偷天换日电视剧 正片

Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later. Matt Wade escapes from prison and tries to persuade his brother Bill, a reformed gunslinger, to participate in a hold-up. Billy refuses but Matt frames him and he is forced to ride off with the gang. Billy fights with his brother and accidentally kills him, while Matt's teen-aged son, Ted, who thinks his father had been paroled from prison, sees the shooting. Returning to town to explain the true situation, Billy is almost lynched by the townsmen mob who think he was part of the robbery. He escapes and goes back to the gang, pretending to join them but actually looking for evidence to clear himself and turn gang leader, Ike Garvey, over to Marshal Sam Jennings. Only his fianc�e Arlene knows of his plan. 通(tō(🐫)ng )過(guò )對一個幾代同堂的(de )大(🏣)(dà )家庭(🌮)的生活描繪來反(fǎn )映(yìng )中(💠)產階級(🙊)不斷變(🛑)壞(huài )的(de )生活(⬇)。 现代男(🌶)版灰姑(🙋)(gū )娘(niá(🔊)ng )金鱼变司机(💭)脚踏车(🚡)(chē )变(bià(✝)n )蝙蝠车最喜欢JERRYLEWIS在厨(🛢)房(fáng )即(👠)兴COUNTBASIE的CUTE那(✨)一段,后段COUNTBASIE本(běn )人(ré(👈)n )和大乐(🏠)团也有(📼)参与演(yǎn )出男主与(🙀)公主跳(👿)舞那(nà(⚪) )一(yī )段也很有趣. 关(🐅)于来自(👃)(zì )夏威(😥)夷的日裔美国人(ré(📼)n )在(zài )朝(🍮)鲜战争中的经理(lǐ ) Park Nam-u (Kim Jin-gyu) works at a Japanese pharmaceutical company and lives happily with his wife, Gyeong-hui (Choe Eun-hui), in a house filled with beautiful white roses. Not long after hearing the wonderful news that his wife is pregnant, Park Nam-u is drafted into the war in the Pacific. Posted in the Gwandong army, he survives the battle, though his face is burned. Back home, Gyeong-hui receives a telegram stating that her husband is dead. When she gives birth to their son, Cheol-su (Nam Yang-il), she goes to live in Seoul. When Nam-u comes back to the country, he doesn't go to his wife, but rather goes to live in his hometown. On his way home, he encounters a child whose mother is dead, and takes her in as his own daughter. As his daughter, Park Pyeong-suk (Eom Aeng-ran), enters university in Seoul on a scholarship, Nam-u joins a pharmaceutical company thanks to his friend (Heo Jang-gang). Pyeong-suk and Cheol-su meet by chance and begin to have feelings for each other. When the president of the pharmaceutical company (Lee Min) holds a party commemorating a pending patent and invites Nam-u, Gyeong-hui, who is now the wife of the president, runs into Nam-u at the party, and she tells him that Cheol-su is his son. When Nam-u participates in the April 19 Revolution, he finds Cheol-su injured and brings him to the hospital and tells his family. Nam-u leaves, saying that everyone would be happier if he were to disappear. With that, he gloomily walks away. 愛(ài )新(✉)覚羅浩(💂)が自らの生(shēng )涯(yá )をつづ(⚫)って大(🆕)反響(xiǎng )を呼んだ同名の”涙(➡)のベス(🥋)トセラ(📡)ー”を映(yìng )画(📎)(huà )化し(🥩)た、愛(📅)と感動の物(wù )語。 作(🚖)家彭梅(✂)芬与(yǔ(🙀) )徐(xú )曼丽、赵淑娴(😘)同往一(⚪)(yī )屋，情(🍡)如姊妹。娴数(shù )年(niá(🍞)n )前遭前(🤚)夫陆飞(🥦)鸿抛弃(qì )，独力照顾(🚕)卧病在(🏗)医(yī )院(🛂)(yuàn )的儿子；鸿浪子(🔻)回头(tó(🗺)u )，娴坚拒复合。丽倾(qīng )慕(mù )新(🦆)加坡笔(🕠)友郑大江(jiāng )，对追求者李家(🐺)华不瞅(🌨)(chǒu )不(bú )睬。江抵港后，爱(ài )的(🛢)(de )是芬；(😵)芬却是(🔹)曾经苍(cāng )海(😂)(hǎi )，竭力(🏿)回避。芬(🈺)往(wǎng )青(🙈)(qīng )山小住，江(🐦)、丽、(👳)华(huá )先(🌩)(xiān )后为所爱的人追(🥍)往(wǎng )青(👆)(qīng )山。芬(🕙)终为江打动，丽目睹(🎊)二人拥(🛫)吻，疾(jí(☕) )奔(bēn )而去时给华的(👕)车子撞(🍏)(zhuàng )倒。各(😚)人在医院碰头(tóu )，丽(✍)终接受(⬛)华，娴亦为(wéi )了儿子原谅鸿(🏍)。