爱上天使电视剧剧情介绍
《野猫》讲述了男主人(⌚)公(🍶)像山里的野猫 有一股野劲(🐺)，最(🗯)后(hòu )终于收获了(le )爱情。
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
19世(🚩)纪，描写(xiě )美与丑的文(wén )学作(🐴)品(⚓)风靡(mí )一时。“美(měi )”之(zhī )古怪(🛍)亮(🔋)(liàng )丽，有供人(rén )欢愉(yú )的脱(🔫)衣(😱)(yī )舞会(huì )所，有(yǒu )病势(shì )严重(💤)的(📆)(de )私生子，有(yǒu )麻木不仁的(de )上(🌆)层(🍍)人士，有父亲之命(mìng )的婚姻(💰)，还(🍋)(hái )有未遂企图(tú )的凌辱糟蹋(🏛)(tà(📵) )，以及其他(tā )。“美”之感情丰富(🚘)，既(🏵)有美丽者如真爱，也有残酷(🌅)者(🤧)如恐惧与(yǔ )恨。被身处(chù )社会(✌)上层的(de )爱人无情抛(pāo )弃之后(🎺)，可(🗾)(kě ) 怜的女人为(wéi )了支付儿(🚀)子(💡)(zǐ )的医药费，无奈(nài )旋舞于(✂)(yú(✈) )众人(rén )之前，卖弄(nòng )色相。受迫(🛡)(pò(👉) )于父亲(qīn )之命(mìng )，心早(zǎo )有(🖍)所(🍳)属的姑(gū )娘不得不面(miàn )对(🍶)即(🎂)将于一(yī )位年逾古稀(xī )者结(🐽)为(🎿)夫妻(qī )的残酷现实(shí )。
A middle-class man wants to just once break out of his routine life and his dull marriage and throws himself into the hustle and bustle of the big city nightlife. Attracted to all the temptations, he goes to a dancing bar with a prostitute, where one of her colleagues is trying to take advantage of a naive man during a gambling game. But when the man wins against all expectations, the women lure him to an apartment, rob him and then murder him. The middle-class man followed the women and when the police arrive, they arrest him as a suspect. In desperation he contemplates suicide in his prison cell, but just in the nick of time, the real killers are found. The man who was just looking for a new experience then meekly returns home where his wife, without a word, serves him the warmed up soup from the night before.
Morhange上校(✒)跟(🦔)Saint-Avit中(zhōng )校误入撒哈拉中部名(🃏)为(🦖)亚特兰蒂斯的山谷，那在很久(🙅)以前曾是大(dà )西洋中的孤(gū(🍇) )岛(🔷)之国，后(hòu )海水褪尽，成了高(🀄)山(🈺)阻(zǔ )隔的世外桃(táo )源。该地(🕣)区(🙎)(qū )的统治者是(shì )一名(míng )叫做(🍱)Antiné(🚅)a的妖(yāo )娆女王(wáng )，数(shù )年来(🛵)相(🏛)(xiàng )继有(yǒu )不少正(zhèng )当壮(zhuà(⬇)ng )年(⏸)的法(fǎ )国军人（阿(ā )尔及利(🥜)亚(😰)的(de )殖民军官）误入此地，然(🐣)后(🏳)为女王(wáng )的美貌痴迷(mí )最(🤠)后(🌔)疯狂而(ér )死，并被做成镀金木(🤵)乃伊陈列。Morhange是虔诚的基督徒，不(🈺)为(🆖)异教的Antinéa的诱惑所动(dòng )，俗(🥧)话(⬇)说，越是得不到(dào )的越令人(🕶)着(🔗)(zhe )迷，往常都(dōu )是男人哭着(zhe )喊着(💝)要(🌸)亲近(jìn )的女(nǚ )王第一(yī )次(🤲)为(🔁)(wéi )Morhange动了真(zhēn )情。然而，妒火(huǒ(🌙) )却(👽)在另(lìng )一个(gè )男人的(de )胸中熊(⛔)熊(🕞)燃(rán )烧，爱情、友情、室外(📆)(wà(😸)i )桃源、逃离(lí )、回归？？(🏙)到(🐸)底是怎样(yàng )的抉择呢，请看片(🗨)吧。
This epic was the last in a series of silent sword ‘n sandal spectaculars starring former Genovese dockworker and aging hunk Bartolomeo Pagano. This homely stud spends half the film in a heavy woolen suit, looking more than a dimwitted butcher than a bodybuilder. Fortunately, true to the title, he does go to hell, where he’s assaulted by demons, propositioned by seminude demonettes, and finally stripped to his overample but still fetching flesh. He keeps busy during his sojourn leading a demon revolt and battling a dragon too large to move very much. Director Brignone pulled out all the stops for this comic-Boschian vision of hell, with what looks a cast of thousands of demon-extras spilling off the screen. Fellini claimed Maciste inspired him to become a filmmaker, and the air of amusing depravity, seen to full advantage in the rare restored print that occasionally circulates, would seem to confirm it.
