摩登家庭6 电视剧 第4期

In The Possession 2, the demon who is locked in a ritual Jewish wooden box and always tries to grab the possession of human-beings, will find a new owner. 弗兰切斯(sī )科(🧤)，四(sì )十(⤵)岁(🌧)的(de )工(gōng )程师， 经历了(le )一(🚦)次神秘的(🚗)不幸事件后，他(🤖)决定退休(🥢)和小女(🍐)(nǚ )儿(ér )搬到家(🏂)(jiā )族(zú )的(🏷)古老(lǎo )别墅，一(yī )座位于(🀄)伊塞奥(💽)湖(🌟)岸边的宏伟建(🚎)筑。 在这(🕕)个(gè )大(dà(🕘) )房子里(lǐ )，还有(🙎)(yǒu )一(yī )个(🏧)只能(néng )通(tōng )过维持生(🎱)命的呼吸(🐿)机的回声才能察觉到的(🕶)神(shén )秘(😑)的(✒)人(rén )，而萦(yí(🔒)ng )绕(🍮)(rào )在房(⏲)子(zǐ )周围的(de )其它存在同(💒)样令人(😵)不(🌓)安， 而且更危险。 这个男(💏)(nán )人和他(🔽)(tā )的(de )家庭发(fā(🏽) )生了什(shí(📨) )么？他(🕵)在隐藏什么样(🌅)的秘密？(🏧)玛塔，是和他(tā )一(yī )起长(🥣)大(dà )的(🎊)(de )朋(👘)友，一直深(shēn )爱(🎬)(ài )着他(🛫)，她能唤醒(🔙)深陷于麻木的(🛅)弗兰切斯(📿)科(kē )，使他脱(tuō )离痛苦(👭)(kǔ )么(me )？ 而(🎒)更(gèng )重(chóng )要的是， 所有靠(💛)近这个(🤴)房(💛)子的人能否(💳)逃(💦)脱正(zhè(❣)ng )在逼近(jìn )的生命(mìng )危(wē(🍆)i )险？ 小(xiǎ(🦔)o )伙子J.C. Cullen绰(chāo )号傻瓜，和孀(🧖)居的母亲(🌲)住在小城里。白(🕵)(bái )天，他(tā(🐅) )在一家(✅)(jiā )汽(qì )车零件(🖥)(jiàn )商店 工(🏂)(gōng )作(zuò )，可只有在黄昏后(😚)，他的生(🐬)活(🍹)才算真正开(kā(🎹)i )始(shǐ )。他(👑)总(zǒng )去(qù(🕙) )一家汽(qì )车修(🅿)理(lǐ )厂(chǎ(🔩)ng )的密室赌博。赌场和修(💗)理厂都是(🚛)Carl Hooker开设的。此(cǐ )人将J.C. Cullen引(yǐn )进(🛺)赌门(mé(🚵)n )，却(✌)又象(xiàng )父(fù(💣) )亲(🚃)一样关(🐳)心他。J.C. Cullen虽然嗜赌，本质上却(🧔)很正派(pà(〰)i )单纯，他在赌(dǔ )桌(zhuō )上(🤚)常胜(shèng )不(🔀)单是(shì )靠运气(👝)更多是得(💨)力与他(🐒)的头脑。Carl Hooker全年轻(🛤)(qīng )的门徒(🖥)(tú )抓紧时(shí )间(jiān )，到大(dà(⌛) )赌城去(⛸)(qù(📧) )，1957年，大赌城就是(🕣)芝加哥(🔘)。J.C. Cullen打点好行(🧢)装抛下(xià )寡(guǎ(📪) )母跳上(shà(🐌)ng )了(le )去芝加(jiā )哥的汽(qì(🍭) )车(chē )……(😲)芝加哥高手如云，形形色(🦐)色的人(🏩)在(💸)这里(lǐ )过着(🎦)不(📘)(bú )可思(👆)议(yì )的(de )生活，他(tā )认识了(🕰)迷人的脱(🤠)衣舞星Lorry Dane，和她经营秘密(🤪)赌场(chǎng )的(🧛)丈夫(fū )George Cole。当J.C. Cullen的(de )生(📭)(shēng )活于这(😷)(zhè )些人(🏩)生(shēng )活交织一(🧠)起的时候(🔳)，他开始反省残忍冷酷的(〰)赌(dǔ )场(📻)生(✅)涯(yá )，并想改(gǎ(🔔)i )变自己(💁)(jǐ )的(de )生活(🔠)。 Kate attends her estranged sister's bachelorette party at the request of their dying father. The weekend, held at a remote cabin booked on a home sharing app, turns into a savage life-or-death struggle that pits family against family, and past against present. 无依无靠的青(🥐)年白鸟龙(📣)彦（绫野刚(gāng ) 饰(shì )）(🍵)，在(zài )鱼龙(🍶)混杂(zá )的新宿(xiǔ )和(hé )几(🍺)名小混(❤)混(🔼)发生冲突。