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在众多的(🚪)“吸血(xuè(➗) )鬼"电影(🔶)版本中,由约翰.巴德(dé )姆执导的(📛)本片知(🕑)(zhī )名度(❌)(dù )较低,但男主角法兰(lán )克.兰吉(🤔)拉成(ché(👁)ng )功地创(🦖)(chuàng )造了一个(gè )气质(zhì )高贵的绅士型吸血(🧘)鬼(guǐ )形(👢)象。讲述嗜血的卓(zhuó )古拉伯爵(jué )离开(kāi )他(♈)的古(gǔ(🌶) )堡,跑到(dào )现代(dài )的伦敦都市去追寻新(xī(👧)n )的猎物(🎫),因而经(🀄)历到(dào )不少有趣(qù )的遭(zāo )遇。论编(🍹)导上的(🎆)(de )表现(xià(📲)n )本片只算中规中矩,但搭(dā )配演出(📰)的资深(👧)演(yǎn )员(🍯)劳伦斯(sī ).奥(ào )利弗和唐纳德.(👳)普莱(lá(💷)i )森斯都(🤰)较有看头。 故(gù )事发生在名为(wéi )“三宝(bǎo )寺(🛋)”的古(gǔ(🧞) )刹之(zhī )中,住持即将圆寂的(de )消息惹得江湖(📘)之中一(🦉)(yī )片风雨,原因(yīn )在于寺(sì )庙之中藏(cáng )有(🍡)的(de )珍贵(🌯)手写经(🦑)书《大乘(chéng )起信论》,谁若能接(jiē )替住(✌)持的(de )衣(🐏)钵(bō ),便(🍖)能获得这无(wú )价的(de )珍宝。住持有三(🐤)个徒(tú(🍳) )弟,传衣(❤)钵是大事,于是,住(zhù )持请(qǐng )来了王(⛎)将军((🚰)田丰 饰(🏰)(shì ))、施主文安(孙越(yuè ) 饰)和悟(wù )外(😥)法(fǎ )师(⏭) ( 吴(wú )家骧 饰),除(chú )了悟外法师之外的(✊)两(liǎng )人(🍆)均觊觎经书的价值(zhí )连城,文(wén )安甚(shèn )至(🐓)带来(lá(😉)i )了女飞(🎷)贼(zéi )白狐(hú )(徐枫 饰)以备不时(🛐)(shí )之需(🌪)。 “Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’(🤣) of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption. An ex-'60s radical now working as a private eye is hired by an old flame to investigate a political smear campaign. The case becomes more dangerous as it unfolds. 描(miáo )述一(yī )对青年男(🎛)女在蓄(💶)(xù )养吃(💃)(chī )人鱼的水池中游泳,突然(rán )被一(🍷)神秘的(🍲)鱼群(qú(🗂)n )攻击,鲜(xiān )血四(sì )冒。其后,剧情随着(zhe )一个“寻(🏴)人专家(⛄)"马琪(qí )的行踪展(zhǎn )开。由于镜(jìng )头运用的(😽)(de )灵活(huó(😮) )性和剪接的紧凑,片(piàn )中多埸鱼吃人的戏(♌)都(dōu )拍(🦓)得相当(dāng )有惊(jīng )吓效果(guǒ ),有几个(gè )镜头(✋)(tóu )且血(😟)腥得教(🌛)人不忍目(mù )睹。 弗兰克莫瑞斯(克(💻)林特·(🐵)伊斯(sī(🖍) )特伍德 Clint Eastwood 饰)是一(yī )名银(yín )行抢劫(👥)犯,在一(🥧)个雨(yǔ(🔲) )夜被关进亚卡拉,入(rù )狱后与Limtus(弗兰(lán )克(➿)·罗茨(🎾) Frank Ronzio 饰)结交,并在监狱图书馆工作(zuò )。智商极(🐬)(jí )高的(💔)(de )他决定(dìng )越狱!在(zài )这个(gè )被认为无法逃(🍽)离的监(🔦)(jiān )狱,他能不能成为第(dì )一个成功(gōng )越狱(⛵)(yù )者…(👳)… 本片(🍑)根据(jù )真实(shí )事件改编

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