wait their own death penalty to be executed, and pass their last hours telling each other lust and castration stories (4 flash-blacks). The first story involves a duc and a clergyman castrating themselves, while the lusty duchess and a lusty countrygirl are left alone. The second story is about a Calabrese shepherd who leads his unfaithful wife to eat her lover's testicles, supposing they were from cattle. The third story deals with the castration of a priest by the young man after whom he was lusting. And the last story is about a different sort of menage-a-trois.
年青演员甘国亮，独(dú )挑(tiāo )大(dà )樑，主演「蛇杀手」，演(yǎ(🤟)n )绎(yì(🎹) )这个(🗄)沉鬱(🤨)又受(🕡)社会(🔔)歧视(🌓)的(de )变(🦗)(biàn )态青年，可谓入木三分。香(xiāng )港电影史上，以蛇杀人为(wéi )题(tí )材，可谓绝无仅有，更难得(🍡)(dé )导(🍉)演桂(🧟)治洪(💩)大卖(👶)血腥(🚷)暴力(🧀)之(zhī(🌚) )餘(yú )，又能成功刻划一个善良(liáng )青(qīng )年(nián )转变为杀人狂(🏖)魔的(🅿)过程(♿)，导(dǎ(🚡)o )演桂(🤡)治洪(🚞)大卖(✝)血腥(🛀)暴力，凸(tū )显(xiǎn )蛇杀人的惊心场面，技(jì )法(fǎ )出(chū )眾。人蛇(🕖)之间(🀄)的友(✌)谊，相(🀄)(xiàng )当(👪)(dāng )感(🚔)人。最(😯)后一(😄)场，群蛇围(wéi )堵(dǔ )大(dà )屋，肆意狂咬。最后一(yī )场(chǎng )，群蛇围堵大屋，肆意狂(kuáng )咬(yǎo )，为香港(🚼)电影(🌍)史上(🍁)其中(💉)最噁(🥊)(wù )心(🚲)动魄(📤)一幕(🍚)。
Farcical sex-comedy based on the long-running West End play by Ray Cooney about a womanising furrier trying to provide his mistress with a cheap mink coat. There are half-naked women aplenty, underwear everywhere, tricky situations and doubles entendres galore in this very stagy bedroom farce.
第46届奥斯卡金(jīn )像(xiàng )奖(jiǎng )(1974)提名最佳摄影和最佳剪(jiǎn )辑(🔝)(jí )。霍(🛣)尔·(📤)巴特(🚡)利特(⚫)执导(📟)，菲(fē(🏓)i )利(lì(⏬) )普·韩、理查德·克里纳(nà )、詹(zhān )姆斯·弗朗西斯卡(📑)斯主(🔆)(zhǔ )演(🤢)(yǎn )。
After her young son accidentally drowns, a woman has a breakdown and is finally placed in a mental hospital. After her release, her husband takes her for a weekend at a secluded country mansion, hoping to help her recover. However, things at the mansion aren't quite what they seem to be, the couple begin to feel an uneasy and oppressive presence, and the mother starts to see things that may, or may not, be hallucinations.
七(🛑)十年(🎥)代初(💍)黃潮(💊)泛濫(👦)，警(jǐng )察(chá )包庇下，色情事業在港九(jiǔ )遍(biàn )地(dì )開花。龍剛的本片是粵(yuè )語(yǔ )片中少有(🗿)地把(🙈)娼妓(🎬)當作(🐾)社(shè(❄) )會(huì(🌌) )問題(🖋)作全(📤)面的探討。以五名(míng )妓女的遭遇交織出有血有淚(lèi )、有(💆)(yǒu )喜(🏙)有悲(📲)的故(🚟)事，大(🚢)肆賣(👅)(mài )弄(💬)(nòng )煽(〰)(shān )情、色情暴力之餘也諷刺(cì )上(shàng )流社會的虛偽、嫖(🏩)客的(🚾)醜(chǒ(⤴)u )陋(lò(🎿)u )和社(🛋)會的(🍂)貧富(😈)懸殊(🍥)。其中(zhōng )，老(lǎo )妓王萊的途窮日暮和金(jīn )霏(fēi )與(yǔ )丈夫龍剛抵受不住黑社會(huì )與(yǔ )生(🍉)活壓(👪)力而(🗳)全家(⏬)服毒(🐫)慘死(📍)(sǐ )尤(🎸)(yóu )其(🛑)令人感嘆。