乐俊凯剧情介绍剧情介绍
书(shū(🍒) )生(shē(🌙)ng )何梦(🦑)霞诮秦(🚋)石疾(😘)之邀，就(👩)任(rè(🌍)n )石湖(🎓)小学教师，便中造访旧(jiù )戚崔元礼。崔的孙子鹏郎自(🦕)(zì )幼(🍽)(yòu )丧(🎩)父，崔元(👠)礼请(🎋)梦霞做(🛫)鹏郎(⤴)(láng )的(🐡)家庭教师梦(🎹)霞应允。鹏郎(láng )聪明努力，经常把教师如(💩)何(hé )教(jiāo )导自己(🈯)告诉(🏧)母亲梨(🧘)娘。梨(🔑)娘(niá(🗣)ng )年轻守(🚺)寡，全(🙈)部希望都寄托(tuō(🥐) )在鹏郎身上，见鹏郎在梦霞(xiá )教导下进(🦊)步很大，对梦(🏊)霞十(🍔)(shí )分(🤓)(fèn )感激(🏷)。一日(🕍)，梨娘在(🆔)花园(🎉)里(lǐ(🧗) )见到被风吹落的梨花，暗自(zì )感伤，与葬花的梦霞相(🤾)遇，二(⌛)(èr )人(🙉)相识，日(🐠)久生(📩)情，梦霞(🏨)向(xià(🤫)ng )梨娘(⛪)求婚，梨娘以(🌿)自己身为(wéi )未亡人而拒绝，梦霞告以非(⛏)(fēi )梨(lí )娘则终身(👃)不娶(🎗)，梨娘恐(🚕)为此(✳)(cǐ )贻(🔉)误梦霞(🐀)一生(⛄)，决心投江一(yī )死(🌷)以表心迹，不料被鹏郎半(bàn )夜醒来发觉(🅿)，母子二人抱(👑)头(tó(📆)u )痛(tò(👑)ng )哭，梨娘(🅿)从此(🤹)绝了自(🐷)杀的(🗂)念(nià(✴)n )头，致柬梦霞，请他移请于(yú )小姑筠倩，梦霞恐梨娘轻(🅿)生(shē(👌)ng )，故允(🚓)之。筠倩(📚)在女(🌦)塾读书(🍻)，假期(🕗)归来(🛄)，与嫂子相敬(🛣)相爱(ài )，石湖小学英文教员李先生(shēng )向(🚺)(xiàng )她求婚，她未同(🚕)意，后(🛎)又有(yǒ(🍴)u )邻人(🥖)富翁(🥪)方德富(🤸)为其(🏨)子大元(yuán )求婚，被(🕗)崔翁拒绝，崔翁与(yǔ )梨娘商量，梨娘推荐(🔟)梦霞，筠(jun1 )倩本(🏏)无意(🎲)于梦(🥖)霞，但恪(🖱)于老(🚕)(lǎo )父寡(🚯)嫂之(🐬)命，未(🎤)便回绝，勉(miǎn )强成婚，夫妇二人绝无感情(qíng )。梨娘觉察(💿)后自(🔍)知铸(🐞)成大错(🍉)，既负(😆)梦霞，又(🌓)误筠(🦓)倩，情(🌞)悔(huǐ )交加，恹(☝)恹成病。梦霞婚后(hòu )郁(yù )郁寡欢，闻蒙古(🌯)之役，投笔(bǐ )从戎(😈)，筠倩(🏡)也鼓励(🏳)他从(🌷)军。秦(🚢)石痴本(🛀)是军(🗨)人，此刻解散(sàn )学(🆔)校鼓动师生从军。梦霞离(lí )去(qù )后，梨娘(🕑)的病与日俱(🤝)重，终(💣)(zhōng )于(🙇)不治，临(👕)终遗(😿)书二封(🈸)交鹏(⏹)(péng )郎(🏺)，一致梦霞，一致筠倩。筠(jun1 )倩阅后，方知寡嫂为自己而(é(⏳)r )死，便(😽)把感(🐓)激梨娘(💭)之情(👟)，倾(qīng )注(♏)于鹏(🎠)郎身(🏔)上，于是带鹏(😌)郎(láng )到(dào )战地看望梦霞。梦霞负伤住(zhù(🌷) )在医院，见到鹏郎(🔃)悲喜(⛰)交集(jí(🐪) )，读罢(💰)遗书(🌠)后痛不(🍳)可忍(🈂)。念(niàn )筠倩对梨娘(🚁)托孤之忠，以一(yī )个(gè )弱女子长途跋涉(🐂)看望自己，敬(🥠)爱之(🔙)心油(⚡)然而起(🎱)。筠倩(🎁)见(jiàn )梦(🍒)霞受(🛡)伤，足(🦃)见其爱国心之(zhī )诚(chéng )，是一个好男儿，不禁心生(shēng )敬(🐤)爱。至(🅱)此，这(🤯)对曾经(⛑)貌合(👚)(hé )神离(🤟)的夫(🆔)妻心(🐪)心相印，成为(🕓)(wéi )恩(ēn )爱夫妻。
A scientist discovers a death ray and locks it in a box, giving the key to his daughter, who soon finds herself hunted by criminals looking to steal the deadly mineral.
