那年青春我们正好演员表 第28集

大学生戴(🌔)维·(🎻)布莱(🥒)克(kè )(本尼提(tí )克)被蛇(🥊)学家斯托纳医生(马(🎖)丁)聘(💇)为(wéi )助手。斯托纳(🧖)(nà )的(🎊)前助(👺)理在没(méi )有告知(📡)任何人的情(qíng )况下(🙀)诡(guǐ(🕢) )异的离(lí )开小镇(🎛)。一开(💗)(kāi )始(❎),斯托纳要(yào )为戴(🦑)维进(😶)行注(zhù )射，据(jù )称是(🧚)为(wéi )防止戴(dài )维(🕵)被蛇(⏬)咬伤(📏)(shāng )。戴维与斯托(tuō(💢) )纳的(🌽)女(nǚ )儿克里(lǐ )斯蒂娜(🌥)(nà )(孟席斯)开始一段(👕)恋情(🏖)。戴(dài )维对注(🐪)(zhù )射(👤)的副(🍄)(fù )作用感(gǎn )到不安。克(💅)里斯蒂娜参观(guān )了(🐒)一个(🌔)(gè )嘉年华(huá )畸形(🥔)秀。其(💌)中“蛇(😔)人”与斯托纳(nà )的(🕒)前助(zhù )理离奇(qí )的(📈)相似(🛢)。戴维(wéi )发现他被(🐪)改造(🍭)成一(🉐)(yī )条眼镜(jìng )蛇，当(🌭)(dāng )他(🌔)试图逃跑时(shí )被猫(🐸)鼬杀害(hài )。 本片为(🌨)倪匡(🌃)(kuāng )编(〽)剧，何莉莉(lì(👢) )、李(🈹)修(xiū(🍠) )贤及谷峰领(lǐng )衔主演(💸)。故事(shì )描述，葛衣情(🤧)(qíng )（(🐢)何莉(lì )莉）(♿)乃江(🧘)南越(💡)剧戏班台柱(zhù )，为其(qí(🕜) )母之摇(yáo )钱树；后(⚡)葛邂(😏)逅了船主舵伯（(🆚)谷(gǔ(🎮) )峰）(🕘)的(de )义子野(yě )壮子(🕍)（李修贤），两情相(📒)悦，决(🤒)(jué )意结婚(hūn )，但葛(🐿)(gě )母(😱)故意(⬛)索取巨(jù )额聘礼(😵)；舵(👋)为促成这段姻(yīn )缘(🔉)，借(jiè )钱给野。可惜(👀)(xī )戏(🌳)班到(⏰)了宁(níng )波县(🕗)城，葛(😟)母(mǔ(〽) )唯利是(shì )图，把(bǎ )女儿(🖇)许(xǔ )给纨裤子弟；(🎭)当野(😭)找葛问(wèn )究(🐢)竟，葛(🌅)却表(⏪)(biǎo )明移情(qíng )别恋；野(🐢)决定听从舵的劝(quà(🏯)n )告，充(📋)(chōng )当其助(zhù )手，暗(🕉)(àn )中(🌹)作贩(🤴)毒勾当…… 在遥(🕉)远(yuǎn )的未来(lái )，一座(zuò )巨(🐔)型高科技成人乐(🔀)园Delos建(🦐)成，其(🗯)中(zhōng )有西部(bù )世(🤛)界，罗(🎷)马世界，中(zhōng )世纪世(🌕)界三大主题版块的(de )机(🤸)器人(👼)(rén )世界，它提(🔍)供(gò(🦕)ng )给游(🐦)客杀戮(lù )与性欲的满(🍀)足(zú )，而这(zhè )座巨大(⛓)(dà )机(🌘)械乐(lè )园的后台(💑)监控(🏑)渐渐失去了(le )对机器(qì(📚) )人的控(kòng )制，游(yóu )客(🏳)被机(🌼)器人杀死，所有想(🦆)(xiǎng )逃(🌊)离者(🏹)(zhě )都被锁(suǒ )定…(🧙)… 2022年，地球已经被过度工(🕘)业(yè )化生产(chǎn )和(🚉)过度(🎾)(dù )人(🥒)口污染破坏到一(👝)定程(🐏)度。乡村(cūn )已经被(bè(👁)i )污染不(bú )能住人，并且(💒)(qiě )被(🗂)政府控制，人(⏬)们只(🤐)能挤(📧)(jǐ )在城市(shì )里。新鲜食(🏡)物(wù )，如新鲜蔬(shū )菜(🛣)，肉，水(🎿)果(guǒ )都非常(cháng )稀(❎)少，只(🌉)有有(yǒu )钱/有权人才可(🏿)以买得起。普通人(ré(🐠)n )/一般(🏹)老(lǎo )百姓只(zhī )能(🎖)吃得(🚒)起每(📼)个星期二政府(fǔ(🚴) )免费发(fā )的Soylent Green食品(pǐn )生产(🔱)公(gōng )司生产的饼(🏁)干-Soylent Green。