五星大饭店全集 第31集

一场火车对(🥑)(duì )撞的(de )惨剧夺去131名(📴)(míng )乘客的(🏐)性命(mìng )，大(🚜)卫•杜(dù(🧗) )恩（Bruce Willis 布鲁(🍔)斯(sī )•威(🤘)(wēi )利斯 饰(🏀)）奇迹般地(🔭)成为(wéi )这场灾(zāi )难(🍬)过(guò )后的(😰)唯一幸(xì(🏪)ng )存者，且浑(🐄)(hún )身上下(🏋)毫发(fā )无(🕝)伤(shāng )。在他(🤗)(tā )参加(jiā(👚) )遇难者追悼会之后(🙊)，他(tā )在车(chē(📘) )窗上发(fā(🗨) )现一张神(🏹)秘便条，写(🥄)道(dào )：“你(🎉)这一(yī )生(♋)生(shēng )过几(♓)次病？” In a future world in Seattle the High Schools are one step above the prisons. In a new program to insure that students will come to class and remain alert to their subjects... A minister is malevolent and sinister behind his righteous facade. He consorts with, and later extorts from, the owner of a gambling house, and betrays an honest girl, eventually driving them both to ruin Thyra arrives in Chekia to wed its old and ugly king. The Duke falls in love with her. A revolution erupts and the king is assassinated. Chief revolutionary Gigberto also falls in love with Thyra. The revolutionaries plan to drown Thyra and Gigberto in a boat, but the Duke takes Gigberto's place. And the loving couple are rescued. 本片又译(yì(🌒) )作《党同伐(fá(🧡) )异》，是D．W．格里菲思(🤰)最具创作(📌)野(yě )心的(👃)(de )作品。由于(🌌)(yú )受到《国(💕)家(jiā )的诞(🎊)生》惊(jīng )人(🏅)卖(mài )座的影(🕌)(yǐng )响，格里菲思遂再(🤫)接再励拍(🌂)(pāi )摄一部(🛅)(bù )场面(mià(🕕)n )更大，内容(💫)(róng )更有深(⏲)度的(de )影片(💴)。他花(huā )了(😡)一(yī )年半的(de )时间(jiā(🥇)n )，动用了二百(👛)万美元的(🛶)(de )制作(zuò )费(🉑)，拍(pāi )摄成(🏜)片长220分的(🙅)巨片（原(🐈)(yuán )版长(zhǎ(🥦)ng )480分）。可惜(xī )本片在(🍰)1916年9月(yuè )于纽(🙊)约公映(yìng )时，并没有(🚽)(yǒu )受到(dà(🐨)o )预期的(de )欢(💡)迎。本片所(♈)以卖座失(🆕)(shī )败，原因(🍰)很多，最主(🤐)要是格(gé )里(💶)菲思在本(běn )片所(suǒ(🙇) )采用的(de )故(🔦)事(shì )结构(🗿)太复杂，导(😉)演手法(fǎ(🍣) )已超越(yuè(💡) )当时(shí )观(🆕)众的接受(🌰)(shòu )能力。加上(shàng )主题(🥘)过于严(yán )肃(👌)，其中提(tí(🏫) )倡的(de )宽容(💂)和反对暴(💄)力的论调(📂)(diào )跟当(dā(🎛)ng )时美国(guó(🍧) )的高昂参战情绪引(🏗)起冲(chōng )突，因(🕖)此未(wèi )能受(shòu )到普(🤝)遍欢迎(yí(😼)ng )。