关(🍇)键(⏯)时刻，他(🎬)被名叫(jiào )真虎（伊势谷(🎠)(gǔ )友(yǒu )介(🕋) 饰）的男人救下，并接(💣)受对方的(🕴)邀请成为一名(😤)星探(tàn )。然(😩)而(ér )他(🎪)这个(gè )所(suǒ )谓(🛀)的(🔼)“星探”，其(👨)实就是站在街头和稍有(🤒)姿色的(⭕)女(🤐)性搭讪，引诱她(🌒)(tā )们(men )走(📍)入物(wù )欲(🌚)横流(liú )的(de )风尘(👄)行业的搜(🤺)罗者。真虎隶属Burst搜罗者(👃)公司(sī )，背(🖨)后有(yǒu )黑帮组织(zhī )纹舞(🙆)会(huì )撑(🍽)(chē(🌧)ng )腰。但是Burst越来越(🤴)无法满(🍀)足黑帮的贪婪胃口，随时(🔫)有(yǒu )被踢(🤗)走(zǒu )的(de )危险。与之形成(😔)最大竞争(🥊)关系的“闺阁”虎视眈眈，时(📪)时刻(kè(🏻) )刻企图(tú )抢(qiǎ(👧)ng )夺(🌒)Burst的地(dì(💰) )盘，其(qí )头目南秀吉（山(😸)田孝之(💻) 饰(🕴)）似乎对白鸟尤其憎(⏸)(zēng )恨。渴(kě(🎒) )望(wàng )让入行(há(🏍)ng )女孩们(men )感(🚮)(gǎn )到幸福的白鸟，目睹(🍁)了某个女(🌙)孩的悲剧，因(yīn )此无论(lù(🎻)n )如何要(👝)将(🗺)(jiāng )小凤（泽(zé(🍚) )尻英龙(🛁)华 饰）带出地狱。在看不(📥)见希望和(🎄)明(míng )天的街(jiē )道上，男(🕘)(nán )男女女(📺)(nǚ )全力奔跑…… 恶霸顾(💿)宗武，企(🐣)图垄断码头搬(🎁)运(🎿)(yùn )生意(📙)，唆使手(shǒu )下(xià )向朱贵(guì(🚕) )属下工(⏱)(gō(🍠)ng )人捣乱，朱贵调解后返(🗝)家，邀黄飞(🌖)鸿师徒到肥(fé(🍜)i )肥姐姐(jiě(🤔) )玉(yù )英之酒(jiǔ )楼设宴(👴)(yàn )为(wéi )黄(📐)飞鸿接风，黄飞鸿并收小(🚡)狮子为(🍦)徒(💘)。一(yī )日(rì )，顾手(😞)(shǒu )下因(🎾)追捕(bǔ )一名逃(táo )走(zǒu )少(😰)女，与郝镖(🤬)等众爪牙包围黄飞鸿(📋)，拟将众(zhò(🦔)ng )人灭口(kǒu )，飞鸿(hóng )与(yǔ )小(🈶)狮子(zǐ(📩) )与对方斗智，以(🚩)绝(🙆)技将顾(😺)等人消灭。 It's always difficult for me to watch a movie after having read the book it's allegedly based upon. Anyways, I decided to try this one, and I have to say I can't find any part of it that'd be based on the Jules Verne novel (except the title, of course). It's amazing to see how professor Otto Lidenbrock from Hamburg became Jonathan Brock, his nephew Axel became Abel, how his Danish guide Hans Bjelke morphed into Sergei Petrov, and how the expedition that originally started in ICELAND at the end of June, suddenly changed to Alaska in September. But most important is the complete lack of respect for the original plot and its characters, to the point that the movie shares nothing with the book they say it follows. I do understand that most books can not be adapted faithfully to the screen, but there's a difference between taking a few creative licences and making a completely different story. So, I'd like to ask Mr. William Gray to, PLEASE, read the book before saying his script is based upon it, or otherwise take the credits (and responsibilities) of signing his own stories.