小泽玛丽电影剧情介绍
This is a very powerful film. Admittedly parts of it are hard to watch, but it is an outstanding piece. In a nutshell, it is about a hippie commune that has been set up by someone who believes that the best way to help the homeless and often deranged cripples in Moscow is by offering them sexual love. I did not realise (because of the black and white, and the fact I watched this film before looking up to see when it was made) that this film was shot recently in Moscow, using real homeless people in their real situations. I assumed, because of the black and white, and the whole hippie commune idea, that this was the 70s. Shockingly, this includes his real-life footage of the current situation of the marginalised in Moscow, and that upset me to the core. Obviously some of the characters are actors (or, rather, are acting), but many are simply being shot in their everyday surroundings. Let's hope that some good comes out of films such as these, in the same way that Cathy Come Home helped change the situation for many in the UK all those years ago.... Is Aristakisyan Russia's new and very own Ken Loach? We shall have to wait and see.
Sergio Martino导演(《蝎尾凶(xiōng )杀(shā(🖱) )案》《吉(🕊)奥瓦诺娜(nà )的(de )长(zhǎ(🏼)ng )腿》)。讲(🌟)的是(🌮)一个(gè )心(xīn )理变态的男老(🔬)师，觉(🈁)(jiào )得他的女学生们(♒)都在(🏚)(zài )勾(🤒)(gōu )引他，于是把他们(men )一(yī )一(🏆)(yī )杀(🎿)死。不得不说是(shì )一(✊)(yī )部(❤)好片(🗣)，虽然很多镜(jìng )头和情(👷)节有(🛥)点土(⏹)，但(dàn )是(shì )恐怖和悬(😈)疑真(🙈)是做(zuò )得(dé )不错，让观众一(❗)点点(🐉)(diǎn )去(🚻)(qù )发现凶手，把悬念(🕳)(niàn )留(📛)(liú )到了最后一刻！
In the 19th century, a sadistic nobleman terrorizes the members of his family. He is found dead, but his ghost soon returns to haunt the residents of his castle.
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown...
In Medieval France a warlock is be-headed and his wife tortured and executed. Hundreds of years later an isolated group of people discover his head buried on their property. Soon it comes back to life, possessing people and using them to commit sacrifices and to search for the rest of his body
Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’(🌕)s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran.
This made-for-cable biopic recounts the incredible career of Arnold Schwarzenegger, who after a hardscrabble childhood in Austria came to America in the pursuit of the three goals: to be a champion bodybuilder, a popular film actor, and a mover and shaker in the world of politics. It goes without saying that he succeeds in all three endeavors -- spectacularly so -- and, as a bonus, enjoys a happy and enduring marriage to Maria Shriver, one of the many well-publicized offshoots of the influential Kennedy family (who, ironically, are Schwarzenegger's political polar opposites). The film parallels Schwarzenegger's dizzying campaign for the governor's office in California with his strenuous efforts to be chosen as "Mr. Olympia" some three decades earlier. Jürgen Prochnow stars as the Arnold Schwarzenegger of 2003, Roland Kickinger is seen as the younger Schwarzenegger, and Mariel Hemingway is cast as Maria Shriver. While the film doesn't really take sides, it is entertaining and good-humored enough to please both fans and detractors of Schwarzenegger alike. Based on the book by Nigel Andrews, See Arnold Run ran on the A&E Network on January 30, 2005. ~ Hal Erickson, All Movie Guide
影(📣)片根据真实(shí )事(shì(🈴) )件改(🤾)编，讲(🏹)述了上(shàng )世(shì )纪(jì )70年代巴(🚟)西著(🏁)名服装(zhuāng )设(shè )计师(⚽)祖祖(🥥)·安(💷)琪尔(Zuzu Angel)的(de )最后生活。1972年，安琪(qí(🐞) )尔(ě(🖤)r )的儿子因为政治原(🔣)(yuán )因(🏕)(yīn )被(🤱)(bèi )当时的独裁军政府(fǔ )秘(👺)(mì )密(🎌)逮捕、刑讯及谋杀(🔨)(shā )。安(🎉)琪尔(🌕)开始了艰苦(kǔ )的(de )寻求(💾)正义(🔺)之路(🚌)，她(tā )的(de )愿望便是要(🔙)回儿(🕉)子的(de )尸(shī )体。安琪尔利用自(🥩)(zì )己(🚵)(jǐ )的影响在美国进(🗨)行呼(👈)(hū )吁(🧖)。1976年， 安琪尔死于(yú )离(lí )奇车(🔓)祸，1998年(😳)被宣布(bù )为(wéi )谋(mó(⏯)u )杀。安(🕷)琪尔(📄)从一开(kāi )始(shǐ )只求个人发(🛩)展的(🕔)中产(chǎn )阶级人士转(📥)变为(Ⓜ)一名(🔏)(míng )追(zhuī )求正义、关注社会(⚡)(huì )的(🙋)(de )斗士。
爱尔兰小青年(❤)(nián )杰(🗳)(jié )克(🦓)（Jack Huston 饰）自诩为蘑菇(gū(🏵) )专家(🀄)，他对(📥)那些能引(yǐn )起(qǐ )幻(🧝)觉的(🥍)蘑菇尤其着(zhe )迷(mí )。，某个假期(💞)，杰(jié(⛏) )克(kè )5个(gè )性格各异(🍆)的美(🎄)国同(🈁)(tóng )学(xué )：泰拉（Lindsey Haun 琳西•霍(📈)恩(ē(✔)n ) 饰）、卓伊（Max Kasch 麦斯(📶)•卡(🅱)(kǎ )锡(🥓) 饰）、荷莉（Alice Greczyn 爱(ài )丽(lì )丝(🕍)(sī )•(🥗)葛瑞琴 饰）、布(bù(📉) )鲁(lǔ(📚) )托（(🏤)Robert Hoffman 罗伯•霍夫曼 饰(shì )）以及(💌)丽莎(🚈)（Maya Hazen 玛雅•海(hǎi )森 饰(📃)）应(👶)杰克(♐)之邀(yāo )来(lái )到爱尔兰(📗)，只为(🎴)亲身(🏣)(shēn )品(pǐn )尝一下传说(🤴)中能(🐕)给人(rén )带来极大快感的神(🥔)奇(qí(🎑) )蘑(mó )菇。
深泽雅仁（竹(zhú(🔇) )野(yě(🔜) )内丰 饰）和妻子庆(qìng )子(zǐ(⛏) )（水(🥔)野美纪 饰）共同(tó(📕)ng )经(jī(🕴)ng )营着(😸)一间小小的照相(xiàng )馆，带着(🏬)儿子(🔀)英治（广(guǎng )田亮平(🕴) 饰）(♿)与女(👊)儿(ér )绘(huì )里(lǐ )奈（吉田里(🚳)琴 饰(💤)），四口之家过着平(🦓)静但(👜)(dàn )充(🤶)满了幸福的生活，近(jì(🐾)n )来，全(👺)家人(🈚)都在巨(jù )大(dà )的期(📫)待之(😊)中，因为庆(qìng )子(zǐ )腹中的小(👿)小生(🍤)命，这(zhè )个家庭新的一员(🔥)即将(🔫)(jiāng )诞生。