不过，人(ré(🚙)n )们却不能(🚝)否(fǒu )认这(🐈)(zhè )是一部(🥣)(bù )电影艺(⏲)术上的不朽(🍌)杰作(zuò )。《忍无可忍》由(🕚)四段不同(📭)(tóng )时代发(🌘)生的(de )故事(🌙)(shì )组成：(🧔)巴比(bǐ )伦(🔆)的没落、(⏱)耶稣基督(🍸)的(de )受难、法国(guó )的(🥗)圣巴托罗(luó(🤚) )米宗教大(🧙)屠(tú )杀，以(🏓)及二(èr )十(🚱)世(shì )纪初(🔈)美(měi )国的(🌬)劳资冲突(😒)。格氏描述他(tā )自己(🏮)的构想(xiǎng )：(🍚)“四个大循环故事好(📸)(hǎo )象四(sì(😳) )条河流(liú(🐐) )，最(zuì )初是(🍽)分散而平(✏)静地流动(🐕)(dòng )着，最后(💘)却(què )汇合成(🏷)一条(tiáo )强大汹涌的(📄)急流"。本片(🏐)(piàn )一开(kā(🚙)i )始，是一个(🕠)(gè )母亲推(👶)摇篮(lán )的(🧜)镜头，插(chā(➰) )入惠(huì )特(🕹)曼的(de )诗句：“如今如(🥈)同昨日，世(shì(❣) )间的人(ré(😆)n )情变(biàn )化(😒)循环无穷(🎿)(qióng )。摇篮摇(📳)动(dòng )着，为(🍶)人类(lèi )带(🍠)来(lái )同样的(de )激情，同(📈)样的优乐悲(⚪)欢。"这(zhè )字幕之后，展(🍰)开第一个(🖇)作为全片(🈷)基(jī )调的(🍄)(de )现代篇(piā(🍗)n )故事(shì )。随(🏽)着剧情的(👭)进展，导(dǎo )演(🦑)经常切入(rù )另外三(🐒)段故(gù )事(🏤)，成为四段(🔆)平行发展(🔳)(zhǎn )。最(zuì )后(😒)，画面仍(ré(🍡)ng )回到母亲(😼)和(hé )摇篮(🕰)，呈现(xiàn )出“人类从(có(🚦)ng )不容异已到(🤞)宽容的进(🔊)化"的主(zhǔ(🎢) )题。作(zuò )为(🍒)故(gù )事核(🍆)心的现(xià(🎫)n )代篇“母与(🤙)(yǔ )法"，内容描(miáo )述四(👂)(sì )个失业(yè(🌜) )的男女工人从小镇(⏳)来到都市(🏓)(shì )中找工(🎴)作，有人误(👚)入歧途，有(📜)人渴(kě )望(🕞)过(guò )正常(🐾)的(de )家庭(tíng )生(🌂)活。正派的男主角被(🛸)(bèi )诬陷为(👞)杀人(rén )凶(📚)手，被捕(bǔ(🎐) )后判处死(㊙)刑。行刑之(🚆)日(rì )，真(zhē(🈁)n )凶良心发(🎷)现(xiàn )，在最危险(xiǎn )的(😚)一刻将男(ná(🎆)n )主角(jiǎo )救(🏃)了出(chū )来(🛌)。从这个故(😗)事中，可以(🐋)看(kàn )出二(🦄)十(shí )世纪(🚳)(jì )初期美国的(de )一般(🔢)社会状(zhuàng )况(🤳)：农村不(bú )安定(dì(🚿)ng )，都市(shì )阴(🤯)暗而复杂(🍧)、劳工生(🧙)活困苦(kǔ(🌴) )、法律问(🚙)题(tí )重重(📤)等。格里菲思(👧)在本(běn )片中(zhōng )进一(🐿)步(bù )表演(🐕)(yǎn )他在“平(🚇)行剪接"方(🐍)面的(de )杰出(🛠)才能。他利(🌏)用四段(duà(👐)n )故事中的(🎊)类似情景作比(bǐ )较(⏭)剪(jiǎn )接，使分(🐳)散(sàn )的情(👞)节显得(dé(💿) )统一有力(❗)，并因(yīn )类(🔏)似镜(jìng )头(🖲)的多次重(🚚)复而使剧情产生(shē(😕)ng )出热情(qíng )奔(🍂)放(fàng )的情绪高潮(chá(🍌)o )。譬如有一(😇)(yī )段镜头(🈷)是这(zhè )样(🍐)剪(jiǎn )接的(🌻)：一、耶稣基督被(🔴)士兵押着前(🐀)(qián )进；二、巴(bā )比(⛽)伦的村女(🤵)向情侣奔(🏔)告(gào )国王(🎊)(wáng )的危急(👂)(jí )；三(sā(👅)n )、现代的(🔲)少女拚命(⬅)为救(jiù )她的爱人而(💛)(ér )奔走；四(🚻)、在巴黎(🙈)大屠杀中(📰)，新教(jiāo )徒(🤐)企(qǐ )图在(🦍)群众骚(sā(🐓)o )乱的街道(🎑)上援救未婚妻(qī )。