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TV Program Description / Original PBS Broadcast Date: October 12, 2004 Most Dangerous Woman homepage - "Woman Cook a Walking Typhoid Fever Factory," said the headline in a New York City newspaper in 1907. The woman was Mary Mallon, an Irish immigrant who as "Typhoid Mary" would become a notorious symbol of a public health menace. In "The Most Dangerous Woman in America," NOVA explores the legacy of one of history's most infamous disease carriers. Mary Mallon's ordeal took place at a time when the new science of bacteriology was shaping public health policies in America for the first time, and her case continues to hold lessons amid today's heightened concerns about communicable diseases. The program is based on Typhoid Mary: Captive to the Public's Health, by Judith Walzer Leavitt, which the Boston Book Review praised as "an indelible picture of early 20th-century New York, when modern knowledge and sensibilities collided with ancient terrors." (Read an adaptation.) Leavitt, who is professor of medical history and women's studies at the University of Wisconsin Medical School, is one of several noted experts interviewed by NOVA. Also featured is Anthony Bourdain, the celebrated chef at New York's Les Halles restaurant and author of Kitchen Confidential and Typhoid Mary. NOVA's dramatization stars Marian Tomas Griffin (As the World Turns) as Mallon, Jere Shea (Tony nomination for Guys and Dolls) as George Soper, and Natalie Rose as Dr. Josephine Baker. The story, which unfolds like a detective novel, opens with a mysterious cluster of typhoid fever cases in August 1906 in a very unlikely setting: a summer house in wealthy Oyster Bay, Long Island. Typhoid fever is a bacterial disease spread by poor sanitation. At the turn of the 20th century, it was associated with slums and poverty. About 10 percent of those infected died. Alarmed, the owner of the house hired civil engineer George Soper to track down the source of the infection. Soper ruled out the water supply and local shellfish, and began to focus on the household's former cook, Mary Mallon, who had arrived in the house shortly before the epidemic broke out. She had since left, but Soper traced her employment history and learned that typhoid outbreaks followed her wherever she went. After Soper located Mallon, his repeated attempts to get her to submit to testing were met with the same response: a brandished meat fork and threats. It took health department worker Dr. Josephine Baker and five police officers to apprehend Mallon. After typhoid bacilli were found in her feces, she was sent to a quarantine island in New York's East River. (For Mallon's view on her quarantine, see In Her Own Words.) But the case was far from open and shut, says Leavitt. "We see it today, certainly