刮目相看 第2集

西班(🔃)(bān )牙意大利合(hé(🥝) )拍(📵) Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo – who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable. Whenever talk turns to the worst movie ever made, this is the one I always nominate. It is so bad, it's mesmerizing; you stick with it because you can't believe it could get any worse. It does. Dumb acting, dumber plot, dumbest dialogue I've ever heard. One actor who's the spitting image of a young Marlon Brando and who tries to imitate Brando's mannerisms. A leading lady who 翻(💟)拍(pāi )自(zì )1957年台(tá(🚹)i )语(✈)(yǔ )片。小演员(yuán )吴(❇)凤凤凭此片获得(🧦)1968年第七届(🍑)金马奖最佳童星(🔅)。 旗(🐁)本深(shēn )谷新左衛(🎛)門(mén )は、(🎋)鍼(qián )医安(ān )川(chuā(📡)n )宗順(shùn )から、高(🐎)利(😔)の金を借りた。だ(🥨)が、そ(🧙)の(✨)返済を迫られる(🎴)と宗順を斬殺して(🤗)しまった。深谷(gǔ(⚫) )家(🐽)(jiā )に(💸)異(🛸)(yì )変が起(qǐ )った(👥)のは、その翌春か(🤱)らである。新左衛(🛂)門(⬆)は、妻(💕)とよが宗順の悪(🍱)夢(🌖)に憑かれ床につ(😬)くと、女中(zhōng )お(🌾)くまを雇(🎟)った。おくまは、(🙅)新(🧙)左衛門と関係が(⌛)できると(🆓)奥方然(rán )と振舞(➖)(wǔ )い、やがて新(🚡)(xī(🕒)n )左衛(wèi )門の長男(🖖)新一郎(👂)に(🅿)まで、誘惑の手(📪)をのばした。新一郎(🍵)はこれを苦に出(💌)(chū(🙏) )奔。と(💿)よ(🎠)の病(bìng )状は悪化(⚽)した。新左衛(wèi )門は(📉)病妻のために按(🚯)摩(🥨)を呼ん(📜)だが、その顔は(🏈)宗(🚕)順にそっくりだ(🆖)った。それから間(🏀)もなく、(👖)とよの悲鳴で駈(🚋)け(🧘)つけた新左衛門(♉)は、按摩(👝)に斬りかかった(🍳)。だが、凄(qī )まじ(🕕)い(🕖)形相(xiàng )を残して(🌎)死んだ(🙍)の(🥍)は、とよだった(👙)。やがて新左衛門が(🐍)狂死(sǐ )し、深谷(📼)家(💔)(jiā )は(🥩)改(🌴)(gǎi )易(yì )となった(🏔)。それから数年。質(zhì(😟) )屋下総屋に居候(🍭)の(📵)身とな(🚺)った新一郎は、(🐾)そ(🗝)この奉公(gōng )人は(🙏)なの誘(yòu )惑(huò )に(🔉)身(shēn )を任(🤷)せ情交を結んだ(🆑)。そ(🎥)の最中、はなは(🔛)呻き声を(🚪)あげて、世を去(👹)(qù )った。彼女(nǚ )こそ(🍞)、宗順(shùn )の次女(🚐)(nǚ )だっ(👎)た(🚣)。その時、はなの(🌚)頸に鍼が刺さって(🗑)いた。絶望した新(🤺)一(😲)郎(láng )は(🍍)、三百両(liǎng )を土(😉)(tǔ )歳(suì )から盗(dào )み(🙀)逐(zhú )電。やがて捕(❓)ま(🚤)り、打(🙂)首に処せられた(🌁)。根(😾)津七軒町の浄瑠(🆔)璃師女豊須(xū )賀は宗(zōng )順(⌚)の長(zhǎng )女だった(⛰)。そ(🔛)の妖(yāo )艶な肢体(🚱)は、この(🦌)界隈の人気の的(➰)だった。新左衛門(mé(💏)n )の次男新三(sān )は(🧐)、うぶ(⏯)を(😞)装(zhuāng )い豊(fēng )頃(qǐ(📯)ng )賀の肌を狂わせた(🌓)。だが新三には目(🏪)的(🤵)があっ(🕕)た。やがて顔に腫(🌊)(zhǒng )物が出来、醜怪(🌸)(guài )な面相(xiàng )とな(🌕)っ(🍬)た豊須(🐁)(xū )賀から、彼女(📐)の(🕕)持金三百両をく(🐪)すねた。新三は豊須賀を殺(🖤)し、かねてから(🏯)情(🌮)(qíng )交を結(jié )んで(📽)いたそ(🥒)ば(📥)屋の娘お久と江(🌛)戸を逐電した。逃亡(🌶)の途中、二人(ré(💪)n )が累が(🌰)淵(🛹)にさしかかった(🥪)時、稲(dào )光りと共(🌲)に、凄じい形相(🍻)の(😑)豊須賀(🥣)が立ちはだかっ(❄)た。必死に鎌(lián )を振(🍐)るった新三(sān )が(🔴)、(🌸)正(zhèng )気(📻)(qì )に戻(tì )って見(🌱)(jià(🌃)n )たのは、すでに(🎲)言切れたお久の姿だった(🚩)。小塚原をさまよ(🐑)う(🐽)新(xīn )三は、処刑(📒)(xíng )され(👾)た(👪)兄(xiōng )新一(yī )郎の(🌞)首(shǒu )を見た。その彼(🔺)に乞食女が声を(〽)かけた(🆕)。「(🏂)お久はわしの娘(🍦)じゃ……」。やがて(🌷)、奇(qí )妙な心中(🔡)死(🥞)体が発(🆖)見された。それは(🐎)新三と乞食女おく(🦈)まのなれの果て(😚)だ(💬)った。... 爆(🤽)(bào )破专(zhuān )家(jiā )王(🥄)德(⛳)(dé )仁改过(guò )自新(♒),遭旧伙伴谋害,仁负伤逃走(🥅),向年仅十二岁的(🐇)儿(🏠)子志刚说出为四(😉)(sì )人所(🥖)害(🐩)(hài ),刚记(jì )下(xià )毒(🈸)贩(fàn )石(shí )天龙(lóng ),丁(😳)世杰(jié )和姜华的(🌺)名字,仁(🔓)未(🥋)及说出第四人是(🏨)谁即气绝身亡.