宇宙天魔剧情介绍
Delicate and surreal. "A hora mágica" is a mix between a noir movie and a fantastic, surreal movie, dealing with the contrasts between reality as it is and reality as we want it to be. Life imitates art, but what life? What art? Is any of it worth it? The acting, the scenario, the timing, all promote an air of falsehood, and for a good reason: this is the land of fantasy, of desire, a place to try (and fail) to escape the roughness of real life and join the paradisiac land of the movies (or, as it is, of radio soap-operas). And this is why it also explicitly resembles a noir movie, the kind of movie that epitomizes the glamour of Hollywood. This game between reality and fantasy is paralleled to the shock originated with the arrival of TV in Brazil, rivaling radio, as TV virtually destroyed the radio soap-operas (the main character is a radio soap-opera actor). All in all, a delicate film, beautiful to the eyes and the soul, well-done technically, and with a good soundtrack. In particular, the final sequence is simply perfect, maybe among the most beautiful in the history of cinema; that sequence alone justifies recommending this film.
"The Eye Creatures" is based on the slightly less ridiculous 1957 movie "Invasion of the Saucer Men," and is less an homage as an exact carbon copy, reproducing basically the same characters, scenes and lines, only worse. The one chance that "Eye Creatures" had at improving over the original involves the monsters and the way they are defeated (not to give anything away) but is squandered with the poor production values present. Eye creatures wearing only the mask of their outfit, or running around is comfortable tennis shoes destroy any possibility of respect for this film. Luckily this movie is short enough to be amusing, without stretching on into grating. Best watched on Mystery Science Theater, if possible.
広告代(🌘)理店のコピ(🔈)ーライター(🐐)・新谷公平(🌸)（しんたに(📩) こうへい）(😦)は、(✋)妻が夜(🌗)中に(✏)見知(zhī(🚘) )らぬ(🍤)男性を(🅱)自宅(🌴)(zhái )に連(📼)れ込(💢)んでいる現(🍸)場に鉢合わ(🚂)せし、男性(🙋)と揉(róu )み合(💓)いの末、マ(🍼)ンション(🐞)の(😴)階段(duàn )か(🍌)ら(💌)転落する。そんな新谷が搬(bān )送された大学病院の新人研修医・吉(jí )川み(🦑)どり（よし(👒)かわ みどり(🏮)）は、救急(🐉)患者が苦(kǔ(💗) )手で点滴の(🥔)針すらもさ(😮)せない有(yǒ(🎖)u )り様(⬇)だった(✨)。その(👓)結(jié )果(🍐)、新(🎧)谷は大(🏨)腿(tuǐ(🎅) )骨骨折(🈂)・全(🍡)治1ヶ月間と(🅰)診断され、(🥫)同病院の利(🤧)用(yòng )料が安(🎳)い大部屋(wū(💯) )で入院生(❄)活(🧦)を送(sòng )るこ(🦁)ととなる。だが、新谷の隣(lín )のベッドの患者(zhě )は一(yī )緒に転落した男(ná(🎵)n )性・如月十(➰)津夫(fū )（き(😜)さらぎ とつ(👠)お）だった(⚾)……。
落魄的(🕷)中年韩(hán )国(👡)男人跟着向(🌘)导(dǎ(🗨)o )游走于(💜)尼泊(📱)尔的(de )雪(🛒)域高(🐌)原，严重(🆑)(chóng )的(💴)高(gāo )原(📞)反应(🍿)让他昏迷(mí(💯) )过去，醒来后(🕡)他(tā )发现自(⏰)己已经被(bè(🤖)i )送到目的地(🔤)。男(nán )人叫(🐻)崔(🆒)（崔岷植(zhí(🤲) ) 饰），目的地这(zhè )家人在等待一个(gè )叫道基的男人，道基是这家的男(nán )主人(💀)(rén )，去韩国了(🖍)打工(gōng )。崔不(🎵)忍心告诉(sù(📕) )他们道基意(🏓)外身(shēn )亡的(🛑)消息，只是(shì(🦐) )交给他们一(🌗)些钱(🏙)(qián )，谎称(⬅)是道(🛰)基送(sò(🎈)ng )来，而(🔩)且告诉(🌕)他(tā(🙌) )们说道(🐹)基很(🦏)好，自己(jǐ )只(🈺)是假期来旅(⛳)行(háng )。在这里(🧡)崔听说(shuō )风(🌇)会把人此生(🚼)的(de )因果报(🔡)应(🌸)带走，之后人(💄)们便会邂(xiè )逅自己的魂灵。道基已经身亡的(de )事情最终还是被(bèi )这家人发现(🉐)，他(tā )们在(zà(🕰)i )风(🤨)中把道基(🌒)的骨(gǔ )灰撒(🗜)向大地。崔(cuī(🕥) )带着对着远(🌛)在美(měi )国妻(🏅)女的牵挂，离(🉐)开那(✴)个一如(👆)既(jì(🎧) )往的空(🛍)灵与(✒)静谧(mì(📁) )村落(🅿)，向着更(💵)高(gā(🤑)o )处走去。
四个(🏜)从(cóng )未见(jià(🌯)n )过面的堂兄(⏭)弟姐(jiě )妹被(🚝)他们的曾祖(💗)(zǔ )母克利(😽)斯(🙈)朵夫邀(yāo )请(🎒)去参观她在亚(yà )特兰大郊外的豪(háo )宅。当他们到达(dá )时，他们得知她(tā )刚刚(🐙)去世。他们(men )留(🐴)下来听她念(⚫)遗(yí )嘱，很快(😤)就被巫毒巫(🚠)(wū )术一个接(🛎)一个地(dì )杀(🦖)死了。幸存者(🐧)(zhě )们(🧙)试图在(🏓)凶手(⛲)把(bǎ )他(♌)们全(🌖)部干掉(⬜)之(zhī(👗) )前找到凶手(🛫)。
本(běn )片是Kidulthood的(🥇)续篇, Sam于杀(shā(👘) )害Trife六年后刑(🔴)满释(shì )放. 但(🤫)(dàn )他逐渐意(🕗)识到监(jiā(📓)n )狱(❌)外的生活并不(bú )比里面轻松, 并且(qiě )他需要面对过去(qù )被他伤害过的人(rén )... 过去的朋友(📴)有些(xiē )人继(📨)续着全新的(🐕)(de )生活, 而另一(🍽)些却(què )为他(🤷)的所做所为(🌮)(wéi )而耿(gěng )耿(🔛)于怀, 但无疑(😞)的(de )是(🍗), 所有人(👱)都不(🚅)可(kě )选(🕤)择的(🕥)长大了(🛡). Sam在(zà(🏏)i )他的内疚中(🎁)挣扎(zhā ), 同时(🚇)还要面对哪(🤹)(nǎ )些想要为(✖)Trife复仇的(de )人, 新(🔺)一代的帮派(🅰)(pài )在伦敦(🦏)街(🔄)头逐渐(jiàn )涌现(xiàn ), 而Sam则在努力想告(gào )诉大家停止暴力(lì ),就像多年前Trife想努(nǔ )力告诉他一(🐺)样...