格(🤦)(gé )氏利用(yò(🥁)ng )移动摄影、镜头、(📯)划过镜头(🐡)(tóu )等技巧(🍉)(qiǎo )连接(jiē(🖇) )四段平行(😹)发(fā )展的情节，节奏(🔔)紧凑流(liú )畅(🚸)。格氏甚(shèn )至在个别(💟)的故事片(🐞)段中使用(🔅)(yòng )短短的(🗯)倒叙(xù )技(🏨)巧（FLAXHBACK）来(🤳)交代情节(🏈)，显见(jiàn )他(🐼)的“电影(yǐng )文法"的确(🗳)比同时代的(📐)导(dǎo )演高(🖇)出很多(duō(📔) )。除此之外(☔)(wài )，格氏在(🏇)本片中亦(👜)首创(chuàng )“大(🎛)(dà )特写"和“大(dà )远景(🚚)"的镜头，以加(🔹)强观(guān )众的(de )心理感(✡)(gǎn )觉（如(📛)：特写女(🔫)人紧握的(⤴)手(shǒu )，表现(👎)(xiàn )她在(zài )听到丈夫(👊)判(pàn )死刑的(🧑)消息(xī )时的焦急；(🏦)以大(dà )远(🛴)景拍(pāi )摄(🥚)资本家独(🍥)坐办公室(💢)中，暗(àn )示(🙌)他庞大的(➕)(de )支配权力(🛅)）。他又利用(yòng )影片(🥊)(piàn )染色的(de )方(🆔)法(fǎ )来加(🤚)强各种特(🎓)殊效果（(🙇)如夜景用(🏅)染(rǎn )青色(🐁)的影片(pià(🦖)n )、点灯的房内用染(💈)黄色(sè )的影(🌰)(yǐng )片、巴比伦(lún )城(😖)火烧时用(🤹)染红色的(🍥)影(yǐng )片）(🚶)。这种(zhǒng )影(🍫)片染色方法虽非格(💴)氏首创(chuàng )，但(🕓)却(què )没有(yǒu )人像他(☝)这样(yàng )在(🤝)一部电影(⛩)(yǐng )片中大(🤢)胆的(de )全面(🤭)(miàn )采用。令(🏇)人惊异的(😊)是，这样一(🌯)部内(nèi )容复杂的大(🏠)(dà )制作竟然(🔟)由始至终(🎛)没有(yǒu )一(🐥)个(gè )完整(😧)的(de )剧本(bě(🚓)n )，而只是靠(🎠)格里菲斯(🐀)的(de )临场即兴创(chuàng )作(🍪)而成。此(cǐ )外(⏫)，本片也没有任何布(🥩)(bù )景的(de )设(🌯)计图，但(dà(🛂)n )格氏却能(📗)够命人搭(🌀)盖出(chū )宏伟(wěi )得哧(🏡)人(rén )的巴比(🍾)伦布景。在拍摄巴比(🎄)(bǐ )伦攻耶(🍍)(yē )路撒(sā(🏆) )冷的场面(😰)时(shí )，更在(♑)一天(tiān )之(🍛)内同时动(💺)(dòng )用一(yī(👰) )万五千(qiān )名临时演(💣)员和二百五(🌺)十辆战(zhà(😁)n )车。他这种(🍣)(zhǒng )大手笔(🥝)使得当时(🗿)意大利(lì(🥔) )出品(pǐn )的(🌤)历史(shǐ )巨片(piàn )也瞠(🐗)乎其后，由此(👮)也可(kě )以看出格氏(🦀)(shì )对自己(😭)的创(chuàng )作(🎀)能力如何(〰)自信。或许(🍎)(xǔ )正如(rú )格氏自己(🚔)的(de )格言所说(👨)：“艺术经常(cháng )都是(🛡)(shì )革命性(🔪)(xìng )的、爆(🌓)炸性的，以(🤦)及轰轰烈(⬛)(liè )烈的"。看(🍢)《忍无可忍》一片幕前(🌭)幕(mù )后的表现，可知(zhī )格里菲(fē(✖)i )思的确是(🙁)一个身体(⚪)力行的艺(🎉)(yì )术家。 Michael Dane è(🕕) in viaggio su di un battello diretto al Nord, per raggiungere il fratello che ha scoperto l'oro. Qui conosce Estelle Mac Donald e se ne innamora. Arrivando all'agenzia commerciale canadese, scopre che il fratello è stato ucciso e che il suo socio è stato processato e condannato a morte per il delitto. Ma il giovane non è convinto