Andrei lives a secluded life with his aunt, studying and thinking about his now-deceased mother. His friend Tsenin is concerned, and tries to get Andrei to accompany him to social events. After watching the actress Zoya Kadmina perform, Andrei is... Andrei lives a secluded life with his aunt, studying and thinking about his now-deceased mother. His friend Tsenin is concerned, and tries to get Andrei to accompany him to social events. After watching the actress Zoya Kadmina perform, Andrei is fascinated with her, and is then astounded to receive a note from her. He has only one brief meeting with her, and then three months later he is shocked to learn of her death. He now becomes obsessed with her memory, and he decides that he must find out all that he can about her.
Catherine is a servant girl working for the local mayor and victim of the sharp tongues of the mayor's wife and her friends. This is made clear in a first scene where she is asked to get the key of the mayor's desk at a cultural party the wife is attending. She is harassed by the whole elite who dislike the intrusion of the maid. In this scene it's made clear also that the wife has a secret lover who will later challenge the mayor's political career and will use Catherine as a scapegoat for his own ambitions. This role of "bad guy" is played by Renoir himself. The mayor who is fond of Catherine and is afraid that she'll be more victimized by his wife asks his sister to give Catherine a position in her own household. The sister has a son with tuberculosis (role played by Dieudonné). He's so weak he has no success with women of his class but of course Catherine will like instantly this fragile man. He dies after kissing Catherine while the rest of the town is celebrating carnival. The kissing scene at the window mixed with the fireworks is a brilliant moment of silent melodrama. Catherine is in mourning and because of that driven away by the mayor's wife and her friends. It is indecent that a servant girl is in mourning and shows public affection for someone who is not from her own social status. The emotions of Catherine are the element of disorder in the social ordered world of the rich. Catherine goes away and hides in a cheap hotel in the city where she is also bullied by a local pimp who sees in her an easy target to exploit. By accident Catherine is seen in the hotel window with the pimp, so more reason for gossip by the elite. When she returns to the village looking for a job she is rejected everywhere, even by the local Christian relief organization of which the mayor's wife became president. She meets the mayor again who is shocked by the attitude of the town, takes her in his home again and promotes her to his secretary. The wife is furious of course and leaves her husband to live with her mother. It is start of a slander campaign against the political credibility of the mayor. The lover of the mayor's wife sees what is happening as a golden opportunity and makes a public attack on the moral character of the mayor (what's new under the sun?) Catherine wants to avoid the downfall of her protector and leaves the mayor, explaining herself in a note. She hides in an old tram for the rain while the mayor is driving around in his car frantically looking for the girl. Two vagabonds are thrown out of a pub and out of frustration push the tram car, so it starts a crazy race up and down the hills towards the bridge and the valley abyss. Catherine is already accepting her death but is saved in time by the mayor who has made his choice for the girl. The social implications of his choice are not shown but are clear for all.