with multidrug-resistant tuberculosis, with HIV-AIDS, now with SARS; you see where individuals are quarantined, isolated, whose liberty is taken away in the name of protecting the public health. Mary Mallon gives us an example of that at an extreme level, because she was healthy. She wasn't even sick." Mallon was what's known as a healthy carrier—a person who is contagious but has no symptoms. She had probably come down with a mild, undetected case of typhoid fever at some point in her past and had retained active germs ever since. While preparing food, she shed bacteria from her hands, and it never occurred to her that she was spreading disease. When her condition was explained to her, she refused to believe it and fought back by secretly hiring a private laboratory, whose results reportedly showed that she was free from infection. Nonetheless, her tests in quarantine continued to show typhoid bacteria, and she was detained until 1910, when authorities released her on condition that she not work in food handling and that she check in regularly with health officials. Mallon returned to freedom. But that was not the last the public would hear of "Typhoid Mary," who would turn up again in circumstances that shocked even those who sympathized with her plight. 2011年(nián )、日(🎊)本(👤)製作のオリ(👜)ジナルビデオ。R18+指(🎮)定(⛴)作品(pǐn )。仲間(🕺)に裏切られ(🦎)、処(🙉)女(nǚ )を奪われ(✊)自殺した少(⏪)女の怨念が性(🎨)(xìng )の売人たちに(🙊)次(🚉)々と襲い(📢)掛(🕋)(guà )かるエロ(🤨)ティ(🐭)ック・ホラ(⛪)ー(👿)。監督は、(🏗)勝(🗿)(shèng )山茂雄。「憎い(🐓)、憎い！みんな(🚱)許さない！」(🍉) そんな遺書を(🏦)残して、首吊り(👇)自殺を遂(suí(📞) )げ(🔵)た知美(měi )。彼女を(💛)裏切ったの(🔯)は(💺)、親友だと(🤡)信じていた仲間(🏩)たちだった。し(🐂)かし、彼ら(🔔)は良家(jiā )の子女で(🗿)ある知美(mě(🌱)i )の親のクレジ(💤)ット・カードが(🥫)目当てなだ(🗞)け(🚈)だった。深い(🔦)怨(yuàn )念を残(cán )し(🥏)て(⏺)霊となった(🤺)知(zhī )美は、かつ(🍇)ての仲間たち(🚹)への復讐を(⏳)開始する・・(🤛)・。 因为(wéi )参加朋(🐁)友(yǒu )的送别(🥂)会(😟)醉酒的(de )崔(cuī )高峰(💕)（孔侑 Yoo Gong 饰）(🤛)，在(🛎)回(huí )来(lái )的(🐬)路上碰上恶棍(gù(🆕)n )的骚扰(rǎo )，被正(🤛)义的少女见(🥙)(jiàn )义勇为。高峰回到(🦁)(dào )学校后(hò(⭕)u )在汉堡店见到(📫)了传(chuán )闻中的天(⏫)使售货(huò )员(🎫)林(⤵)孝(xiào )珍(zhēn )（(📹)金静华 Jeong-hwa Kim 饰），发(fā(♋) )现(🖍)她正(zhèng )是那(👨)夜救(jiù )他的女(nǚ(♈) )孩(hái )。高峰就对(🐯)林孝(xiào )珍一(👉)见倾心，无可救(🕥)药的(de )因为这个天(🔏)生丽质(zhì )的(🍸)女(🏄)孩(hái )患上了相(xià(🌪)ng )思病。为(wéi )此(🎠)他(⏫)花光自己的(🔝)(de )零(líng )用钱买(mǎi )了(🌻)数码相机跟拍(🏛)(pāi )孝(xiào )珍，将(🔧)她美丽的(de )生活照(zhà(📯)o )上(shàng )传到了(💓)一个叫做(zuò )北(🥎)韩间谍的社交网(🏊)(wǎng )站上。一时(💠)间(✳)孝珍变得炙(✴)(zhì )手可热，超越南(❎)(ná(😫)n )珍儿成(chéng )为(🔲)(wéi )了这个网站的(🧡)排(pái )行(háng )第一(🔘)名(míng )。报纸更(🐧)(gèng )是以“那(nà )些(🐿)不认识她的人(ré(😯)n )是朝鲜间谍(🐊)”为(🤞)标题大幅(fú )报道(❌)。然而这些却(🌽)(què(😷) )引起了(le )孝珍(💎)的误(wù )会和不满(🎗)(mǎn )，因表面上腼(😠)腆(tiǎn )羞(xiū )涩(🦎)的她(tā )，真实的身份(🖍)竟(jìng )然(rán )是(🍎)受过特训的精(🔤)(jīng )英朝鲜(xiān )间(jiā(💲)n )谍。为了防止(🎳)自(🦊)(zì )己身份败(📂)露，孝珍(zhēn )通过和(🎣)(hé(🍺) )高峰约会来(🔪)接近他(tā )，企图达(🍈)到让他(tā )把网(🔓)站(zhàn )上(shàng )自(🥗)己的照片删除(🚽)(chú )的(de )目的。