della colpevolezza dell'uomo e decide allora di mettersi alla ricerca del vero colpevole. Riuscirà nell'intento : il vero assassino è lo zio di Estelle, che perde la vita nel tentativo di sottrarsi alla vendetta di Michael. Written by rosebud6 Yu-jin当知道(🤧)妹妹Seung-jin返(fǎn )回家(jiā )的时候(hòu )，感(gǎ(🐎)n )到莫明的兴奋，因为(🔼)Seung-jin将(jiāng )会带(🛅)同丈夫(fū(🧚) )Jin-ho一同回家(🃏)。可是，最后(🌋)只有Jin-ho回到Yu-jin的(de )家。Jin-ho跟Yu-jin说Seung-jin自杀了(le )。 Suddenly appearing in Florence, an evil seductress causes Cesare, the city's ruler, and his son to both fall madly in love with her. The son, killing his father before an order to torture the woman can be carried out, then turns the city's churches into dens of sexual debauchery. Acts of evil and corruption continue unabated until the arrival of Death, who brings with her a horrible plague which she is about to loose upon the city. 不明(🧣)身份的流浪者来(lá(🍈)i )到冰(bīng )岛(😨)高原(yuán )的(🥣)牧场。一位(🏔)已经丈夫(😚)去世(shì )富(😠)有的(de )女农(nóng )场主收(🍊)留了(le )这个流浪者(zhě )，让(🏪)他做雇(gù(🛬) )工。不久，女(😺)农场主爱(🦐)上了这个(🏉)人，提(tí )拔(👷)他为总管(guǎn )。肥胖的(🍥)村长曾经向女(nǚ )农场(chǎng )主求婚(😪)(hūn )，被(bèi )拒绝了，现在(🍪)见到这个(💀)(gè )情况，嫉(🙅)妒(dù )异常(♐)。他暗(àn )中(🍅)调查出流浪者的身份(fèn )，原(yuán )来(🔧)这是一个(gè )在其他(🧟)地方被判(✴)刑的逃(tá(🗳)o )犯。女农场(📯)(chǎng )主放弃(🕦)了一切拥(🐂)有的财产，和流浪(là(♎)ng )者为(wéi )了躲避追捕(bǔ(➰) )，逃向深山(🕰)(shān )老林，在(🔥)喷(pēn )泉和(🔝)(hé )瀑布边(💒)(biān )上生活(🕶)。几年以后，他们生(shē(🕖)ng )下一个男孩(hái )。牧羊人发现了他(💒)们，村长(zhǎng )带人来(lá(⛄)i )追捕(bǔ )他(🔭)们。女农场(💟)主和流浪(🌄)(làng )者把孩(🛍)子扔(rēng )下悬崖抛入(rù )急流险滩(🚻)中，逃进大山(shān )深处(🐂)(chù )。许多年(🕍)过(guò )去，两(🦋)个情人老(🍢)去。严(yán )冬(💒)中(zhōng )，他们(💯)(men )在山中的小屋里，回(🖲)顾过去(qù )的往事(shì )，感(🛢)(gǎn )到了一(🐮)种无(wú )名(🚖)的恐惧，最(🍘)后在可怕(🚼)(pà )的大(dà(🍠) )风雪中(zhōng )死去。 Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema journals like Le Journal du Ciné-Club and Ciné(🚺)a, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.