泰国恐怖电影大全 第1集

陷入麻烦的女(nǚ )人(ré(🎫)n )】1区+蓝光 一(yī(🐮) )区版，携(🦈)带蓝(lán )光满档(⛅)DTS An ill-tempered Canadian farmer Caleb Gare, who tyrannically treats his family like slaves, forcing them to work sunup to sundown and live in dire poverty so he can selfishly fulfill his dream to grab up all the land surrounding his farm.The only person who might have been able to stand up to Caleb was his long-suffering wife Jude, who has long since been cowed into quiet desperation lest her children bear the brunt of her husband's cruelty.But the reign of Caleb Gare is soon to end ignominiously -- that is, if Linda Archer, the attractive new schoolteacher in town, has anything to say about it. 汤米(mǐ )的父亲(🐫)因病(bì(🦁)ng )住进医院(🤗),苦心(🤺)(xīn )经营的农场(chǎng )负债(🐝)累累(🗓).回(huí(🔞) )到阔(🚏)别十年之(zhī )久的家乡(👭),汤(tāng )米重(😱)遇昔(🚗)日(rì )恋人妮可.但(dàn )是(😾)(shì )物是人非,她(🐽)(tā )已为(🔫)人妇.妮可的儿(🤥)子萨(sà )斯(sī )卡与汤米(😀)十(shí(🏣) )分投(⏯)缘.在(✳)激烈的争吵中(zhōng ),父(fù(🚇) )亲将实情(🚢)脱(tuō(🥐) )口而出:萨斯卡是汤米(🗼)和(hé )妮(nī )可的(🥘)儿子.对(💔)(duì )于汤米的离(♓)开,父亲一直(zhí(🛫) )耿(gěng )耿(🐩)于怀加之(💤)(zhī )农(🚴)场经营不善(shàn ),两人总(😑)是争(👢)(zhēng )吵(🎢)不休(👍).汤米(mǐ )内心苦闷,却从(👾)(cóng )女友萨拉那(🧚)(nà )里得不到安(ān )慰…(💀)最终,在(zài )朋(pé(🙏)ng )友的帮(🎳)助下(xià ),汤(🎀)米使(🐉)父亲(qīn )的农场渡过(guò(🔼) )危(wē(🚱)i )机,自(👔)己也(🔨)得(dé )到了众人的原谅(🚀) . 广东大(dà(🎵) )良(liá(🌸)ng )富家子南斗(dòu )官（张(🙏)展鹏）学得一(🗜)身(shēn )功(🍕)(gōng )夫，在乡间(jiā(🈯)n )常闯祸，其母希望斗官(😎)(guān )娶(qǔ )妻(🚸)立品(🕴)，乃(nǎi )遣其上京参加香(🎯)格格招(zhā(💮)o )亲(qī(🤗)n )大会。其实(shí )斗官所以(☔)答允(yǔn )上京，目(🤗)的(de )是找三名北(běi )少爷(🖨)——[千术(shù )北(🦋)少爷]车(♿)载(zǎi )（傅(😴)声）(🛶)，[泡妞高手]真(zhēn )厉(lì )害(🔲)（陈(⛴)百祥(⛔)(xiáng )）(🌃) [神偷北少(shǎo )爷]时三手(📷)（汪(wāng )禹(👷)）四(⏱)人不(bú )打不相识好友(😑)， 以其合(hé )力(lì(🙌) )对付仇(🥩)家三(sān )眼道人(➡)（王龙威） Ryan has spent years putting his brutal past behind him. A different man now to the stone cold killer he was a lifetime ago. But when an old face from the past arrives on his doorstep, Ryan is called upon to repay a blood debt from years ago. But the price is too high. Betrayed, and with his life falling apart around him, Ryan goes on a murderous, bloody revenge spree against the Ten Men who took his life away from him. Ten men took away his life. Now Ten Men Will Pay. Ten Dead Men is a pulse pounding British action feature, brought to you by the team behind the cult international success 'Left For Dead'. Written by Phil Hobden 从Oklahoma 来(lái )到(😚)(dào )纽约的(💎)青年(🈹)(nián )Claude和一群以Berger为首的嬉(👽)皮士(shì )结(🙎)(jié )下(😶)了友谊，在这期间他和(🐒)来自豪门(mén )的(🦄)(de )姑娘Sheila相爱了(le )，可是欢聚(👒)的(de )时光短暂， Claude被(👹)卷入了(⏺)美(měi )国打(🔬)着维(🛥)护世(shì )界和平旗号(hà(🚓)o )发动(📏)的越(🚀)南(ná(🉐)n )战争中，就(jiù )在(zài )他将(😛)要出发(fā(🚍) )去前(⬇)线时，Berger潜入军营，把(bǎ )Claude换(💺)出来和Sheila见(jiàn )最(🖥)后一面(🍍)，谁曾想部队(duì(⛑) )恰(qià )在这个时候(hòu )开(👮)拔，眼看着(😝)Berger一步(👳)一步(bù )随(suí )着队伍走(🧛)向(xiàng )飞机(👝)……(🥚) Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo.