重生演员表 正片

酗酒颓(🚧)父、(📣)痴肥恶(⬆)母，以廉价相机拍摄的一(🕑)张张私(🈵)密家庭(🎿)照片(🌝)(piàn )，绚(xuà(👋)n )烂(làn )色彩(cǎ(📂)i )与(yǔ )模糊影(🤜)(yǐng )像带(🉑)来(lái )真(🥈)实坦(🦅)(tǎn )率的震撼。英国著名影像艺术(🎧)家理查(✴)德·比(🐝)灵甘(😘)将摄影(yǐng )集《雷(léi )的笑(xiào )声(shēng )》转(📡)(zhuǎn )化(huà(🥁) )成电影(yǐng )首(🛶)(shǒu )作，以十六毫米菲林重塑戴卓(🐟)尔年代(🕞)，劳动阶层一(💅)家窝居廉租屋的(de )清贫岁(🏜)(suì )月。蕾(🚝)(lěi )丝窗(😻)(chuāng )帘(🐨)(lián )飘渺(🥩)的(de )昏黄回(huí )忆里，是乏人(🗃)照料的(🤞)三段成(🦉)长经(🕌)历；韶(🍓)光在花卉墙(🔱)纸上剥落，不(🐵)曾(céng )褪(😡)(tuì )色的(🌺)(de )是(shì(⛩) )孤单里(lǐ )的(de )微温(wēn )浅笑。 《浪花少(🍕)女》以一(😮)个曾经(🀄)辉煌(✂)的大学游泳馆的前途命运(yùn )故(🔚)事为(wé(📿)i )背景(jǐng )展(zhǎ(🚡)n )开,讲(jiǎng )述(shù )一群年(nián )轻(qīng )人在(😳)(zài )其中(🦁)战胜自我,用(💨)勇气和坚持追逐梦想的(🐁)青春故(💶)事。影片(🆙)中关(😮)于(yú )她(🎃)们的(de )梦想(xiǎng )与(yǔ )成长(zhǎ(💜)ng ),亲(qīn )情(🐲)与友(yǒ(⏪)u )谊,青(🍒)葱(cōng )岁(🤢)月中的朦胧(🏜)感情,两代人(🚪)的相互(🐍)矛盾到(⛲)理解(♊)支持。都在描绘着(zhe )这些(xiē )青(qīng )春(📝)少(shǎo )年(📰)(nián )们最(🐡)真(zhē(💠)n )诚(chéng ),最活(huó )力的花漾年华和成(🔵)长过程(🐒),记录下了他(🗄)们逐渐清晰明确的世界观(guān )、(🌀)价值(zhí(🤺) )观。 二(èr )十世(🤢)(shì )纪(jì )六十年(nián )代初期(🍨)(qī )，数万(🆔)上海青(🎤)年来(💃)到新疆(👷)军区生产建设兵团支援(➡)边疆建(🤹)设，这(zhè(🤰) )些年(🔇)轻(qīng )人(🦕)满(mǎn )怀(huái )豪(🛐)情(qíng )，从黄浦(👤)(pǔ )江畔(🤹)来(lái )到(🏖)荒凉(🤦)的戈壁大漠投身到(💱)兵团的各个(🤮)团场参(🎬)加生产(🃏)建设(💸)，奉献(xiàn )青春(chūn )，甘洒(sǎ )热(rè )血为(😰)新(xīn )疆(🤘)(jiāng )和兵(bīng )团(🥡)的发展做出了历史性的贡献。 渡(🍂)会美帆(🚷)是一名充满(🔜)着我行我(wǒ )素气质(zhì )，打(dǎ )垮(kuǎ(🙎) )世间(jiā(🗣)n )媒(mé(🍉)i )体的律(🎸)(lǜ )师，被(bèi )誉为“社会之敌(🚳)”。某天，美(🔌)帆和因(🌈)遭受(🔍)网络诽(🉐)谤而成为了受(shòu )害者的(📝)(de )主妇(fù(🦃) )朋(péng )美(👄)交(jiā(🖱)o )谈(tán )，目睹(dǔ )事件严(😍)(yán )重性的美(🏧)帆决定(🤶)和网络(📰)恶语(🎧)中伤的案件进行对抗。 二十多岁(👧)的(de )郝鸣(🚰)(míng )毕(bì )业于(🛶)(yú )海(hǎi )洋生物(wù )专(zhuān )业，是个有(👡)才华的(🎨)科研人员，事(🌀)业上小有成就。而漂亮的女老板(⛲)柯(kē )兰(🏈)，也(yě )视他(tā(💍) )为(wéi )自己(jǐ )未(wèi )来的老(👂)(lǎo )公。 American ATF agent Franco is sent to Mexico City to assist the local authorities with their investigation of Alvaro Manrique, a gangster suspected of trafficking in arms and human beings. But when he discovers that Alvaro is really his long-lost father, Franco must crack the case by convincing Alvaro’(🏔)s other son, the loyal Eduardo, to see their father for the vicious criminal that he really is. Day after day in a forgotten corner of the Caucasus Mountains, a family of lumberjacks trudges through the impassable landscape to chop down and bring home wood in order to fulfil their contract with the local sawmill. When the father is seriously injured by a falling tree, his place must be taken by the youngest of the brothers, who left the impoverished region years before. His arrival opens old wounds and fuels conflicts within the family and in the hostile village. Stifled emotions and an oppressive image of a fragmenting society highlight themes of ineffectual communication and xenophobia. The heightening animosity visually and emotively underlines the threat of destruction from nature itself, which could, at any moment, strike at the very foundations of the family home. This exceptional debut by Vladimir Bitokov was created under the watchful eye of Alexandr Sokurov.