公(📵)司在(🖤)媒(méi )体上宣(xuān )传(🗞)说这(😕)(zhè )种饼干是用海水(🤪)和黄豆做的，黄(huáng )豆=SOY,饼(😫)干(gà(⛺)n )的颜色(sè )是(🏓)绿色(💡)的，所(🌈)(suǒ )以叫Soylent Green. 独行杀手剑琢(🔇)磨（千(qiān )葉真一(yī(😝) ) 饰）(🕷)得到最新(xīn )任务(🆑)，他故(💧)(gù )意犯罪进入警(jǐng )察(🚇)局，在众目(mù )睽睽之(👨)(zhī )下(🕯)杀害一名嫌疑犯(🐼)，随后(🌡)(hòu )又(🏵)成功(gōng )杀害另(lì(🕧)ng )一名携(xié )带金佛的外国(🐬)人。他的大(dà )胆举(🚂)动(dò(🐃)ng )以及(🚊)出(chū )色身手(shǒu )引(🔣)起了(💼)警员山上七郎（島(🔕)(dǎo )直樹 饰(shì )）的注(zhù(😚) )意，他(🔖)继续调查的(🤟)想法(😄)未得(💷)到上(shàng )层支持(chí )，于是(📸)(shì )辞职展开独立(lì(👳) )调查(♐)，并从师傅正武馆(🙏)馆(guǎ(🧢)n )长政冈(gāng )宪道（鈴木(🌧)正(zhèng )文 饰）了解(jiě(🌐) )到琢(📶)磨的来历(lì )。 片名(⚪)(míng )指(🔪)“八(bā(⛎) )二三”武器起义的(🔱)行动口令，该(gāi )起义是(shì(🎪) )1944年为了(le )抵抗纳(nà(🚠) )粹而(👠)进行(➗)的。当时罗马尼(ní(📵) )亚是(📬)纳(nà )粹的傀(guī )儡政(🐱)府(fǔ )，而德军最高统帅(🚕)部制(🔙)定(dìng )了一份(💇)(fèn )秘(🕘)密行(🚵)(háng )动计划“罗马尼亚玛(♋)格里塔二号(hào )”，企(qǐ(🍎) )图全(🛰)面(miàn )占领罗马尼(🔜)亚(yà(👡) )。罗马尼亚共产党通过(🚻)党(dǎng )的地下(xià )组织(🤽)派遣(🔶)罗马(mǎ )尼亚武装(🤗)部(bù(🐡) )队的(🎩)一名爱国(guó )军官(⛰)乌(wū )德雷亚(yà )上尉去(qù(🍼) )设法获取这一秘(🥤)密计(🎥)划。乌(⚾)德雷(léi )亚在地(dì(🃏) )下党(🕜)员(yuán )托马等人的配合下，排除(chú )了种种(zhǒ(🥁)ng )艰难(🚘)险(xiǎn )阻，终(zhō(😺)ng )于战(🏠)胜了(🧗)他在德国留学时(shí )的(⛺)老同(tóng )学维尔(ěr )纳(🐞)，获得(😗)了该计划。武器部(🐇)队和(⬛)(hé )以工人(rén )阶级为(wé(🔈)i )主体的爱国卫(wèi )队(💹)在共(🦄)产党(dǎng )领导下，根(🛂)据(jù(🍄) )这一(🥞)情(qíng )报，成功地发(🔇)(fā )动了具有伟(wěi )大历史(🦔)意义的(de )1944年8月23日(rì(💖) )武装(👬)起(qǐ(🗾) )义，推(tuī )翻了安东(😂)内斯(💝)库傀儡集团(tuán )，开始(shǐ )了解放(fàng )祖国的(de )斗(🈯)争。 Two spinster sisters run a small inn that caters towards young foreign female tourists. Unfortunately, there is a dark side to the sisters that rises up to punish the young women they deem immoral. Many a traveler comes to stay but never end up leaving the inn. When the sister of one patron comes in search of her missing sibling, it threatens to expose the truth behind the inn and its owners... Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „(🌤)Les Voraces" (German title „Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since.