The beautiful Slavic countess Vera Preobrajenska (played by Thaïs Galitzy) is a seductress of married men, who drags them to the brink of ruin. When Thaïs seduces the husband of her best friend, she dies from falling off her horse.
全球首部剧情(qíng )片(🏈)
本片又译作《党同(🥣)伐异(🛀)》，是D．W．(😋)格里(🌯)菲思(👟)最具创(🗝)作(zuò(😬) )野心的作品。由于(🤳)受到《国(guó )家(jiā )的诞生》惊人卖座的影响(🦒)，格里菲思遂(💒)再接(🚐)再励(🌖)拍摄一(🈁)(yī )部(🍾)场面更(💴)大，内(🈯)容更(🍪)有深度(dù )的(de )影片。他花了一年半的时间(jiān )，动用了二(📁)百万(📓)美元(🚠)的制作(🧚)(zuò )费(📇)，拍摄成(🤸)片长(🏿)220分的(🚅)巨片（原(yuá(👯)n )版长480分）。可惜本片在1916年9月(yuè )于纽约公(🌵)映时，并没有受到(🏉)(dào )预(🤒)期的欢(🌲)迎。本(📀)片所(😁)以卖座(🦀)(zuò )失(😀)败，原因很多，最主(🏫)要是(shì )格(gé )里菲思在本片所采用的故(🔘)事(shì )结构太(🈚)复杂(🍿)，导演(🧘)手法已(🐞)超(chā(💞)o )越当时(❗)观众(🙌)的接(⛎)受能力。加(jiā )上(shàng )主题过于严肃，其中提倡的(de )宽容和(🙁)反对(🧞)暴力(✍)的论调(🖕)跟当(📶)(dāng )时美(🤫)国的(👪)高昂(🎅)参战情绪引(💴)起(qǐ )冲(chōng )突，因此未能受到普遍欢迎(yí(⏲)ng )。不过，人们却不能(🖕)否认(😚)这(zhè )是(🐎)一部(🌂)电影(📹)艺术上(😱)的不(👴)朽杰(jié )作。《忍无可(🔱)忍》由四段不(bú )同(tóng )时代发生的故事组(📏)成：巴比(bǐ(🧓) )伦的(🥤)没落(👄)、耶稣(🚾)基督(✳)的受难(nán )、(🏮)法国(🖨)的圣巴托罗米宗教大(dà )屠(tú )杀，以及二十世纪初美(🤠)国的(🚵)(de )劳资(🥓)冲突。格(🤨)氏描(🐾)述他自(🍘)己(jǐ(👵) )的构(🚄)想：“四个大(⚫)循环故事(shì )好(hǎo )象四条河流，最初是分(🗾)散而(ér )平静地流(🕙)动着(👧)，最后却(🦎)汇合(🈶)(hé )成(🙍)一条强(📡)大汹(💄)涌的急流"。本(běn )片(🔞)一开始，是一个母亲推摇(yáo )篮(lán )的镜头(💈)，插入(🗞)惠特曼(🛺)的诗(⛸)句(jù(📎) )：“如今(🀄)如同(💘)昨日，世间的(💎)(de )人情(🍺)变化循环无穷。摇篮摇(yáo )动(dòng )着，为人类带来同样的(🎊)激情(🦂)(qíng )，同(🏰)样的优(⏰)乐悲(🥞)欢。"这字(📌)幕(mù(🤦) )之后(💾)，展开第一个(📐)作为全片(piàn )基(jī )调的现代篇故事。随着(💞)剧情(qíng )的进展，导(⬅)演经(🌏)常切入(💎)另外(🤸)(wài )三(🔝)段故事(🐯)，成为(🚽)四段平行发(fā )展(🏵)。最后，画面仍回到母亲(qīn )和(hé )摇篮，呈现(🤗)出“人(🎅)类从不(👊)容(ró(🍡)ng )异已(🏃)到宽容(🍪)的进(🕖)化"的主题。作(🛃)为故(✏)事核心的现代篇“母(mǔ )与(yǔ )法"，内容描述四个失业的(😭)男(ná(📨)n )女工(📴)人从小(💸)镇来(🔑)到都市(📪)中找(🕉)(zhǎo )工(😬)作，有人误入(🍍)歧途，有人(rén )渴(kě )望过正常的家庭生活(🅰)。正派(pài )的男主角(🛥)被诬(📛)陷为杀(📦)人凶(🌳)手(shǒu )，被捕后(🥐)判处(🥀)死刑。行刑之(zhī )日，真凶良心发现，在最危险(xiǎn )的一刻将男(🙆)主角(🗝)救了出(🌟)来。从(🚏)这个故事中(🔯)，可以(🍭)看出二(èr )十(⚡)世纪初期美国的一般社会状(zhuàng )况：农村不安定，都市阴(🌃)暗(à(👁)n )而复杂、劳(🦕)工生(⏺)活困苦(🕞)、法(🎪)(fǎ )律问题重重等(🌆)。格里菲思在(zài )本(běn )片中进一步表演他(⬅)在“平行(háng )剪接"方(🎿)面的(💦)杰出才(🥫)能。他(🚂)利(lì )用四段(👃)故事(➖)中的类似情景作(zuò )比较剪接，使分散的情节显得(dé )统一(💶)有力(🆕)，并因类(🌭)似镜(🔲)头的(de )多次重(🌯)复而(👱)使剧情产生(😖)出热(rè )情奔放的情绪高潮。譬如有一(yī )段镜头是这样剪(😝)接的(🛵)：一、耶稣(⛅)基督(👉)被士兵(✴)押着(📞)前进；二、巴比(🐢)伦的村女向情侣奔(bēn )告(gào )国王的危急(🏹)；三、现代的少(🐤)(shǎo )女(🦇)拚命为(🤓)救她(🙋)的爱人而奔(🥇)走(zǒ(👁)u )；四、在巴黎大屠杀中，新(xīn )教徒企图在群众骚乱的街(🍽)道上(⛹)(shàng )援救(🤳)未婚(🤝)妻。格氏利用(🃏)移动(☕)(dòng )摄影、镜(🔻)头、划过镜头等技(jì )巧连接四段平行发展的情节，节奏(📬)紧凑(📐)流畅。格氏甚(🆙)至在(📵)(zài )个别(➕)的故(🏗)事片段中使用短(🚶)短(duǎn )的倒叙技巧（FLAXHBACK）来交代情节(jiē )，显(😪)见他的“电影文法(🈲)"的确(🌭)比(bǐ )同(🛏)时代(✴)的导演高出(💓)很多(🦏)。