交往的(🏝)过(guò )程二人(🎒)(ré(🏟)n )渐(jiàn )生情愫，然而(🔕)此(cǐ )时高峰(🎒)却(🍜)受到了入伍(🚌)通知(zhī )书… 奇是(💨)一食堂伙(huǒ )计(📿)，立(lì )志成为(😗)名(míng )厨，却受(shòu )老板(🍺)独眼龙陈真(🏺)(zhēn )刻(kè )薄，终(zhō(😟)ng )于奇愤而辞职，却(🗻)(què )落得被陈(🧛)真(👎)追斩(zhǎn )。逃亡(📧)(wáng )中(zhōng )更误将日(🚹)本(🎗)少女(nǚ )京子(🛶)抛落海，京子(zǐ )誓(🐨)报此(cǐ )仇。奇父(👪)临死前将(jiā(🚣)ng )一些金币交给(🍮)他(tā )，要他(tā )和(hé(📛) )离家出走之(🔖)兄(📋)长(zhǎng )米(mǐ )融洽相(🌅)(xiàng )处。奇往(wǎ(☕)ng )大(📅)阪找(zhǎo )米(mǐ(🖨) )，米对奇提出要(yà(🤱)o )将大阪摔角配(🍑)合香港饮食(🕝)(shí )，米返港，立刻租(zū(🍍) )铺招聘(pìn )人(❎)手，聘(pìn )任了猜(🛃)猜(cāi )碰、古及大(💥)锦。 随(suí )着城(❎)市(🍚)(shì )发展，麦兜(👇)住的(de )旧(jiù )区大脚(😓)咀(🖖)也卷入(rù )了(🥪)拆迁(qiān )漩(xuán )涡。不(🍜)过无忧无(wú )虑(🍪)的麦兜从来(🦃)不会(huì )去考虑(🏳)(lǜ )拆迁对他意味(🐶)着什(shí )么，春(👄)田(👨)花花幼(yòu )稚园又(🍥)(yòu )开(kāi )学了(🏑)。为(🤯)了适应(yīng )激(🎯)(jī )烈的社(shè )会竞(😗)争，春天花(huā )花(🍍)(huā )幼稚园也(🏿)加入很(hěn )多令人捧(🔈)腹的新课程(🚌)：耍(shuǎ )赖、诈(🏰)死等等。麦(mài )太在(🚁)樟木头买了(🍁)(le )块(📈)墓地，为了日(🚸)后能有个(gè )安(ā(🎰)n )身(🥏)之所(suǒ )。时光(🎴)飞逝，一(yī )切(qiē )又(📕)回到了从前，回(🎨)到了麦(mài )兜(🥣)的父亲菠萝油(🏎)(yóu )王子的时代。王(🖌)子(zǐ )跟随着(♊)(zhe )师(🎗)傅出行，不料遇(yù(👯) )到了一连串(🤱)怪(🧠)事(shì )，王子不(🦂)(bú )再是王子，有人(🅱)(rén )变(biàn )成了他(🚳)的样子回(huí(😘) )去当了(le )王(wáng )子。浑浑(🐬)噩噩的(de )菠萝(🔸)油认识了阿莲(💱)——以(yǐ )后的麦(🔙)太，过着平(pí(🔐)ng )平(🍌)凡凡、庸庸(🔬)碌(lù )碌的生活(huó(💫) )，只(🌜)是在夜里，菠(🕖)(bō )萝油偶(ǒu )然会(🕑)想起他的王(wá(📙)ng )国(guó )、眼里(🔓)会呛着泪(lèi )花(🎑)。阿莲(lián )怀孕了，菠(🎱)萝油(yóu )重遇(🚨)了(🦆)以前送薄饼(bǐng )的(🌘)龟仔(zǎi )、一(🏧)起(📫)出行的师傅(🐇)(fù )，他们决定回去(🤛)(qù )复国了。于是(🚕)菠萝油告别(❇)(bié )了(le )阿莲，告诉他如(🚍)(rú )果明天(tiā(🍽)n )听(tīng )不到一个(💈)王子复(fù )国的新(🚼)闻，那就永远(🥧)忘(🥟)了(le )他…… 女(🌄)神学家安(ān )娜婚(🔣)后(😢)长年不育(yù(🚉) )，她接受(shòu )新工作(♍)，去女子(zǐ )监(jiā(🚉)n )狱主持(chí )小(💷)礼拜堂，认识(shí(🌐) )了(le )一个似乎有超(✴)能(😅)(néng )力的女(🕦)犯(🤵)人。不久，安娜(nà ) 发(💢)现自己怀孕(💩)了(♉)。根据《圣经》教(💰)义，一切(qiē )非教会(💠)的超自然(rán )力(🥇)量都是(shì )邪(🍺)恶不洁的，她(tā )该(gā(🔤)i )不该打掉这(💎)个孩(hái )子呢？(🗝) Mina is a young woman wed to Hollywood pharmaceuticals mogul Jonathan Harker. Mina wants to start a family, but is shackled by her man/woman husband. Mina soon meets Countess Dracula who gets her a shot in the arm. Soon Mina's a vampire herself, until her sister, who's intent on stalking and killing Dracula, threatens Mina's newfound happiness for the same sex. 美(měi )丽的法国女(🌿)人安(ān )娜（(🗑)Sandrine Bonnaire姗(🦏)黛莲•波奈(📵)尔 饰）前去会见(🈶)心(🔧)理医生(shēng )，但(🔮)她错误地走(zǒu )进(📭)了会计(jì )师威(😋)廉（Fabrice Luchini 法布莱(🔗)(lái )斯(sī )•鲁奇(😢)(qí )尼 饰）的办公(😥)室(🧟)(shì )。未等威(🐎)廉(👤)开口，安娜便自顾(🎫)自地倾诉自(✈)己(🥅)(jǐ )婚姻生活(💒)中的麻烦(fán )和秘(🛃)密(mì )。威廉为他(🙈)的叙述(shù )所(🔜)吸引，认真倾(qīng )听下(📅)去，并约好下(📏)次会面(miàn )的(de )时(🚩)间。 秋穗巧（中村(🕛)狮(shī )童(tóng )饰(📊)）(🥩)的妻子槚田(😩)(tián )泠（竹内结子(⚫)饰(❕)）一年前(qiá(👖)n )去世，便和6岁的儿(🎧)(ér )子佑司（武(🤩)开证(zhèng )饰）(🏞)过着(zhe )相依为命(🍛)的日子(zǐ )。妻子临(🛥)(lí(🎁)n )终前跟他(👴)们(🔕)说，翌(yì )年的雨季(🤙)便会跟(gēn )着(🚹)雨(🏘)点回来看他(♎)们。儿子(zǐ )深信母(🎩)亲会在这个(gè(💺) )时候回(huí )来(🐚)他们的身边，虽(suī )然(😰)秋穗巧知道(🏝)这(zhè )是一件很(🔡)(hěn )荒唐的事，却不(🤤)(bú )忍(rěn )心向(⛓)儿(🕝)子说。 「見た(👮)者(zhě )は死ぬ」と(😣)言(😲)われる“もう(🤚)ひとりの自分”ド(🔘)ッペルゲンガ(🖊)ーをテーマ(🌅)にしたホラー(🤷)サスペンス。「も(🤥)う(🐢)ひとりの(🥡)自(🍸)分がいる」感(gǎ(🦍)n )覚に悩まさ(🌹)れ(🔅)る未来。そし(🥧)て、彼女の友(yǒ(🎚)u )人が惨殺され(🏛)る事(shì )件が(🔒)発(fā )生する中、未(🆕)来は真相を(😵)求め意外(wài )な(🛀)人物と再会する(🔁)。