除(chú )此之外，格氏在本片中亦首(shǒu )创“大特写"和“大远景"的(🧗)镜头(🕙)(tóu )，以加(🗂)强观(🌯)众的心理感(⏪)觉（(🏄)如：特写女(🦖)人紧握的手，表(biǎo )现她在听到丈夫判死刑的消息(xī )时的(🧜)焦急(🚡)；以大远景(📙)拍摄(⛓)资(zī )本(👧)家独(🅿)坐办公室中，暗示(🦕)他(tā )庞大的支配权力）。他又利(lì )用(yò(🍆)ng )影片染色的方法(👓)来加(😌)强各种(👢)(zhǒng )特(💫)殊效果（如(👛)夜景(🏉)用染青色(sè )的影片、点灯的房内用染黄(huáng )色的影片、(📁)巴比(🥣)伦城火(🏑)烧时(🤵)用(yòng )染红色(😍)的影(🗽)片）。这种影(💼)片(piàn )染色方法虽非格氏首创，但(dàn )却没有人像他这样在(🏟)一部(🛹)电影(yǐng )片中(🚺)大胆(👸)的全面(🍁)采用(😈)。令人(rén )惊异的是(🤦)，这样一部内容复(fù )杂的大制作竟然由(🐖)始至终没(méi )有(yǒ(🐶)u )一个(🎯)完整的(💒)剧本(📄)，而只是靠(kà(🕓)o )格里(💑)菲斯的临场即兴创作而(ér )成。此外，本片也没有任何(hé )布(🍭)景的(🏯)设计图(🤞)，但格(🥓)氏却能够(gò(🧒)u )命人(🎿)搭盖出宏伟(🎢)得哧人的巴(bā )比伦布景。在拍摄巴比伦攻(gōng )耶路撒冷的(😩)场面(🚐)时，更在一天(💷)(tiān )之(🔁)内同时(🕚)动用(🎅)一万五千名临(lí(🚩)n )时演员和二百五十辆战车。他这种大手(🤳)笔使得当时意大(🎙)(dà )利(🎫)(lì )出品(🤩)的历(👂)史巨片也瞠(💢)乎其(🥤)后(hòu )，由此也可以看出格氏对自(zì )己的创作能力如何自(🅰)信。或(👋)(huò )许正(🈹)如格(🌏)氏自己的格(🈺)言所(🌵)说：“艺术经(🖲)常都是革命性的、爆炸性的，以及轰轰烈烈的(de )"。看《忍无可(📪)忍》一(🎞)片幕前幕(mù(🎱) )后的(💝)表现，可(😐)知格(🖲)里菲思的(de )确是一(🔽)个身体力行的艺术家(jiā )。
Maude Brooks is in love with an aviator, George Pinckney. Maude tells her father that she intends to marry George, as he is a splendid fellow, but her father will not listen to her. So she decides to elope. Maude meets George at the machine and together they fly up into the air. Mr. Brooks, who has been apprised of his daughter's intentions, starts in pursuit. He also flies in an aeroplane until something goes wrong. Then he has to descend and by devious routes manages to reach the express train, which runs to the neighboring town, where his daughter has fled to be married. An exciting race takes place between the flying machine and the locomotive. When the train reaches the station, Mr. Brooks hails an automobile and arrives at the church just as his daughter has changed her name to Mrs. George Pinckney. He is furious, but Maude's persuasiveness leads him to see things in a different light.
由上海新民公(🔂)司出品。
Graustark needs thirty million dollars to satisfy a Russian loan. The Prince of Dawsbergen, ruler of the adjoining principality, will advance the money if the young Prince of Graustark marries his daughter. Prince Robin, however, inherits an independent spirit, his father having been an American. He refuses absolutely to marry a Princess whom he has never seen. His councilors plead in vain. With the ruin of his country imminent, the boy ruler hastily sails for America to negotiate the loan, hoping at the same time to meet the girl of his dreams. The money is readily advanced by William W. Blithers, a self-made millionaire anxious to have his daughter marry into royalty. The daughter, however, avoids the Prince and he does not see her. He rescues a girl from drowning and falls in love with her. He believes her to be Blithers' daughter, but she does not reveal her identity. Simultaneous with the Prince's departure for home comes a note to Blithers from his daughter that she has sailed for Europe to escape the Prince. Blithers is elated. He is certain they will meet on shipboard. The Prince does meet the girl he loves. In Paris he makes a tryst with her and they are arrested for speeding. Before any sentence can be passed upon her, however, a diplomatic document reaches the court and they are freed. The Prince believes the power of Blithers to be world-wide. The night of his return to Graustark with the welcome news of the loan, the Prince of Dawsbergen is a guest at the palace. A mysterious note calls the younger man to the terrace. There he meets the girl. He tells her that even though she is Blithers' daughter, he wants to marry her. Taking her into the palace he announces her to the councilors as his future bride. He cannot account for their approving smile. "There is your father," he tells the girl as Blithers, who followed them across the ocean, enters the room. She laughs. "No, my father is over there," she exclaims, pointing to the Prince of Dawsbergen. The energetic Blithers explodes when he learns the news. He recovers himself, however, and says: "Congratulations. Prince. I can be a good loser."
Within Our Gates is a 1920 silent race film that dramatically depicts the racial situation in America during the violent years of Jim Crow, the Klan, the Great Migration, and the emergence of the "New Negro." The story focuses on an African-American woman who goes North in an effort to help a minister in the Deep South raise money to keep a school open for poor Black children. Her romance with a black doctor eventually leads to revelations about her family's past that expose the racial skeletons in America's closet, most famously through the film's depiction of the injustice of lynching. Produced, written and directed by novelist Oscar Micheaux, it is the oldest known surviving film made by an African-American director. The film, which was written and directed by Micheaux, stars Evelyn Preer, Flo Clements, James D. Ruffin, Jack Chenault, William Smith and Charles D. Lucas.